<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8103001843907090925</id><updated>2012-02-12T13:57:50.135Z</updated><category term='Que paso Que paso'/><category term='Me gustas tu'/><category term='Interview'/><category term='Geekiness Attitude'/><category term='Blog Ego'/><category term='En Vivo'/><title type='text'>Clandestina R Bemba</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default?start-index=101&amp;max-results=100'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>438</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-2556119395382864981</id><published>2012-02-12T13:57:00.000Z</published><updated>2012-02-12T13:57:50.153Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>En defensa del magistrado Baltasar Garzón Real</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;España - Operaciones contra el narcotráfico, investigaciones a ETA y su entorno, causa contra Pinochet y las dictaturas en Chile y Argentina, causa contra los crímenes del franquismo, investigaciones al antiguo alcalde de Marbella y dueño del Atlético de Madrid por corrupción… Son numerosas las causas por cuales combatió el juez Garzón. Todos sabemos que muchos lo acusaron a él de querer volver famoso gracias a estos casos y por haber tenido, en su juventud,&amp;nbsp; ideas extremas de izquierda. Muchos han requerrido procesos contra él y, a la sorpresa general, el 9 de febrero de 2012 el tribunal Supremo le condenó por prevaricación de forma unánime por las escuchas ilegales durante la investigación del caso Gürtel con la pena de 11 años de inhabilitación especial para el cargo de juez o magistrado con pérdida definitiva del cargo que ostenta. ¿Conocéis uustedes mejor manera de callar a alguien? Pero España no acepta eso y muchas pruebas de solidaridad se elevan como esa firmada Pedro Alomdovar&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Espagne - Opérations contre le narco trafique, enquêtes sur l’ETA et son entourage, mandat d’arrêt contre Pinochet et les dictatures au Chili et en Argentine, enquêtes au sujet des crimes franquistes, enquête du l’ancien maire de Marbella et propriétaire de l’Atlético de Madrid pour corruption… Nombreuses sont les causes contre lesquelles le juge Garzón s’est engagée. Au-delà de la sympathie populaire que lui attirent ses combats, il a de nombreux ennuis judiciaires. De nombreux procès lui sont faits et, à la surprise générale, le 9 février dernier&amp;nbsp; le tribunal Suprême le suspend de ses fonctions de juge et magistrat pour avoir ordonné l’écoute et l’enregistrement des discussions entre des suspects incarcérés et leurs avocats. Connaissez-vous meilleur moyen de faire taire quelqu’un&amp;nbsp;? L’Espagne n’accepte cependant pas ce verdict et beaucoup d’actions s’élèvent contre cette décision à l'image de cette vidéo signée Pedro Almodovar...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Spain&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; - Operations against drug-trafficking, investigations about ETA and its entourage, international warrants for the arrest of Pinochet and the dictatorship in &lt;st1:country-region w:st="on"&gt;Chile&lt;/st1:country-region&gt; and &lt;st1:country-region w:st="on"&gt;Argentina&lt;/st1:country-region&gt;, investigations about Francoist atrocities, inquires of the former mayor of &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Marbella&lt;/st1:place&gt;&lt;/st1:city&gt; and owner of the Atlético of Madrid for corruption… Many are the causes against which the judge Garzón had been engaged for. Beyond popular sympathy that its engagements attract to him, he has many legal problems. Many lawsuits are made to him and, surprising everybody, last February 9, the Supreme Court of Spain convicted him of illegally bugging conversations between suspects on remand for massive fraud and their lawyers and then the Court sentenced him to eleven years disqualification from judicial activity. Do you know better means to shut up somebody? &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Spain&lt;/st1:place&gt;&lt;/st1:country-region&gt; does not accept this verdict and there is a lot of actions protest against this decision as this one signed by Pedro Almodova...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources :&lt;/i&gt; &lt;a href="http://www.blogger.com/goog_982860633"&gt;El Pa&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://elpais.com/elpais/2012/02/10/opinion/1328898762_987671.html" target="_blank"&gt;í&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/tXEkB5xjlTQ?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-2556119395382864981?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/2556119395382864981/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=2556119395382864981&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/2556119395382864981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/2556119395382864981'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/02/en-defensa-del-magistrado-baltasar.html' title='En defensa del magistrado Baltasar Garzón Real'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-3665736038110217104</id><published>2012-02-07T16:26:00.001Z</published><updated>2012-02-07T16:30:42.857Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><title type='text'>Ann’so M au PIXI</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/391795_2959344187837_1388494877_4331666_2107764108_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/391795_2959344187837_1388494877_4331666_2107764108_n.jpg" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Samedi 11 février prochain Ann’so M sera en concert au PIXI (93). Première partie assurée par Marc Hérivel. Si vous passez dans le coin, n’hésitez surtout pas&amp;nbsp;!!...&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Next February 11th, Ann’so M will be live at the PIXI (93, &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt;). First you’ll could be heard Marc Herivel. If you’re near, just go!!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El próximo 11 de febrero Ann’so M estará en vivo en el PIXI (93, Francia). Se podrá escuchar primero a Marc Hérivel. Si estaís cerca ¡no se lo puede perder por na’!...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2010/01/interview-annso-m-auteur-compositeur.html" target="_blank"&gt;Ann'so M - L'interview par Clandestina&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-3665736038110217104?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/3665736038110217104/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=3665736038110217104&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3665736038110217104'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3665736038110217104'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/02/annso-m-au-pixi.html' title='Ann’so M au PIXI'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1624985822643068948</id><published>2012-02-06T16:05:00.002Z</published><updated>2012-02-06T16:09:11.893Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>We Need to Talk about Kevin – Lynne Ramsay</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/1007931_fr_we_need_to_talk_about_kevin_1316513434554.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/1007931_fr_we_need_to_talk_about_kevin_1316513434554.jpg" width="300" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Based on the novel firmed Lionel Shriver, We Need to Talk About Kevin approaches in a very singular way the relation between a mother and his son. Eva puts an end to its professional life and its personal ambitions to give rise to Kevin. From the start the communication between the mother and the son is very complicated. At the dawn of its 16 years old, Kevin makes the irrevocable thing. Devastated, Eva wonders then about her responsibility. She starts an anamenis on its relation with her son, recalling step by step the trajectory which, from his childhood to adolescence, led Kevin make the unthinkable one. Assembled in Flashback the film, as the novel, adopts the point of view of the mother, which explains the quasi omnipresence in the film of this red color blood. The directing has, morever, the merit to remotely hold the emotion to concentrate on the exam quasi clinical, precise and freezing of a missed relation mother-son. This technique makes also possible to this story, which is stretched on about 20 years, to avoid a frontal hatred to go towards more complexity, this last bringing us to various interrogations about this relation…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Inspiré du roman éponyme signé Lionel Shriver, We Need to Talk About Kevin aborde d’une façon très singulière la relation mère-fils.&amp;nbsp; Eva met sa vie professionnelle et ses ambitions personnelles entre parenthèse pour donner naissance à Kevin. D’emblée la communication entre la mère et le fils s’avère très compliquée. A l’aube de ses 16 ans, Kevin commet l’irréparable. Dévastée, Eva s’interroge alors sur sa responsabilité. Elle entame une douloureuse anamnèse sur sa relation avec son fils, retraçant pas à pas la trajectoire qui, de l’enfance à l’adolescence, a conduit Kevin à commettre l’impensable. Monté en flash-back le film, comme le roman, adopte le point de vue de la mère, ce qui explique la présence quasi omniprésente durant le film de cette couleur rouge sang. La mise en scène a, de plus, le mérite de tenir à distance l’émotion pour se concentrer sur l’examen quasi clinique, précis et glaçant d’une relation mère-fils ratée. Cette technique permet également à ce récit, qui s’étire sur une vingtaine d’années, d’éviter l’écueil d’une haine frontale &amp;nbsp;pour aller vers plus de complexité, cette dernière nous amenant à diverses interrogations au sujet de cette relation…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Inspirado de la novela firmado Lionel Shriver, We need to Talk About Kevin aborda de una manera muy singular la relación madre-hijo. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Eva pone su vida professional y sus ambiciones personales entre paréntesis para dar nacimiento a Kevin. Inmediatamente la comunicación entre la madre y el hijo resulta muy complicada. A las puertas de sus 16 años, Kevin comete el irreparable. Devastada, Eva se pregunta entonces sobre su responsabilidad. Empieza una dolorosa anamnesia sobre su relación con su hijo, describiendo paso a paso la tryectoria que, de la infancia a la adolescencia, condujo a Kevin a cometer el increíble. Presentado en flash-back la película, como la novela, adopta la opinión de la madre, lo que explica la presencia casi omnipresente durante la película de este color rojo sangre. Además la puesta en escena tiene el mérito de tener a distancia la emoción para concentrarse en el examen casi clínico, preciso y frío de una relación madre-hijo faltada. Esta técnica permite también a este relato, que se estira sobre una veintana de años, de evitar el escollo de un odio frontal para ir hacia más complejidad, este última conduciéndonos a distintas interrogaciones con respecto a esta relación…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2007/07/we-need-to-talk-about-kevin-il-faut.html" target="_blank"&gt;We Need to Talk About Kevin – Lionel Shriver&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="480" src="http://www.youtube-nocookie.com/embed/ZLRgAe2jLaw?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1624985822643068948?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1624985822643068948/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1624985822643068948&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1624985822643068948'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1624985822643068948'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/02/we-need-to-talk-about-kevin-lynne.html' title='We Need to Talk about Kevin – Lynne Ramsay'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-770087668821396759</id><published>2012-01-23T15:21:00.002Z</published><updated>2012-01-23T18:35:54.546Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Hollande le présidentiable</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/hollande_scalewidth_630.2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="213" src="http://static.skynetblogs.be/media/10758/hollande_scalewidth_630.2.jpg" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Lors de son investiture en tant que candidat PS aux présidentielles de 2012, en &lt;a href="http://clandestina-rbemba.blogspot.com/2011/10/and-winner-is-francois-hollande.html" target="_blank"&gt;octobre2011&lt;/a&gt;, beaucoup s’interrogeaient sur les capacités de François Hollande dans ce rôle. Cette image de mollesse, reprochée à l’intérieur même de son parti, pouvait faire craindre le pire pour la suite de la campagne. C’est pourquoi militants et sympathisants attendaient avec impatience les débuts de la campagne pour juger du candidat Hollande. Le premier rendez-vous fut le bon. C’est en effet hier, au Bourget, que François Hollande a donné son premier meeting, et quel meeting! Du début à la fin ce dernier a livré un excellent discours concret, porteur d’espoir, le tout avec une énergie dont beaucoup, moi compris, ne l’auraient pas cru capable. Aucun doute possible, Flamby c’est fini. La campagne est lancée, le programme de Hollande également. Pour celles et ceux qui auraient loupé le discours du Bourget, séance de rattrapage immédiate…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;The day of its nomination as PS candidate to the presidential of &lt;st1:metricconverter productid="2012, in" w:st="on"&gt;2012, in&lt;/st1:metricconverter&gt; &lt;a href="http://clandestina-rbemba.blogspot.com/2011/10/and-winner-is-francois-hollande.html" target="_blank"&gt;October 2011&lt;/a&gt;, much wondered about the capacities of François Hollande in this role. He had an image of softness reproached even inside the PS, which could make fear the worst for the continuation. This is why militants and sympathizers impatiently awaited the beginnings of the campaign to judge the candidate Hollande. Thie first one was the good one. Indeed it is yesterday, at Le Bourget, that François Hollande gave its first meeting and, what a meeting! From the beginning to the end this last delivered an excellent concrete speech, carrying hope, with an energy of which much included me, would not have believed him able to. There is no doubt possible, Flamby is over. The campaign is launched, the program of Hollande too. For those who would have not see the speech at Le Bourget, you can see it here…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Durante su investidura como candidate PS a las presidenciales de 2012, en &lt;a href="http://clandestina-rbemba.blogspot.com/2011/10/and-winner-is-francois-hollande.html" target="_blank"&gt;octubre 2011&lt;/a&gt;, muchos se preguntaban sobre las capacidades de François Hollande en este papel. Esta imagen de blandura, acusada dentro de su partio, podía hacer temer lo peor para el futuro. Esta es la razón por la que militantes y compadeciéndose esperaban ansiosamente los principios de la campaña para juzgar al candidato Hollande. La primera cita fue la buena. N efecto es ayer, en al Bourget, que François Hollande dio su primer reunión. ¡Y qué reunió&amp;nbsp;! &lt;/span&gt;&lt;st1:state w:st="on"&gt;&lt;st1:place w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Del&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:state&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; pincipio al final este último suministró un excelente discurso concreto, portador de esperanza, todo eso con una energía de cual muchos, incluido yo, no lo habría creído capaz. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Ninguna duda es possible, ya se terminó Flamby. La campaña ya esta lanzada, el programa de Hollande también. Para las y los que no hubierán visto el discurso del Bourget, ya se le puede ver ahora mismo aquí…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe frameborder="0" height="360" src="http://www.dailymotion.com/embed/video/xnwqp5_francois-hollande-pose-l-egalite-et-la-justice-au-coeur-de-son-projet_news" width="640"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://www.dailymotion.com/video/xnwqp5_francois-hollande-pose-l-egalite-et-la-justice-au-coeur-de-son-projet_news" target="_blank"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-770087668821396759?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/770087668821396759/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=770087668821396759&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/770087668821396759'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/770087668821396759'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/01/hollande-le-presidentiable.html' title='Hollande le présidentiable'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-8356778256163114482</id><published>2012-01-10T15:05:00.001Z</published><updated>2012-01-10T20:08:08.446Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><title type='text'>El Sr Punto – Sala Circus, Cerdanyola</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/400240_345075548854298_100000555671029_1346661_761761572_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/400240_345075548854298_100000555671029_1346661_761761572_n.jpg" width="275" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Señoras y señores, si queréis saber que quiere decir el Mash-up musical no teneis más que venir el próximo viernes 13 en &lt;/span&gt;&lt;st1:personname productid="La Sala Circus" style="font-family: Tahoma; font-size: 12pt;" w:st="on"&gt;&lt;st1:personname productid="La Sala" w:st="on"&gt;La Sala&lt;/st1:personname&gt;  Circus&lt;/st1:personname&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; Cerdanyola (Bcn). Os invita el Sr Punto. ¡A disfrutar!...&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Pour celles et ceux qui sont curieux de savoir ce qu’est le Mash-up musical, rendez-vous vendredi prochain 13 janvier à &lt;st1:personname productid="La Sala Circus" w:st="on"&gt;&lt;st1:personname productid="La Sala" w:st="on"&gt;La   Sala&lt;/st1:personname&gt; Circus&lt;/st1:personname&gt; Cerdanyola (Bcn). Vous y invite le Sr Punto. Courrez-y&amp;nbsp;!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Ladies and gentlemen, if you want to know what musical Mash-up is, you just have to go next Friday, 13&lt;sup&gt;th&lt;/sup&gt; January, on &lt;st1:personname productid="La Sala Circus" w:st="on"&gt;&lt;st1:personname productid="La Sala" w:st="on"&gt;La Sala&lt;/st1:personname&gt; Circus&lt;/st1:personname&gt; Cerdanyola (Bcn). Sr Punto invites you. Just go there!...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-8356778256163114482?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/8356778256163114482/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=8356778256163114482&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/8356778256163114482'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/8356778256163114482'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/01/el-sr-punto-sala-circus-cerdanyola.html' title='El Sr Punto – Sala Circus, Cerdanyola'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1989290717377954951</id><published>2012-01-06T20:12:00.005Z</published><updated>2012-01-06T20:31:27.419Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><title type='text'>Sydney Festival 2012 welcomes Manu Chao</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/syd_fest_slider.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;img border="0" src="http://static.skynetblogs.be/media/10758/syd_fest_slider.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Every January, Sidney Festival enlivens and transforms &lt;/span&gt;&lt;st1:city style="font-family: Tahoma; font-size: 12pt;" w:st="on"&gt;&lt;st1:place w:st="on"&gt;Sydney&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; with a bold cultural celebration based on the highest quality art and big ideas. Kicking off with Festival First Night, an extravaganza that invites everyone to experiences Sydney in spectacular and surprising new ways, on Saturday 7 January, the program line up is kaleidoscopic in its diversity from burlesque circus to New York rap to Russian theatre passing by traditional Indigenous arts practice. This year Sydney Festival celebrates &lt;/span&gt;&lt;st1:city style="font-family: Tahoma; font-size: 12pt;" w:st="on"&gt;&lt;st1:place w:st="on"&gt;Sydney&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;’s unique history with a program which comprises around 300 performances and around 100 events performed by over 1000 artists in at least 20 venues. The Sydney Festival welcomes back this year some important world names as Manu Chao La &lt;/span&gt;&lt;st1:place style="font-family: Tahoma; font-size: 12pt;" w:st="on"&gt;&lt;st1:city w:st="on"&gt;ventura&lt;/st1:city&gt;,  &lt;st1:state w:st="on"&gt;Washington&lt;/st1:state&gt;&lt;/st1:place&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;, Gurrumul, Norman Jay, The Jolly Boys and so much more! If you’re near &lt;/span&gt;&lt;st1:city style="font-family: Tahoma; font-size: 12pt;" w:st="on"&gt;&lt;st1:place w:st="on"&gt;Sydney&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;, please don’t miss it!...&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Chaque année en janvier, Sydney Festival anime et transforme Sydney à travers une audacieuse fête culturelle basée sur l’art de haute qualité et de grandes idées. Le début est donné le samedi 7 janvier avec le Festival First Night, extravagante&amp;nbsp; nuit qui invite chacun à expérimenter Sydney de manière spectaculaire et surprenante, dont la programmation est kaléidoscopique dans sa diversité allant du cirque burlesque au rap new-yorkais u théâtre russe en passant par la pratique des arts traditionnels Indigènes. Cette année Sydney Festival célèbre l’histoire de Sydney avec un programme qui comprend quelques 300 performances et environ 100 évènements réalisés par plus de 1000 artistes dans pas moins de 20 lieus différents. Sydney Festival accueille à nouveau cette année des artistes internationaux tels Manu Chao &lt;st1:personname productid="La Ventura" w:st="on"&gt;La Ventura&lt;/st1:personname&gt;, Washington, Gurrumul, Norman Jay, The Jolly Boys et beaucoup d’autres encore! Si vous êtes dans le coin, ne ratez cela sous aucun prétexte!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Cada año en enero, Sydney Festival anima y transforma Sidney a través de una audaz fiesta cultural basada en el arte de alta calidad y grandes ideas. El principio se da el sábado 7 de enero con el Festival First Night, extravagante nche que invita cada uno a experimentar Sidney de manera espectacular y sorprendente, cuya programación es caleidoscópica en su diversidad que va del circo burlesco al rap newyorquí u teatro ruso pasando por la práctica de las artes tradicionales indígenas. Este año Sydney Festival celebra la historia de Sidney con un programa que incluye aproximadamente 300 performances y alrededor de 100 acontecimientos realizados por más de 1000 artistas.en 20 lugares diferentes. Sydney Festival acoge nuevamente este año artistas internacionales tales Manu Chao &lt;st1:personname productid="La Ventura" w:st="on"&gt;La Ventura&lt;/st1:personname&gt;, Washington, Gurrumul, Norman Jay, The Jolly Boys y ¡muchos otros aún! Si se encuentran acerca de allí &amp;nbsp;¡os aconsejo vivamente ir a vivir esta experiencia!...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Official Site | &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.sydneyfestival.org.au/2012/" target="_blank"&gt;Sydney Festival 2012&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/E1XGlW-mk1g?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1989290717377954951?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1989290717377954951/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1989290717377954951&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1989290717377954951'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1989290717377954951'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/01/sydney-festival-2012-welcomes-manu-chao.html' title='Sydney Festival 2012 welcomes Manu Chao'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-635128734231066679</id><published>2012-01-04T15:12:00.001Z</published><updated>2012-01-04T15:13:03.120Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>La Redoute n'habille pas les hommes nus</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/582591308.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10758/582591308.jpg" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Voici la gaffe de l’année&amp;nbsp;! Oui oui même si nous ne sommes que le 4 janvier. En effet ce mercredi les cyber-clients de &lt;st1:personname productid="La Redoute" w:st="on"&gt;La Redoute&lt;/st1:personname&gt; désirant acheter des t-shirts pour enfant ont pu tomber sur cette photo où quatre enfants courent sur la plage avec, en arrière plan, un homme nu! &lt;st1:personname productid="La Redoute" w:st="on"&gt;La  Redoute&lt;/st1:personname&gt; faisant bien les choses il était possible de zoomer sur l’article… et le nudiste! Assez gênant, avouons-le, surtout concernant des articles pour enfants. Le site a bien vite retiré la photo et s’est excusé via Twitter. Il n’empêche, cela a permis à La redoute de faire le buzz, et sa pub, sur les réseaux sociaux&amp;nbsp; puisque il est à cette heure en TT mondial!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/3386383301.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: right;"&gt;&lt;img border="0" height="223" src="http://static.skynetblogs.be/media/10758/3386383301.JPG" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡Ya tenemos el bichero del año&amp;nbsp;! Se los aseguro aunque seamos solamente el 4 de enero. En efecto este miércoles los clientes en línea de &lt;st1:personname productid="La Redoute" w:st="on"&gt;La Redoute&lt;/st1:personname&gt; que deseaban comprar t-shirt para niños pudieron ver esta foto en cual cuatro niños corren en una playa con, en el fondo, ¡un hombre desnudo! &lt;st1:personname productid="La Redoute" w:st="on"&gt;La Redoute&lt;/st1:personname&gt;, que siemrpe hace las cosas bien, permetía de ver en grande el t-shirt… y ¡el nudista! &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;lgo no muy serioso, hay que decirlo, sobre todo cuando es en relación con los niños. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;La Redoute&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; retiró en el mediodía la foto y se disculpó mediante Twitter. De todos modos eso le permitió hacer el buzz, y algo de publicidad, en las redes sociales puesto que ya a esta hora, está en TT mundial…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;We have yet the blunder of the year! Yes, even if we just are on January 4&lt;sup&gt;th&lt;/sup&gt;. Indeed this Wednesday the cyber- customers of &lt;st1:personname productid="La Redoute" w:st="on"&gt;La  Redoute&lt;/st1:personname&gt; whishing buy tee-shirts for children could see this picture were four children run on the beach with, in background, a naked man! &lt;st1:personname productid="La Redoute" w:st="on"&gt;La Redoute&lt;/st1:personname&gt; making all really well, it was possible to see clearly the article…. And the nudist! Really bad, we have to say it, especially concerning children articles. The site quickly withdrew the picture and made some apologies on Twitter. Too late, the buzz, and advertising, was done on social networks since it is, at this hour, an international TT!...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-635128734231066679?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/635128734231066679/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=635128734231066679&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/635128734231066679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/635128734231066679'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/01/la-redoute-nhabille-pas-les-hommes-nus.html' title='La Redoute n&apos;habille pas les hommes nus'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-7062956065537474832</id><published>2012-01-03T16:59:00.001Z</published><updated>2012-01-03T17:25:38.166Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Resposta – Rafinha Bastos</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/cd3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10758/cd3.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;O humorista Rafinha Bastos lançou na dezembro de 2011 seu primeiro CD como cantor na Resposta. Grande parte das músicas do álbum são cantigas populares brasileiras cantadas pelo humorista com batidas ao fundo. A ideia do álbum nasceu pouco antes da ediçao do CQC, que teve Rafinha como apresentador até outubro de 2011. O humorista saiu do programa após se envolver em polêmicas devido a uma piada que fez sobre a gravidez da cantora Wanessa. Em entrevista recente Rafinha, que compôs duas musicas do álbum, disse que se o disco saísse enquanto estava no CQC o lançamento pareceria «&amp;nbsp;meio Maurício Mattar&amp;nbsp;». &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Resposta não será comercializado mas está disponível para download gratuito no site oficial do humorista. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;O album alcançou 265 mil downloads em menos de 24 horas, equivalente a um disco de platina. Grande música? Não. Resposta? Talvez. Mas certamente sarcástico…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;L’humoriste brésilien Rafinha Bastos a sorti en décembre dernier son premier album en tant que chanteur, Resposta. La grande majorité des musiques de l’album sont des chansons enfantines brésiliennes populaires chantées par Rafinha accompagné de batidas. L’idée de l’album est née peu avant la création de CQC, que Rafinha a présenté jusqu’en octobre 2011. L’humoriste a été remercié du programme après une polémique née d’une plaisanterie de Rafinha au sujet de la grossesse de Wanessa. Lors d’une interview récente Rafinha a déclaré que si le CD était sorti alors qu’il était encore dans CQC la sortie aurait parue «mi-Maurício Mattar&amp;nbsp;». Resposta ne sera pas en vente mais disponible au téléchargement gratuit sur le site officiel de l’humoriste. L’album a déjà atteint les 265.000 downloads en 24 heures, ce qui équivaut à un disque d’or. Grande musique&amp;nbsp;? Pas du tout. Une réponse à la polémique&amp;nbsp;? Peut-être. En tout cas très certainement aussi sarcastique…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El humorista brasileño Rafinha Bastos sacó en diciembre pasado Resposta, su primero CD como cantante. La gran mayoría de las músicas del álbum son canciones infantiles populares brasileñas cantadas por Rafinha acompañado con batidas. La idea del álbum nació poco antes de la creación de CQC, que Rafinha presentá octubre de 2011. Se agradeció del programa el umorista después de una polémica nacida de una broma de Rafinha con respecto al embarazo de Wanessa. En una reciente entrevista Rafinha declaró que si el CD hubiera salido mientras estaba aún en CQC la salida habría parecido «&amp;nbsp;mi Maurício Mattar&amp;nbsp;». Resposta no se encontrará a la venta sino disponible en download gratuito en el sitio oficial del humorista. El álbum alcanzó ya los 265.000 downloads en 24 horas, lo que equivale a un disco de oro. ¿Gran música&amp;nbsp;? Claro que no. ¿Repuesta a la polémica&amp;nbsp;? Quizá. En cualquier caso ciertamente sarcástico…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;The Brazilian humorist Rafinha Bastos published last December Resposta, his first album as singer. The great majority of the musics of this album are popular Brazilian nursery rhyme sung by Rafinha accompanied by batidas. The idea of the album was born before the creation of CQC, presented by Rafinha until October 2011. The humorist was thanked after a polemic born with a joke of Rafinha about the pregnancy of Wanessa. During a recent interview Rafinha declared that If the CD as available whereas he was still in CQC the exit would have appeared as “semi-Maurício Mattar”. Resposta will not be on sale but available as free download on the official site of the humorist. The album already reached 265.000 downloads in 24 hours, which is equivalent to a gold disc. Good music? Surely not. An answer to the polemic? Perhaps. In any case really sarcastic…&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;a href="http://www.rafinhabastos.com.br/resposta/" style="font-family: Tahoma; font-size: 12pt; text-align: left;" target="_blank"&gt;Download Resposta na site do Rafinha Bastos&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; &lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/lIl0TaqJDMA?rel=0&amp;amp;hd=1" width="480"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/52RD_9JDmnk?rel=0&amp;amp;hd=1" width="480"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/ezGn5ZhAfVg?rel=0&amp;amp;hd=1" width="480"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-7062956065537474832?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/7062956065537474832/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=7062956065537474832&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7062956065537474832'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7062956065537474832'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/01/resposta-rafinha-bastos.html' title='Resposta – Rafinha Bastos'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-797040656583574225</id><published>2012-01-02T15:05:00.001Z</published><updated>2012-01-02T15:08:50.390Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>1Q84 – Libro 3 – Haruki Murakami</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/2110386822.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/2110386822.jpg" width="266" /&gt;&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;En este tercer volumen de la novela 1Q84 además de las voces de Aomame – la enigmática instructora de gimnasia y asesina – y de Tengo – el profesor de matemáticas y escritor -, se suma la de un nuevo personaje. Ese es un detective llamado Ushikawa. Vanguardia lo encargó de comprobar si Aomame era digna de confianza para trabajar para el líder. Ese le dio visto bueno a la joven, pero está los traicinió a todos para desaperecer después. Si el detectivo no logra encontrarla, la venganza de la secta se abatirá sobre él. Entretanto, Aomame y Tengo, cada uno a su modo, siguen deseándose en la ausencia, buscándose casi sin moverse de su sitio, aislados, quizás a punto de experimentar un giro radical en sus vidas. Ambos esperan un reencuentro que los redima en el mundo de 1984, o en el de 1Q84, ese fantasmagórico universo con dos lunas. En su más puro estilo, Haraki Murakami pone en marcha, en esta tercera parte, el mecanismo más acelerado de la narración del thriller en cual, por supuesto, siguen los elementos fantásticos con su carácter poético e inquietante. Esa trilogía forma parte de esas novelas que generan adición al lector. Lo queda atrapado desde las primeras páginas y le interesa saber lo antes posible el final de la aventura así como la resolución de los enigmas acumulados a lo largo de la novela, cierre perfect de un circulo minuciosamente trazado. Al final Murakami nos obsequia con la invención de un mundo alucinante la posibilidad, quizá, de descubrir a muchos más aún…&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Dans ce troisième volume de la trilogie 1Q84 se mêle aux voix d’Aomame – l’énigmatique prof de gym et assassin – et de Tengo –le prof de mathématiques et écrivain -, celle d’un troisième personnage. Il s’agit d’Ushikawa, détective privé. Vanguardia la chargé de vérifier si Aomamé était digne de confiance afin de réaliser un travail auprès du leader. Ushikawa donne son aval, mais cette dernière les trahit tous avant de disparaître. Si le détective ne la retrouve pas, la vengeance de la secte s’abattra sur lui. Pendant ce temps, Aomamé et Tengo continuent chacun à sa manière, à se désirer dans l’absence, se cherchant quasiment sans bouger de chez eux, isolés, peut-être sur le point de passer un cap décisif dans leurs vies. Les deux espèrent une nouvelle rencontre qui les libère de ce monde de 1984, ou de celui de 1Q84, cet univers fantastique aux deux lunes. Dans un pur style Haraki Murakami accélère, dans cette troisième partie, le mécanisme de narration dans ce thriller où nous retrouvons les éléments fantastiques avec leur caractère poétiques et inquiétants. Cette trilogie fait partie de ces romans qui génèrent l’addiction du lecteur. Il est scotché dés les premières pages et il veut connaître le plus rapidement possible la fin de l’aventure et la résolution des énigmes accumulées au long du roman, boucle parfaite d’un cercle minutieusement tracé. Au final Murakami nous offre avec l’invention de ce monde hallucinant la possibilité, peut-être, d’en découvrir beaucoup d’autres encore…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;In this third volume of the trilogy 1Q84 with the voices of Aomame – the enigmatic teacher of gym and assassin – and Tengo – teacher of mathematics and writer, we’ve got the one of a third character. This last is Ushikawa, private detective. Vanguardia charged him to verify if Aomame is worthy of confidence in order to work near the leader. Ushikawa don’t find anything against this fact, but Aomame betrays them before disappearing. If the detective does not find her, the revenge of the sect will fall down on him. During this time Aomame and Tengo continue each one with its own way, to desire each other in the absence, searching without move of their place, isolated, in pass perhaps to have a decisive course in their lives. Both hope a new meet which release them from the world of 1984, or the one of 1Q84, this fantastical universe with two moons. In a pure style Haruki Murakami accelerates, in this third part, the mechanism of narration in this thriller where we find the fantastic elements to poetic and worrying character. This trilogy belongs to these novels which generate addiction of the reader. Since the first pages this last wants to know as soon as possible the end of the adventure and the resolution of the enigmas accumulated during the novel, perfect circle thoroughly traced. Finally Murakami offers us with the narration of this fantastic world, the possibility, perhaps, to discover many others…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/09/1q84-libro-1-book-1-livre-1-haruki.html" target="_blank"&gt;1Q84 Libro 1&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/11/1q84-libro-2-book-2-livre-2-haruki.html" target="_blank"&gt;1Q84 Libro 2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-797040656583574225?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/797040656583574225/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=797040656583574225&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/797040656583574225'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/797040656583574225'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/01/1q84-libro-3-haruki-murakami.html' title='1Q84 – Libro 3 – Haruki Murakami'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-17009648146738087</id><published>2012-01-01T12:54:00.006Z</published><updated>2012-01-01T13:30:21.646Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Blog Ego'/><title type='text'>Meilleurs Vœux pour 2012</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/1517276168.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.skynetblogs.be/media/10758/1517276168.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Des vœux d’amour, santé, travail en cette nouvelle année qui verra s’accomplir, je vous l’espère, tous vos rêves les plus secrets...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Deseos de amor, salud, trabajo en este nuevo año en cual se realizará, os lo espero, todos sus sueños los más secretos…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Wishes of love, good health, work in this new year which will see achieved, I hope it for you, all your most secret dreams…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Desideri d’amore, salute, lavoro in questo nuovo anno che vedrà compiersi, ve lo spero, tutti I vostri sogni più segreti…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Desejos de amor, saúde, trabalho neste novo ano que verá realizar-se, espero-vos-o, todos os sonhos mas secretos…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/8YWgQz4XTHA?rel=0" width="480"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-17009648146738087?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/17009648146738087/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=17009648146738087&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/17009648146738087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/17009648146738087'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2012/01/meilleurs-vux-pour-2012_5717.html' title='Meilleurs Vœux pour 2012'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-6281089791869207812</id><published>2011-12-30T12:57:00.011Z</published><updated>2011-12-30T23:27:34.860Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Blog Ego'/><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>2011 : des images et des clics</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;Qui dit fin d’année dit bilan. Sur ce principe voici mon top 3 culturel de l'année. Libre à vous de cliquer sur chacune d’entre elles afin de découvrir, ou vous remémorer, ce qu’elle contient…&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/08/y-ahora-que-hacemos-jarabe-de-palo.html"&gt;&lt;img border="0" height="200" src="http://static.skynetblogs.be/media/10758/xiagcibwv62xet6e941m.4.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Cuando se dice final de año, se piensa en el balance. Con este principio ahí encontraran los 3 mejores eventos culturales del año 2011. Libre a cada uno de ustedes de hacer un click en cada una para descurir, o recordarse, lo que contiene…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/08/leviatemps-maxime-chattam.html"&gt;&lt;img border="0" height="200" src="http://static.skynetblogs.be/media/10758/58518310.jpg" width="127" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;When we say end of year, we think about all the events of this one. On this principle here is the three best cultural events of the year. Free to you to click on each oner of them to discover, or remind, which it contains…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/11/intouchables-e-toledo-olivier-nakache.html"&gt;&lt;img border="0" height="200" src="http://static.skynetblogs.be/media/10758/198066561.jpg-r_760_x-f_jpg-q_x-20110905_0404491.jpg" width="145" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-6281089791869207812?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/6281089791869207812/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=6281089791869207812&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6281089791869207812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6281089791869207812'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/2011-des-images-et-des-clics.html' title='2011 : des images et des clics'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-6021337441970159617</id><published>2011-12-29T12:09:00.000Z</published><updated>2011-12-29T12:09:30.982Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Liberté (très) surveillée – Stéphane Guillon</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/stphane-guillon-libert-trs-surveille.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10758/stphane-guillon-libert-trs-surveille.jpeg" width="213" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Les portraits incisifs qu’il distillait sur France Inter l’ont rendu célèbre. Stéphane Guillon est le chroniqueur qui agace tout autant Nicolas Sarkozy que la gauche. C’est d’ailleurs également ce qui lui a valu de se retrouver viré. Qu’importe le revoilà avec un spectacle où, à son habitude, Stéphane dégaine des petites phrases assassines dont il a le secret. Comme promis au début de son one man show, il n’aborde, ou quasiment pas, la politique, avec des personnages qu’il incarne à merveille, le tout pour le plus grand plaisir de son public. A savourer en live ou à revoir en DVD mais à ne surtout pas manquer!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Los retratos incisivos que destilaba en la radio francesa France Inter lo volvieron famoso. Stéphane Guillon es el cronista que agrava tan Nicolas Sarkozy como la izquierda. Es igualmente lo que le vali&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; de encontrarse no deseado en la radio. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Qué importa&amp;nbsp;! ya esta de nuevo con un espect&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;culo en cual, como siempre, Stéphane desenvaina pequeñas frases asesinadas de cuales tiene el secreto. Como prometido al principio de su one man show no aborda, o casi no, la pol&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;tica, con personajes quienes personifica a maravilla, todo eso por el mayor placer de su p&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;blico. A gozar en vivo o a ver de nuevo en DVD pero de todo modo, &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;hay que verlo!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;The incisive portrait is distilled on France Inter made him famous. Stéphane Guillon is the French chronicler who aggravates Nicolas Sarkozy as much as the left. It is also this point that makes him transferred. But here he is with a spectacle where, as always, Stéphane has some short truculent phrases of which he has the secrecy. As promised at the beginning of his one man show, he does not approach, or just a little, politic question, with characters whom he incarnates at the perfection, all this for the greatest pleasure of his public. To enjoy live or to see and see again on DVD but before all, to not miss!...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;iframe frameborder="0" height="360" src="http://www.dailymotion.com/embed/video/xm3rk9" width="640"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;a href="http://www.dailymotion.com/video/xm3rk9_1-stephane-guillon-coupable-extrait-dvd-liberte-tres-surveillee_fun" target="_blank"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://www.dailymotion.com/video/xm3rk9_1-stephane-guillon-coupable-extrait-dvd-liberte-tres-surveillee_fun" target="_blank"&gt;  &lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/a&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;a href="http://www.dailymotion.com/video/xm3rk9_1-stephane-guillon-coupable-extrait-dvd-liberte-tres-surveillee_fun" target="_blank"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;iframe frameborder="0" height="360" src="http://www.dailymotion.com/embed/video/xmd1y8" width="640x360"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.dailymotion.com/video/xmd1y8_3-stephane-guillon-phanou-extrait-dvd-liberte-tres-surveillee_fun" target="_blank"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.dailymotion.com/video/xmd1y8_3-stephane-guillon-phanou-extrait-dvd-liberte-tres-surveillee_fun" target="_blank"&gt;  &lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/PNU0wA-rPn8?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/a&gt;&lt;a href="http://www.dailymotion.com/video/xmd1y8_3-stephane-guillon-phanou-extrait-dvd-liberte-tres-surveillee_fun" target="_blank"&gt;&lt;/a&gt;&lt;a href="http://www.dailymotion.com/video/xmd1y8_3-stephane-guillon-phanou-extrait-dvd-liberte-tres-surveillee_fun" target="_blank"&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-6021337441970159617?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/6021337441970159617/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=6021337441970159617&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6021337441970159617'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6021337441970159617'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/liberte-tres-surveillee-stephane.html' title='Liberté (très) surveillée – Stéphane Guillon'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1607784882670214863</id><published>2011-12-24T13:11:00.001Z</published><updated>2011-12-24T13:36:51.802Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Blog Ego'/><title type='text'>Bonnes Fêtes @ Toutes et Tous</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/2310123316.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.skynetblogs.be/media/10758/2310123316.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Le cadeau de vos rêves, je l’espère pour chacun d’entre vous, au pied du sapin mais surtout une montagne d’amour en cette période de fêtes que je vous souhaite pleine de bonheur…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;The gift of your dreams, I hope for all of you, in this Christmas time but especially a mountain of love in this period I wish you full of happiness…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Para todos os espero el regalo se sus deseos pero sobre todo una montaña de amor en esa navidad que les deso llena de felicidad…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Il regalo dei vostri sogni, lo spero, ma soprattutto una montagna d’amore in questo periodo di festa che vi desidero piena di felicità…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;O presente dos vossos sonhos, espero-o para você, mas sobretudo uma montanha de amor neste período de festa que desejo-vos cheio de felicidade…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Bonus - My Japanese musical gift for all of you &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;キュート&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; - &lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;会いたいロンリークリスマス&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;°C-ute – Aitai Lonely Christmas&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;object height="410" id="wat_5422879" width="640"&gt;&lt;param name="movie"value="http://www.wat.tv/swf2/170843nIc0K115422879"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen"value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess"value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.wat.tv/swf2/170843nIc0K115422879"type="application/x-shockwave-flash"&amp;nbsp;allowscriptaccess="always" allowfullscreen="true"width="640" height="410"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1607784882670214863?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1607784882670214863/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1607784882670214863&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1607784882670214863'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1607784882670214863'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/bonnes-fetes-toutes-et-tous.html' title='Bonnes Fêtes @ Toutes et Tous'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-3780427620875277006</id><published>2011-12-23T15:12:00.004Z</published><updated>2011-12-23T15:20:54.945Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Looking for Nicolas Sarkozy</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/2741828213.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="216" src="http://static.skynetblogs.be/media/10758/2741828213.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Film remarquable de William Karel&amp;nbsp; qui signe ici une chronique du «&amp;nbsp;règne&amp;nbsp;» du président français Nicolas Sarkozy à travers les témoignages de 18 journalistes étrangers en poste à Paris. Tout y passe, du Fouquet’s aux rapports avec Merkel et Obama en passant par la chasse aux Roms. Si Sarkozy a contrôlé son image durant les 4 années écoulées, ce film va le rappeler à la réalité de ce que pense non seulement ces journalistes, le monde, mais aussi les français. Verdict sans appel traçant sans en avoir l’air le portrait d’une défaite tout aussi intime que politique…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Great film firmed by William Karel who present us here a chronicle of the «&amp;nbsp;reign&amp;nbsp;» of French president Nicolas Sarkozy through the testimonies of 18 foreign journalists working in Paris. They don’t forget anything from the Fouquet’s to the relations with Merkel and Obama passing by the Roms. If Sarkozy always controlled his image during the last 4 past years, this film will recall him to the reality of the thinking of these journalists, the world and also French people. Realist verdict tracing the portrait of a defeat as intimate as political…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Interesante película de William Karel quien firma aquí una crónica del “reino” del Presidente francés Nicolas Sarkozy a través los testimonions de 18 periodistas extranjeros trabajando en París. Nos hablan de todo, del Fouquet’s a las relaciones con Merkel y Obama pasando por la caza de los Roms. Si Sarkozy controló su imagen durante los 4 años pasadas, esta película le va a recordar la realidad de l que piensan no sólo estos periodistas sino también el mundo y los franceses. El veredicto es muy duro trazando sin tener que hacerlo el retrato de una derrota tan intima como política…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;object allowscriptaccess="always" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=10,0,0,0" height="410" id="playerArte" width="640"&gt;&lt;paramname="allowFullScreen" value="true" /&gt;&lt;paramname="allowScriptAccess" value="always" /&gt;&lt;paramname="quality" value="high"&gt;&lt;paramname="movie"value="http://videos.arte.tv/videoplayer.swf?lang=fr&amp;amp;localizedPathUrl=http%3A%2F%2Fvideos%2Earte%2Etv%2Fcae%2Fstatic%2Fflash%2Fplayer%2F&amp;amp;admin=false&amp;amp;videorefFileUrl=http%3A%2F%2Fvideos%2Earte%2Etv%2Ffr%2Fdo%5Fdelegate%2Fvideos%2Flooking%5Ffor%5Fnicolas%5Fsarkozy%2D6273024%2Cview%2CasPlayerXml%2Exml&amp;amp;configFileUrl=http%3A%2F%2Fvideos%2Earte%2Etv%2Fcae%2Fstatic%2Fflash%2Fplayer%2Fconfig%2Exml&amp;amp;embed=true&amp;amp;autoPlay=false"&gt;&lt;embedsrc="http://videos.arte.tv/videoplayer.swf?lang=fr&amp;amp;localizedPathUrl=http%3A%2F%2Fvideos%2Earte%2Etv%2Fcae%2Fstatic%2Fflash%2Fplayer%2F&amp;amp;admin=false&amp;amp;videorefFileUrl=http%3A%2F%2Fvideos%2Earte%2Etv%2Ffr%2Fdo%5Fdelegate%2Fvideos%2Flooking%5Ffor%5Fnicolas%5Fsarkozy%2D6273024%2Cview%2CasPlayerXml%2Exml&amp;amp;configFileUrl=http%3A%2F%2Fvideos%2Earte%2Etv%2Fcae%2Fstatic%2Fflash%2Fplayer%2Fconfig%2Exml&amp;amp;embed=true&amp;amp;autoPlay=false"width="640" height="410" allowFullScreen="true"name="playerArte" quality="high" allowScriptAccess="always"pluginspage="http://www.macromedia.com/go/getflashplayer"type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-3780427620875277006?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/3780427620875277006/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=3780427620875277006&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3780427620875277006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3780427620875277006'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/looking-for-nicolas-sarkozy.html' title='Looking for Nicolas Sarkozy'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-5252872906522974502</id><published>2011-12-22T18:52:00.001Z</published><updated>2011-12-22T19:11:31.079Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>La Habana Canta a Sabina</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/4277308472.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="316" src="http://static.skynetblogs.be/media/10758/4277308472.jpg" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Si les digo «&amp;nbsp;Joaquín Sabina&amp;nbsp;», les digo todo. Ese cantautor español figura entre los pocos artistas que ha sabido evolucionar con los tiempos y tocar a todos generaciones. Bajo la influencia de la poesía de Francisco de Quevedo, compone desde los setentas canciones que comparten nuestras vidas. Cada una nos recuerda momentos inolvidables y por eso Sabina es considerado uno de los representantes más destacados del folk-rock urbano español de los noventa. Ciertos, como Imanol Ortiz, &amp;nbsp;van a decir que es el creador de una obra que trasciende a las generaciones y toda una institución musical y espiritual que inspira a otros artistas. Por todas esas razones varios artistas cubanos decidieron dedicarle un álbum homenaje. Así nació «&amp;nbsp;&lt;st1:personname productid="La Habana Canta" w:st="on"&gt;&lt;st1:personname productid="La Habana" w:st="on"&gt;La Habana&lt;/st1:personname&gt; Canta&lt;/st1:personname&gt; a Sabina&amp;nbsp;». El disco producido por Imanol Ortiz, integrante del grupo Somos Amigos, y Jorge Aragón fue grabado en &lt;st1:personname productid="La Habana" w:st="on"&gt;La Habana&lt;/st1:personname&gt; y se encuentra en ese varios artistas cubanos tales Pablo Milanés, Pancho Amat, Buena Fe… &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;No me parece necesario deciros que ese álbum es una maravilla…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Si je vous dis «&amp;nbsp;Joaquín Sabina&amp;nbsp;», je dis tout. Ce chanteur-interprète espagnol est l’un des rares artistes à avoir su évoluer dans le temps et toucher toutes les générations. Sous l’influence de la poésie de Francisco de Quevedo, il compose depuis les années 70 des chansons qui traversent nos vies. Chacune d’elle nous rappelle des moments inoubliables et pour cela Sabina est considéré comme l’un des représentants les plus marquants du folk-rock espagnol des 90. Certains, à l’exemple de Imanol Ortiz, déclarent même qu’il est le créateur d’une œuvre qui transcende les générations et de toute une institution musicale et spirituelle qui inspire tous les artistes. Our toutes ces raisons plusieurs artistes cubains ont décidé de lui dédier un album hommage. Ainsi est né «&amp;nbsp;&lt;st1:personname productid="La Habana Canta" w:st="on"&gt;&lt;st1:personname productid="La Habana" w:st="on"&gt;La Habana&lt;/st1:personname&gt; Canta&lt;/st1:personname&gt; a Sabina». Produit par Imanol Ortiz, du groupe Somos Amigos, et Jorge Aragón il a été enregistré à &lt;st1:personname productid="La Havane" w:st="on"&gt;La Havane&lt;/st1:personname&gt; et l’on y retrouve entre autres Pablo Milanés, Pancho Amat, Buena Fe… Inutile de vous préciser que cet album est magnifique…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;If I tell you «&amp;nbsp;Joaquín Sabina”, I say all I have to. This Spanish artist is one of the rare artists to have known evolve in time and known touch all the generations. Under the influence of the poetry Francisco de Quevedo, he composes since the seventies, songs which are in our lives. Each one remember us unforgettable moments and for this reason Sabina is considered as one of the most outstanding representative of the Spanish folk-rock of the nineties. Some people, as Imanol Ortiz, even declare that he is the creator of a work which transcends the generations and of a musical and spiritual institution which inspires others artists. For all these reasons several Cuban artists decided to dedicate an homage album to him. Thus was born” &lt;st1:personname productid="La Habana Canta" w:st="on"&gt;&lt;st1:personname productid="La Habana" w:st="on"&gt;La Habana&lt;/st1:personname&gt;  Canta&lt;/st1:personname&gt; a Sabina”. Produed by Imanol Ortiz, from the band Somos Amigos, and Jorge Aragón it was recorded at Havana by some singers as Pablo Milanés, Pancho Aat, Buena Fe… It’s useless to specify you that this album is really great…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;span lang="EN-GB"&gt;La canción más Hermosa del Mundo – Buena Fe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/VJ1lj31JOF8?rel=0" width="480"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-5252872906522974502?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/5252872906522974502/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=5252872906522974502&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5252872906522974502'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5252872906522974502'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/la-habana-canta-sabina.html' title='La Habana Canta a Sabina'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-6420062793152537534</id><published>2011-12-16T20:12:00.003Z</published><updated>2011-12-16T21:21:20.274Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Lone Rhino Club</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.google.fr/url?sa=t&amp;amp;rct=j&amp;amp;q=lone%20rhino%20club&amp;amp;source=web&amp;amp;cd=1&amp;amp;ved=0CB8QFjAA&amp;amp;url=http%3A%2F%2Fwww.myspace.com%2Flonerhinoclub&amp;amp;ei=_qXrTovOE5KWhQfh04nFCA&amp;amp;usg=AFQjCNFekrfP_d8eHno23dPDw5D-pIWRhg"&gt;&lt;img border="0" height="251" src="http://3.bp.blogspot.com/-bur7F3ETvnk/TuulBSY86iI/AAAAAAAAAMw/AGJpBqLJgUc/s320/112855725_reference.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Nada mejor pa’ empezar el fin de semana que buena música. Regalito antes la hora con los Lone Rhino Club en vivo y, como siempre, ¡muy muy buenos!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Rien de tel pour démarrer le week-end qu’une bonne musique. Petit cadeau d’avant Noël donc avec les Lone Rhino Club&amp;nbsp; en live et, comme toujours, magnifiques!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Nothing better than to begin the week-end with a great sound. This gift before Christmas with the Lone Rino Club live whom, as always, really good!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/bCQP25de6OY?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-6420062793152537534?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/6420062793152537534/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=6420062793152537534&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6420062793152537534'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6420062793152537534'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/lone-rhino-club.html' title='Lone Rhino Club'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-bur7F3ETvnk/TuulBSY86iI/AAAAAAAAAMw/AGJpBqLJgUc/s72-c/112855725_reference.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-5333717813019104382</id><published>2011-12-15T00:21:00.001Z</published><updated>2011-12-16T19:16:02.429Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Manu, los Indignados y las revueltas norte africanas</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El &lt;st1:metricconverter productid="2011 ha" w:st="on"&gt;2011 ha&lt;/st1:metricconverter&gt; demostrado un deseo de cambio de parte de los pueblos. Lo han logrados las revueltas de norte de África, lo esperan los Indignados. En este entevista realizada para AttacTV, el ciudadano del muno Manu Chao, habla&amp;nbsp; de estos eventos así como de las claves para el cambio y de lo que a su entender se consituyen como una de las grandes mafias del siglo XXI…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;2011 est synonyme de changement. Les révoltes nord africaines ont réussi là où espèrent les Indignés européens. Dans cette interview réalisée pour AttacTV, le citoyen du monde Manu Chao nous parle de ces évènements ainsi que des clés du changement et de ce qu’il considère comme l’une des grandes mafias du 21&lt;sup&gt;e&lt;/sup&gt; siècle…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;2011 is the year of change. The north African revolts succeeded where European Indignés hope. In this interview carried out for AttacTV, the citizen&amp;nbsp; of the world Manu Chao explains us his vision of the events as well about the keys of the change and about what he considers as one of the biggest Maffias of the 21e century…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="http://player.vimeo.com/video/25756136?title=0&amp;amp;byline=0&amp;amp;portrait=0" webkitallowfullscreen="" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://vimeo.com/25756136"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/25756136"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/25756136"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/25756136"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-5333717813019104382?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/5333717813019104382/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=5333717813019104382&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5333717813019104382'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5333717813019104382'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/manu-los-indignados-y-las-revueltas.html' title='Manu, los Indignados y las revueltas norte africanas'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-3680576226768148238</id><published>2011-12-14T23:56:00.002Z</published><updated>2011-12-16T19:07:36.415Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Manu Chao : un Día en la Colifata</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-yW95GQQMHXM/TuuVOBd2OmI/AAAAAAAAAMo/1R2Rsvs5gDE/s1600/La_Colifata.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-yW95GQQMHXM/TuuVOBd2OmI/AAAAAAAAAMo/1R2Rsvs5gDE/s1600/La_Colifata.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Conocemos todos a&amp;nbsp;&lt;st1:personname productid="la Colifata. Radio" w:st="on"&gt;&lt;st1:personname productid="la Colifata." w:st="on"&gt;la Colifata.&lt;/st1:personname&gt; Radio&lt;/st1:personname&gt; del Hospital Borda de Buenos Aires, es la primera radio en el mundo en transmitir desde un neuropsiquiátrico. Ahora es una ONG que brinda servicios en salud mental utilizando los medios de comunicación para la creación de «&amp;nbsp;espacios en salud&amp;nbsp;». Además desarolla actividades en el área de investigación. Aquí os presento un documental que nos habla mejor de &lt;st1:personname productid="la Colifata" w:st="on"&gt;La Colifata&lt;/st1:personname&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Nous connaissons tous &lt;st1:personname productid="la Colifata. Radio" w:st="on"&gt;&lt;st1:personname productid="la Colifata." w:st="on"&gt;La Colifata.&lt;/st1:personname&gt; Radio&lt;/st1:personname&gt; de l’Hôpital Borda de Buenos Aires, il s’agit de la première radio au monde à émettre depuis un hôpital neuropsychiatrique. Devenue une ONG elle apporte désormais des services de santé mentale en utilisant les moyens de communication pour la création d’ "espaces de santé". De plus elle développe des activités dans le domaine de la recherche. Je vous présente ici un documentaire qui nous plonge dans le quotidien de &lt;st1:personname productid="la Colifata" w:st="on"&gt;La Colifata&lt;/st1:personname&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;We all know &lt;st1:personname productid="la Colifata. Radio" w:st="on"&gt;&lt;st1:personname productid="la Colifata." w:st="on"&gt;La Colifata.&lt;/st1:personname&gt; Radio&lt;/st1:personname&gt; of the Hospital Borda in &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Buenos Aires&lt;/st1:place&gt;&lt;/st1:city&gt;, it acts of the first radio in the world to emit from a neuropsychiatric hospital. Became an ONG it brings from now services of health mental by using media of communication to create “spaces of health”. Moreover it develops activities in research. I present you a documentary which plunges us in the life of &lt;st1:personname productid="la Colifata" w:st="on"&gt;La Colifata&lt;/st1:personname&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Página Oficial | &lt;a href="http://lacolifata.openware.biz/index.cgi"&gt;Radio &lt;st1:personname productid="la Colifata" w:st="on"&gt;La Colifata&lt;/st1:personname&gt;&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="http://player.vimeo.com/video/24027240?title=0&amp;amp;byline=0&amp;amp;portrait=0" webkitallowfullscreen="" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://vimeo.com/24027240"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://vimeo.com/24027240"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://vimeo.com/24027240"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://vimeo.com/24027240"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-3680576226768148238?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/3680576226768148238/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=3680576226768148238&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3680576226768148238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3680576226768148238'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/manu-chao-un-dia-en-la-colifata.html' title='Manu Chao : un Día en la Colifata'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-yW95GQQMHXM/TuuVOBd2OmI/AAAAAAAAAMo/1R2Rsvs5gDE/s72-c/La_Colifata.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-5358506892632513536</id><published>2011-12-13T00:50:00.002Z</published><updated>2011-12-16T18:52:17.467Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Ley Pachamama</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Tal como lo hizo Francia hace años con los Derechos &amp;nbsp;Humanos, Bolivia decidío establecer una Ley de &lt;st1:personname productid="la Madre Tierra" w:st="on"&gt;&lt;st1:personname productid="la Madre" w:st="on"&gt;la Madre&lt;/st1:personname&gt; Tierra&lt;/st1:personname&gt;, o Pachamama, &amp;nbsp;que le ortoga a la naturaleza los mismos derechos que a los seres humanos. Esta ley, apoyada por el gobierno y la gente de Bolivia, propone radicales medidas de conservación para reducir la contaminación y controlar la industria. «&amp;nbsp;&lt;st1:personname productid="la Tierra" w:st="on"&gt;La Tierra&lt;/st1:personname&gt; es de todos&amp;nbsp;» como lo declaró Alvaro García Lenera, vicepresidente boliviano, y a partir de eso la nueva legislación ortoga 11 derechos básicos a la naturaleza. Entre los que destacan encontramos&amp;nbsp;: el derecho a la vida y la existencia, el derecho a continuar ciclos vitales y procesos libre de la alteración humana, el derecho al aire limpio y al agua pura, el derecho a no ser contaminada, el derecho a no tener su estructura celular contaminada o alterada genéticamente, el derecho a no ser afectada por mega infraestructuras y proyectos de desarollo que afecten el balance de los ecosistemas y las comunidades de los pobladores locales. En teoría eso bloquearía la mayoría de los proyectos petroleros, mineros y de extracción de recursos naturales. Ya se puede imaginar que los dólares de las compañías extranjeras en el sector minero van encontrar caminos para seguir explotando a la naturaleza. Aunque la ley sea abstracta, el Ministerio de &lt;st1:personname productid="la Madre Tierra" w:st="on"&gt;&lt;st1:personname productid="la Madre" w:st="on"&gt;la Madre&lt;/st1:personname&gt; Tierra&lt;/st1:personname&gt; que se va establecer tendrá el papel de monitorear a las industrias y proteger a las comunidades y ecosistemas. A ver ahora si, en algunos años, se recordará a Evo Morales solamente como el primer presidente indígena de la región, o si también se recordará que su gobierno fue el precursoro de una legislación global impostergable, sensible al hecho que Pachamama no es sólo el sustento de todos los seres vivos, sino que es un ser vivo en sí misma…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;A l’exemple de &lt;st1:personname productid="la France" w:st="on"&gt;la France&lt;/st1:personname&gt; et ses Droits de l’Homme, &lt;st1:personname productid="la Bolivie" w:st="on"&gt;la  Bolivie&lt;/st1:personname&gt; a décidé d’établit une loi de &lt;st1:personname productid="la Terre Mère" w:st="on"&gt;&lt;st1:personname productid="la Terre" w:st="on"&gt;la   Terre&lt;/st1:personname&gt; Mère&lt;/st1:personname&gt;, ou Pachamama, qui donnerait à la nature les mêmes droits qu’aux êtres humaines. Cette loi, approuvée par le gouvernement et les boliviens, propose des mesures radicales de conservation afin de réduire la pollution et contrôler l’industrie. «&amp;nbsp;&lt;st1:personname productid="la Terre" w:st="on"&gt;La Terre&lt;/st1:personname&gt; appartient à tout le monde&amp;nbsp;» comme l’a rappelé Alvaro Garc&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ía Lenera, vice-président bolivien, et c’est à partir de ce constat que la nouvelle législation attribue 11 droits élémentaires à la nature. Entre autres nous avons&amp;nbsp;: le droit à la vie et à l’existence, le droit de poursuivre les cycles vitaux et les processus libres de modification par l’Homme, le droit à l’air et l’eau purs, le droit de ne pas être contaminée, le droit de ne pas avoir sa structure cellulaire contaminée ou altérée génétiquement, le droit de ne pas être affectée par des méga infrastructures et des projets de développement qui affectent le bilan des écosystèmes ou les communautés locales. En théorie tout ceci bloquerait la plupart des projets pétroliers, miniers et d’extraction des ressources naturelles. Il est facile d’imaginer que les dollars des compagnies étrangères du secteur minier vont trouver des moyens de continuer à exploiter la nature. Bien que la loi soit encore très abstraite, le Ministère de &lt;st1:personname productid="la Terre Mère" w:st="on"&gt;&lt;st1:personname productid="la Terre" w:st="on"&gt;la Terre&lt;/st1:personname&gt; Mère&lt;/st1:personname&gt; qui va être créé aura pour tâche de contrôler les industries et de protéger les écosystèmes et communautés. A voir maintenant si, dans quelques années, on se souviendra de Evo Morales uniquement comme le premier président indigène de la région, ou si on s’en souviendra également comme étant le président du gouvernement qui a été lé précurseur d’une législation globale non ajournable, sensible au fait que Pachamama n’est pas uniquement la nourrice des êtres humains mais un être vivant elle-même…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Following the example of &lt;st1:country-region w:st="on"&gt;France&lt;/st1:country-region&gt; with the Human Rights, &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Bolivia&lt;/st1:place&gt;&lt;/st1:country-region&gt; decided to establish a law of the Earth Mother, or Pachamama, which would give the same rights to nature as all Human being. This law, approved by the government and Bolivian people, puts forward radical measure of conservation in order to reduce pollution and to control industry. 3The Earth belongs to everyone” as says it Alvaro García, Bolivian vice-president, and from this report the new legislation allots 11 elementary rights to nature. Some of them are : the right to life and existence, the right to continue vital cycles and free processes without Human modification, the right to pure air and water, the right to not be contaminated, the right to not have its cellular structure contaminated or genetically deteriorated, the right to not be affected by mega infrastructures and development projects which affect the assessment of the ecosystems of local communities. In theory all this would block the majority of the projects of extraction of the natural resources. It is easy to imagine that dollars of the companies of the mining sector will find means to continue to exploit nature. Even if the law is still abstract, the Ministry of the Earth Mother which will be created will have the task to control industries and to protect the ecosystems and communities. To see now if in a few years we will remember Evo Morales only like the first indigenous president of the area, or also to be the president of the government which was the precursory of a not ajournable total legislation, sensitive to the fact that Pachamama is not only the nurse of the human beings, but also a an living being itself…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i style="font-size: 12pt;"&gt;Sources :&lt;/i&gt;&lt;span style="font-size: 12pt;"&gt; &lt;/span&gt;&lt;a href="http://www.olca.cl/oca/desertificacion/informe089.htm#.TujXQjmc1V_" style="font-size: 12pt;"&gt;Olca.cl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-5358506892632513536?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/5358506892632513536/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=5358506892632513536&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5358506892632513536'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5358506892632513536'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/ley-pachamama.html' title='Ley Pachamama'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-3079049024216904718</id><published>2011-12-12T18:41:00.002Z</published><updated>2011-12-16T18:42:29.123Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>D’Art d’Art – Le coffret</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-gkgoOCa0WVY/TuuPuBRf2GI/AAAAAAAAAMg/_ns0eXffbeM/s1600/9782812304910FS.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-gkgoOCa0WVY/TuuPuBRf2GI/AAAAAAAAAMg/_ns0eXffbeM/s320/9782812304910FS.gif" width="231" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Tout a commencé avec l’émission D’Art d’Art nous présentant de manière originale une œuvre d’art en deux minutes. Devant ce phénomène deux livres ont été publiés, ainsi qu’un jeu. Voilà maintenant le coffret poche incluant le tome 1 et ses 150 œuvres d’art ainsi que le répertoire des musées où admirer celles-ci. Véritable condensé d’informations pratiques sur les collections permanentes des musées, ce coffret est le compagnon idéal lors des sorties musées grâce à ses descriptions détaillées et complètes ainsi que son format poche. Je dis ça comme ça, mais si quelqu’un ne sait pas quoi m’offrir pour Noël, je suis preneuse!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;All began with the TV show D’Art d’Art presenting us in an original way, a work of art in two minutes. In front of this phenomenon two books were published, as well as a game. And now we’ve got the box pocket including the book 1 and its 150 works of art as well as the repertory of the museums where we can admire those works. In this we’ve got all the practical information about permanent collections of the museums, so this box pocket is the ideal companion to go to the museums thanks to its detailed and complete descriptions and its pocket format. I say that without any intention, but if somebody don’t know what to offer me to me for Christmas, this will be a good idea!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Todo empezó con el show TV D’Art d’Art que nos presentaba de manera original una obra de arte en dos minutes. Ante este fenóleno se publicaron dos libros, así com un juego. Ahora tenemos la caja bolsillo que incluye el volumen 1 y sus 150 obras de arte así como el directorio de los museos donde admirar éstas obras. Verdadero resumen de información práctica sobre las colecciones permanentes de los muesos, esta caja es ideal por las salidas al museo gracias a sus descripciones detalladas y completas así como su formato bolsillo? &lt;/span&gt;&amp;lt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Lo digo así pero isi alguien no tiene idea para oferecerme algo en los Reyes, eso ¡sería ideal!...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2010/07/dart-dart-frederic-taddei-marie.html"&gt;D’Artd’Art – Frédéric Taddeï, Marie-Isabelle Taddeï&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2010/10/dart-dart-tome-2-frederic-taddei-marie.html" style="font-family: Tahoma; font-size: 12pt;"&gt;D’Art d’Art – Tome 2 – Frédéric Taddeï, Marie-Isabelle Taddeï&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-3079049024216904718?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/3079049024216904718/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=3079049024216904718&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3079049024216904718'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3079049024216904718'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/dart-dart-le-coffret.html' title='D’Art d’Art – Le coffret'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-gkgoOCa0WVY/TuuPuBRf2GI/AAAAAAAAAMg/_ns0eXffbeM/s72-c/9782812304910FS.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-5442016041078381217</id><published>2011-12-08T17:42:00.000Z</published><updated>2011-12-08T17:42:21.964Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Les vidéos du Sofitel</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;L’affaire DSK a été le feuilleton de l’été, voire même de l’automne. Tout ou presque a été dit, et il manquait aux téléspectateurs que nous sommes les vidéos pour nous faire une idée plus précise. Chose faite depuis cet après-midi grâce à BFMTV qui nous dévoile en exclusivité 5 min des vidéos les plus marquantes tournées au Sofitel le 14 mai dernier. A vous de juger, donc…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;The DSK case was the serial of the summer, even of the autumn. All was known and the spectators we are missed only the videos to have a better idea of what happened exactly. It’s done since this afternoon thanks to BFMTV which reveals us 5 min exclusive of the most outstanding videos of the Sofitel on May 14&lt;sup&gt;th&lt;/sup&gt;. To you now, to judge what you see…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El asunto DSK fue el serial &lt;st1:state w:st="on"&gt;del&lt;/st1:state&gt; verano, incluso &lt;st1:state w:st="on"&gt;&lt;st1:place w:st="on"&gt;del&lt;/st1:place&gt;&lt;/st1:state&gt; otoño. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Se dijo todo, o casi, y solo faltaba a los spectadores que somos las vídeos para hcernos una idea más precisa. Ya es hecho desde esta tarde, gracias a BFMTV que nos revela en exclusividad 5 minutosmás desacados de los vídeos del Sofitel este 14 de mayo. Nos queda juzgarlas, a lo menos, intentarlo…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,47,0" height="270" id="flashObj" width="480"&gt;&lt;param name="movie" value="http://c.brightcove.com/services/viewer/federated_f9?isVid=1&amp;amp;isUI=1" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;param name="flashVars" value="videoId=1315776456001&amp;amp;linkBaseURL=http%3A%2F%2Fwww.bfmtv.com%2Faffaire-dsk-la-video-du-sofitel-de-new-york-actu20189.html&amp;amp;playerID=1027556707001&amp;amp;playerKey=AQ~~,AAAAzBCG-1E~,ZmNCmEZClj4eQ1WsLf_mGl_Pmb90_E4h&amp;amp;domain=embed&amp;amp;dynamicStreaming=true" /&gt;&lt;param name="base" value="http://admin.brightcove.com" /&gt;&lt;param name="seamlesstabbing" value="false" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="swLiveConnect" value="true" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" base="http://admin.brightcove.com" bgcolor="#FFFFFF" flashvars="videoId=1315776456001&amp;amp;linkBaseURL=http%3A%2F%2Fwww.bfmtv.com%2Faffaire-dsk-la-video-du-sofitel-de-new-york-actu20189.html&amp;amp;playerID=1027556707001&amp;amp;playerKey=AQ~~,AAAAzBCG-1E~,ZmNCmEZClj4eQ1WsLf_mGl_Pmb90_E4h&amp;amp;domain=embed&amp;amp;dynamicStreaming=true" height="270" name="flashObj" pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash" seamlesstabbing="false" src="http://c.brightcove.com/services/viewer/federated_f9?isVid=1&amp;amp;isUI=1" swliveconnect="true" type="application/x-shockwave-flash" width="480"&gt;&lt;/embed&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&amp;gt;&lt;/span&gt; &lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;/object&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-5442016041078381217?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/5442016041078381217/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=5442016041078381217&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5442016041078381217'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5442016041078381217'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/12/les-videos-du-sofitel.html' title='Les vidéos du Sofitel'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1043619267882956941</id><published>2011-11-29T18:52:00.005Z</published><updated>2011-12-06T15:05:57.734Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Esclavos Invisibles</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;MTV Latinoamérica y UNICEF produjeron un documental (se puede ver las tres partes al f&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n del art&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;ículo&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;) sobre la trata y explotación de jóvenes en Latinoamérica. Nos trae las historias de cuatro jóvenes que fueron víctimas de la trata y la explotación. Filmados en Tapachula y en la ciudad de México, hablan de cómo fueron engañados, explotados, abusados y de cómo lograron escapar. Este documental, a través de historias contadas en primera persona singular, nos hace entender este fenómeno de manera directa. Además los testimonios van acompañados de las palabras de Rene y Eduardo de Calle 13 que nos invita a reflexionar y tomar acción…&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;MTV Latinoamérica et UNICEF ont réalisé un documentaire (les trois parties vous sont proposées à la fin de ce post) sur la traite et l’exploitation des mineurs en Amérique Latine. Il nous raconte l’histoire de quatre jeunes qui ont été victimes de traite et d’exploitation. Filmés à Tapachula et la ville de Mexico, ils expliquent comment ils ont été abusés, exploités et comment ils ont réussi à s’en échapper. Ce documentaire, à travers ces narrations, nous donne à comprendre ce phénomène de manière directe. De plus, les témoignages sont présentés et accompagnés par Rene et Eduardo de Calle 13 qui nous invitent ainsi à réfléchir et pourquoi pas, agir…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;MTV Latinoamérica and UNICEF directed a documentary (you can the three parts at the end of the post) about abuse and exploitation of the children in &lt;st1:place w:st="on"&gt;Latin America&lt;/st1:place&gt;. He tells us the story of four young people who were victims of abuse and exploitation. Filmed in Tapachula and &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Mexico City&lt;/st1:place&gt;&lt;/st1:city&gt;, they explain how they were abused and exploited, and how they succeeded in escape. This documentary, through these narrations, makes us understand very directly this phenomenon. Moreover, testimonies are presented and accompanied by Rene and Eduardo (Calle 13) which invites us to think and act…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/riCUVnD2mZs?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/l304G3A7omo?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/2ZC10L0RpF0?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1043619267882956941?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1043619267882956941/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1043619267882956941&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1043619267882956941'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1043619267882956941'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/11/esclavos-invisibles.html' title='Esclavos Invisibles'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-7486794671258553481</id><published>2011-11-26T12:57:00.023Z</published><updated>2011-11-26T13:09:09.294Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>La Cithare Nue – Shan Sa</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/9782226208446.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/9782226208446.jpg" width="271" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Après «&amp;nbsp;&lt;st1:personname productid="La Joueuse" w:st="on"&gt;La Joueuse&lt;/st1:personname&gt; de Go» Shan Sa nous offre dans «&amp;nbsp;&lt;st1:personname productid="La Cithare Nue" w:st="on"&gt;&lt;st1:personname productid="La Cithare" w:st="on"&gt;La Cithare&lt;/st1:personname&gt;  Nue&lt;/st1:personname&gt;» une nouvelle variation sur &lt;st1:personname productid="la Chine" w:st="on"&gt;la Chine&lt;/st1:personname&gt; éternelle. Elle place ainsi un autre art éminent de la civilisation chinoise au cœur de son roman&amp;nbsp;: la cithare. C’est ainsi que l’instrument fétiche de Confucius, conçu par le dieu Fu Xi pour reproduire le chant du phénix, sert de trame à deux intrigues jumelées. D’un côté une aristocrate issue de la caste des Hautes Portes destinée malgré elle à devenir impératrice. De l’autre un modeste luthier qui rêve de donner vie&amp;nbsp; une cithare a sept cordes et va, pour atteindre son idéal,&amp;nbsp; être amené à piller des tombes. De cet rencontre impossible née une histoire d’amour tout aussi impossible. L’auteur nous la raconte pourtant, et de belle manière. Entre références historiques et fictions nous entrons dans une Chine impériale où nous découvrons le monde des femmes qui la peuple et où résonnent les accords de cithare…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Después de «&amp;nbsp;&lt;st1:personname productid="La Jugadora" w:st="on"&gt;La Jugadora&lt;/st1:personname&gt; de Go&amp;nbsp;» Shan Sa nos ofrece en la «&amp;nbsp;Cítara Desnuda&amp;nbsp;» una nueva variación sobre &lt;st1:personname productid="la China" w:st="on"&gt;la China&lt;/st1:personname&gt; eterna. Coloca así un arte eminente de la civilización china en el corazón de su novela&amp;nbsp;: la cítara. Es así que el instumento fetiche de Confucius, concebido por el dios Fu Xi para reproducir el canto del Phenix, sirve de trama a dos intrigas hermanadas. Por una parte una aristócrata que pertenece a la casta de las Altas Puertas, destinada a pesar de lo que quiere, a convertirse en emperatriz. Del otro un modesto fabricante de instrumentos de música que sueña dar vida a una cítara con siete cuerdas y va, para alcanzar su ideal, a pillar tumbas. De este encuentro imposible nace una historia de amor tan imposible. Con todo el autor nos lo cuenta, y de maravilla manera. Entre referencias históricas y ficción entramos en &lt;st1:personname productid="la China" w:st="on"&gt;la China&lt;/st1:personname&gt; imperial donde descubrimos el mundo de las mujeres que los puebla y donde resuenan los acuerdos de cítara...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;After «&amp;nbsp;The Girl who Played Go, Shan Sa offers us in «Naked Zither&amp;nbsp;» a new variation about eternal &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;China&lt;/st1:place&gt;&lt;/st1:country-region&gt;. She thus places another eminent art of Chinese civilization in its novel&amp;nbsp;: the zither. So the instrument fetish of Confucius, conceived by the God Fu Xi to reproduce the &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Phoenix&lt;/st1:place&gt;&lt;/st1:city&gt;' song, is used as screen to two twinned intrigues. On a side an aristocrat coming from the High Doors caste intended to beceome empress against his desire. On the pther hand a modest violin maker who dreams to give life a zither withseven cords and goes, to reach its ideal, to have to plunder tombs. From this impossible meeting born an impossible love story. However the author tells it marvellously to us. Between historical references and fiction we enter the imperial &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;China&lt;/st1:place&gt;&lt;/st1:country-region&gt; and discover the world of the women who populates it and where resounds zither chords...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="https://www.youtube-nocookie.com/embed/OMO3QQTUzEo?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-7486794671258553481?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/7486794671258553481/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=7486794671258553481&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7486794671258553481'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7486794671258553481'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/11/la-cithare-nue-shan-sa.html' title='La Cithare Nue – Shan Sa'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-344412810735150412</id><published>2011-11-21T18:59:00.002Z</published><updated>2011-11-21T19:05:52.367Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Y el PP vence</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-cfpOVMsGrKc/TsqgEsNQvXI/AAAAAAAAAMA/i1CVTVVbBvI/s1600/2011-11-21rajoy-espagne.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="160" src="http://4.bp.blogspot.com/-cfpOVMsGrKc/TsqgEsNQvXI/AAAAAAAAAMA/i1CVTVVbBvI/s320/2011-11-21rajoy-espagne.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Zapatero lo ha declarado de manera muy clara&amp;nbsp;: «&amp;nbsp;teníamos todo el viento en contra&amp;nbsp;».&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&amp;nbsp;De hecho, España entrega al PP todo el poder. Así llega Rajoy , en vez de Aznar, como presidente del Gobierno.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Como ya lo escucho, y a mi punto de vista, no es necesario personalizar la responsabilidad de la derrota electoral del PSOE en una sola persona. Eso es una estupidez, sabiendo que la austeridad es la única responsable de esa derrota. Al mismo tiempo hay que saber que ya Rajoy anuncia la austeridad declarando que «&amp;nbsp;no habrá milagros&amp;nbsp;».&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Entonces, con eso se puede, se debe reflexionar sobre las necesidades de tales elecciones. En efecto, que sea de derecha o izquierda, ¿a qué sirve elegir a gente que no va a solucionar nada puesto que nunca se decidieron en cambiar el sístema&amp;nbsp;? ¿Y si ya era tiempo de cambiar todo eso&amp;nbsp;?...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Zapatero l’a affirmé très clairement&amp;nbsp;: «&amp;nbsp;nous avions le vent contraire&amp;nbsp;». De fait, l’Espagne a donné tout le pouvoir au PP. C’est ainsi qu’à la suite d’Aznar,&amp;nbsp; Rajoy est élu président du gouvernement. Comme je l’entends déjà de-ci de-là, il n’est pas nécessaire, à mon humble avis, de personnaliser la responsabilité de la défaite électorale du PSOE sur un seul individu. Ce serait stupide, sachant que seule l’austérité est responsable de ce résultat. En même temps il faut noter que Rajoy a déjà annoncé l’austérité en, déclarant «qu’il n’y aurait pas de miracle&amp;nbsp;». Ceci nous amène donc à nous interroger sur la nécessité de telles élections. En effet, de gauche ou de droite,&amp;nbsp; à quoi cela sert-il d’élire des gens qui ne vont rien solutionner puisqu’ils ne se décideront jamais à changer le système? Et s’il était temps, justement, de changer tout ceci?...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Zapatero affirmed it&amp;nbsp;: «we not have the wind in our favour». In fact, &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Spain&lt;/st1:place&gt;&lt;/st1:country-region&gt; gave all the capacity to PP. Thus following Aznar, Rajoy is elected president of the government. As I already heard it, it is not necessary, in my opinion, to personalize the responsibility of the defeat of the PSOE to one person. This would be stupid knowing that the austerity is the only responsible of this result. At the same time we have o note that Rajoy already announced the austerity, declaring that “there would be not miracle”. This thus leads us to question ourselves on the need for such election. Indeed, left or right, is it necessary to elect people who will solve nothing since they will never decide to change the system? And if it were time, precisely, to change all this system?...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://los%20resultados%20de%20las%20elecciones%20generales/"&gt;Los resultados de las elecciones generales&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://politica.elpais.com/politica/2011/11/21/actualidad/1321833683_582220.html"&gt;Lee el discurso íntegro de Rajoy&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/gn-rKf8iEuM?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-344412810735150412?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/344412810735150412/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=344412810735150412&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/344412810735150412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/344412810735150412'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/11/y-el-pp-vence.html' title='Y el PP vence'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-cfpOVMsGrKc/TsqgEsNQvXI/AAAAAAAAAMA/i1CVTVVbBvI/s72-c/2011-11-21rajoy-espagne.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1722342125850961442</id><published>2011-11-20T13:32:00.001Z</published><updated>2011-11-20T13:47:04.057Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>A l’attention des dirigeants politiques de tous bords</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Cet article est un coup de gueule. Coup de gueule car il ne se passe désormais plus aujourd’hui en France une semaine sans qu’un enfant, une ado, une femme, ne disparaisse. Ces disparitions s’accompagnent malheureusement toujours de la nouvelle de leur viol et meurtre. Ces faits sont déjà révoltants, mais le plus abject de tout, est que l’auteur de ces faits est systématiquement un récidiviste. Je dis bien, systématiquement! Ce qui signifie donc, d’une part que la justice, les politiques, ne considèrent pas leur premier «&amp;nbsp;crime&amp;nbsp;» comme si abject que cela, pour les remettre en liberté. Et d’autre part que finalement la sécurité des citoyens n’est pas si importante que cela.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Et c’est en cela que réside un paradoxe. A l’heure où nous entrons dans la campagne électorale pour 2012 et où nos chers politiques nous jouent le fameux «la sécurité avant tout» il est aisé de constater que la sécurité, pour certains d’entre eux, ne réside en fait qu’en la stigmatisation de l’étranger. Et que les autres ne nous offre que de beaux discours. Et bien ne vous en déplaise, messieurs les responsables politiques, la sécurité ne consiste pas à accuser les cités de tous les maux, à montrer du doigt les conducteurs récalcitrants à la vitesse autorisée, ou à installer des caméras de surveillance à tous les coins de rue! La sécurité c’est aussi faire en sorte que les criminels dangereux, dont on sait puisque beaucoup l’affirment, qu’ils recommenceront une fois libres, restent enfermés!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Attention que je n’entende pas suite à cet article qu’il faut remettre la peine de mort en pratique ou qu’il faut donner une seconde chance à ces criminels-là. Je n’accepte ni l’un ni l’autre. &lt;/span&gt;&lt;st1:personname productid="La France" style="font-family: Tahoma; font-size: 12pt;" w:st="on"&gt;La  France&lt;/st1:personname&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; a aujourd’hui un problème bien réel&amp;nbsp;: les violeurs, les meurtriers non seulement ne font pas leur peine complète, mais en plus sont remis en liberté, exposant la société à leurs instincts. Et ces crimes-là, messieurs les politiques, psychologues et autres juges qui permettent la remise en liberté ces individus-là, vous, et seulement vous, en êtes responsables.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;A vous donc, messieurs les responsables politiques, de choisir&amp;nbsp;entre légiférer afin que ces criminels ne nuisent plus à la société, et donner des moyens à la justice pour que ces lois s’appliquent, ou à arrêter de vous réfugier derrière la sécurité des citoyens à des fins purement électorales car, pour l’heure, toutes vos actions en la matière démontrent que notre sécurité n’est pas en tête de liste de vos préoccupations…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Este artículo me vine por rabia. Rabia puesto que hoy en día, ni pasa une semana en Fancia sin que un niño, una adolescente, una mujer, desaparezca. Estas desapariciones siempre se acompañananesgraciadamente de su violación y asesinato. Ya estos hechos son horrbles, pero el más abyecto de todo, es que el autor de estos hechos es un reincidente. A 95% sistemáticamente. Lo que significa pues, por una parte que la justicia, los políticos, no consideran su primero «&amp;nbsp;crimen&amp;nbsp;» como tan abyecto que eso, para ponerlo en libertad de nuevo. Y, por otra parte, la seguridad de los ciudadanos no es tan importante que eso.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Y es en eso que reside una paradoja. En efecto a la hora en cual entramos en la campaña electoral para 2012 y en cual nuestros políticos nos juegan el famoso «&amp;nbsp;la seguridad ante todo&amp;nbsp;», es fácil constatar que la seguridad, por algunos de ellos reside solamente en la estigmatización del extranjero. Los otros nos ofreciendo unas lindas palabras. Pues, quiero decirlos ahí, a todos esos responsables políticos, que la seguridad no consiste en acusar unos barrios de todos los males, a mostrar del dedo los conductoes recalcitrantes a la velocidad autorizada, o bien a instalar cámaras de vigilancia por todas partes. La seguridad es también asegurarse que los criminales peligrosos, cuyos se sabe puesto que lo afirman, que van volver a cometer crimenes un avez libre, ¡permanecern encerrados!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;A&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;hora que nadie me habla que es necesario poner de nuevo la pena de muerte o bien que hay que dar una segunda oportunidad a esos criminales. Acepto ni el uno ni el otro. Francia tiene hoy un problema bien real&amp;nbsp;: no solo los violadores y criminales no hacen su pena completa, pero vuelven a la libertad, exponiendo así la sociedad a sus instintos. Y esos crímenes, señores políticos, psicólogos y otros jueces que permiten su vuelta a la libertad, es solamente su responsabilidad.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Pues a ustedes señores políticos, eligir entre legislar para que estos criminales no perjudiquen ya en la sociedad, y dar medios a la justicia para que se apliquen estas leyes, o bien dejar refugiarvos detrás la seguridad a finales puramente electorales, ya que se ve muy bien por todas sus acciones, que nuestra seguridad no está en cabeza de lista de sus preocupaciones…&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;This article comes from my anger. Anger because it does not occur today in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt; one week without a child, a teenager or a woman, not disappearing. This kidnapping are unfortunately always accompanied by the news of their rape and murder. These facts are already revolting, but the most revolting is the fact that the author of these crimes is systematically a recidivist. Systematically! This means, first that justice and politics do not regard their first “crime” as so contemptible and give them freedom. And the second point is that finally the security of the citizen is not so important.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;In this fact resides a paradox. In the time we enter in the electoral campaign for 2012, our dear policies says us the famous “safety above all” and it is easy to see that for some of them safety resides in the only stigmatization of immigrant people. The others offer us only great speeches. But even if some are not agree, safety does not consist in showing some areas as evils, recalcitrant drivers to authorized speed or by installing surveillance cameras in every part! Safety is also to make that dangerous criminals, which one knows since they affirm it, that they will start again once free; remain locked up!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;And I don’t want hear following this article that capital punishment should be practice or that it is necessary to give them a second chance. I accept neither one nor other. &lt;/span&gt;&lt;st1:country-region style="font-family: Tahoma; font-size: 12pt;" w:st="on"&gt;&lt;st1:place w:st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; has a real problem today : rapists and murderers don’t make their complete sentence, but moreover are free again, exposing the company to their instincts. And these crimes, policies, psychologists and other judges who allow theses individuals to be free again, are only your responsibility.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Now it is your time, political people, to choose between legislating to definitely stop those criminals and giving to the justice the means to apply these laws, or to stop refuge you behind safety just in case of electoral ends, because at the time all your actions on the matter shows that our safety is not at the top of the list of your concerns…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/l3jepOebco8?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1722342125850961442?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1722342125850961442/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1722342125850961442&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1722342125850961442'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1722342125850961442'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/11/lattention-des-dirigeants-politiques-de.html' title='A l’attention des dirigeants politiques de tous bords'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-476814372241725125</id><published>2011-11-13T00:27:00.005Z</published><updated>2011-11-29T19:04:49.640Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>1Q84 Libro 2 ….   Book 2 ….   Livre 2 – Haruki Murakami</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/couverture-25071-murakami-haruki-1q84-livre-2-juillet-septembre.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/couverture-25071-murakami-haruki-1q84-livre-2-juillet-septembre.jpg" width="247" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Si el &lt;a href="http://clandestina-rbemba.blogspot.com/2011/09/1q84-libro-1-book-1-livre-1-haruki.html"&gt;Libro 1&lt;/a&gt; nos presentó de manera pronfuda a Aomamé y Tengo, los personajes principales, el libro 2 de 1Q84 nos revela el mundo de 1Q84. Haruki Murakami nos revela de manera perfecta algunas informaciones sobre este mundo que lleva así el lector a interrogarse antes decirnos la verdad, pero ¿de qué mundo? Si queda claro ahora que existen dos lunas y &lt;st1:personname productid="la Little People" w:st="on"&gt;&lt;st1:personname productid="la Little" w:st="on"&gt;la Little&lt;/st1:personname&gt; People&lt;/st1:personname&gt;, es el hombre que debe matar Aomame que nos cuenta quienes son realmente. Sobre todo nos revela en qué se situa el equilibrio del mundo. ¿Lo matará Aomame? ¿Encontrará a Tengo? Tales son las interrogaciones del lector con quin Murakami juega a maravilla, tomando placer torturangandonos. El ambiente del libro 1 sigue presente, gracias a una escritura deliciosa y de los conceptos del mal y del bien colocados de manera inigualable…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Si le &lt;a href="http://clandestina-rbemba.blogspot.com/2011/09/1q84-libro-1-book-1-livre-1-haruki.html"&gt;Livre 1&lt;/a&gt; nous a présenté de manière approfondit Aomamé et Tengo, les personnages principaux, le livre 2 d’1Q84 lève le voile sur le monde d’1Q84. Haruki Murakami y distille quelques grappes d’informations sur ce monde amenant ainsi le lecteur à s’interroger, avant de lui révéler la vérité, mais celle de quel monde? S’il est désormais évident qu’existent deux lunes et&amp;nbsp; les Little People, c’est l’homme que doit tuer Aomamé qui va nous révéler qui ils sont réellement. Mais surtout, il va nous révéler ce sur quoi repose l’équilibre du monde. Aomamé le tuera-t-elle? Retrouvera-t-elle Tengo? Telles sont les interrogations du lecteur avec qui Murakami joue à merveille, lui qui prend tant de plaisir à nous torturer. L’ambiance du livre 1 est toujours présente, grâce à une écriture délicieuse et des notions du mal et du bien posées de manière inégalable…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;If the &lt;a href="http://clandestina-rbemba.blogspot.com/2011/09/1q84-libro-1-book-1-livre-1-haruki.html"&gt;Book 1&lt;/a&gt; presented us Aomame y Tengo, the main characters, the book 2 of 1Q84 reveals us the world of 1Q84. Haruki Murakami distils there some information on this world leading the reader to question itself before revealing the truth, but of which world? If it is now certain that exist two moons and the Little People, it is the man whom Aomame must kill who will reveal us who they really are. But especially, he will reveal us what is the balance of the world. Will Aomame kill him? Will she finally find Tengo? Such are he questions of the reader with whom Murakami plays, taking a great pleasure torturing us. The ambient of the book 1 is still present, thanks to a delicious writing and notion s of evil and good put in an incomparable way…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-476814372241725125?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/476814372241725125/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=476814372241725125&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/476814372241725125'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/476814372241725125'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/11/1q84-libro-2-book-2-livre-2-haruki.html' title='1Q84 Libro 2 ….   Book 2 ….   Livre 2 – Haruki Murakami'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-4362209352225554335</id><published>2011-11-12T22:47:00.001Z</published><updated>2011-11-17T21:36:40.117Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><title type='text'>Wirikuta Fest 2012</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/3554606883.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="230" src="http://static.skynetblogs.be/media/10758/3554606883.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El festival Wirikuta se realizará en el Foro Sol de &lt;st1:personname productid="la Ciudad" w:st="on"&gt;la Ciudad&lt;/st1:personname&gt; de México en Febrero del 2012. Se realiza este importante evento a favor de la preservación del sitio Wirikuta. Este lugar es uno de los sitios sagrados naturales más importantes del pueblo indígena Huichol. Todavía no es revelada la inforación acerca de los boletos para el festival. Lo cierto es que nombres importantes de la música latinoamericana como Café Tacvba, Manu Chao, Calle 13, Los Aterciopelados, Sonidero Meztizo y Los Tigres del Norte encabezan el cartel del Wirikuta Fest. Fecha anotada, ahora hay que esperarla…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Le festival Wirikuta aura lieu au Foro Sol à Mexico en Février 2012. Cet important évènement est organisé pour la préservation du site Wirikuta. Ce lieu est un des sites naturels sacrés les plus importants du peuple indigène Huichol.&amp;nbsp; Pour le moment aucune information n’est disponible quant à la billetterie. Ce qui est certain c’est que de grands noms de la musique latine tels Café Tacvuba, Manu Chao, Calle 13, Los Aterciopelados, Sonidero Meztizo et Los Tigres del Norte, seront présents. Date notée, rendez-vous en février pour le festival…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;The Wirikuta Festival will take place in &lt;st1:place w:st="on"&gt;&lt;st1:city w:st="on"&gt;Foro Sol&lt;/st1:city&gt;,  &lt;st1:country-region w:st="on"&gt;Mexico&lt;/st1:country-region&gt;&lt;/st1:place&gt; city, in February 2012. This important event is organized for the safeguarding of the Wirikuta site. This place is one of the more important sacred natural sites of the Huichol people. For the moment any information about ticketing is available. The certain is that great name of Latin music artists such Café Tacvba, Manu Chao, Calle 13, Los Aterciopelados, Sonidero Meztizo and Los Tigres del Norte, will be present. Date noted, now we just have to wait February…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-4362209352225554335?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/4362209352225554335/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=4362209352225554335&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4362209352225554335'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4362209352225554335'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/11/wirikuta-fest-2012.html' title='Wirikuta Fest 2012'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-2478782458574420658</id><published>2011-11-05T00:07:00.002Z</published><updated>2011-11-05T01:23:28.208Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Intouchables - E. Toledano &amp; Olivier Nakache</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/198066561.jpg-r_760_x-f_jpg-q_x-20110905_0404491.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/198066561.jpg-r_760_x-f_jpg-q_x-20110905_0404491.jpg" width="293" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Philippe est un riche aristocrate devenu tétraplégique&amp;nbsp; à la suite d’un accident de parapente. Il se retrouve seul du jour au lendemain sans pouvoir remuer autre chose que la tête. Driss est un jeune des banlieues issu d’une minorité visible, abonné successivement au chômage et à la prison et qui, pour couronner le tout, se fait virer de l’appartement familial. Au terme d’un casting assez cocasse, le premier engage le second comme assistant à domicile. C’est ainsi que deux univers vont se télescoper, s’apprivoiser et donner naissance à une amitié aussi dingue et forte qu’inattendue. Le pari de ce film, réalisé par Eric Toledano et Olivier Nakache, n’était pas des plus simples. Pourtant l’objectif est atteint&amp;nbsp;puisque au-delà des handicaps physiques et sociaux, le film aborde une métaphore sociale généreuse qui montre l’intérêt de l’association entre vieille France paralysée sur ces privilèges et force vitale de la jeunesse issue de l’immigration. Driss et Philippe, servis par un Omar Sy et un François Cluzet époustouflants, s’aident mutuellement à survivre dans un monde égoïste où règne la bêtise. Cette entraide les rendra intouchables… et pour celles et ceux qui doutent de la véracité de l’histoire, il faut savoir qu’elle est tirée d’une histoire vraie. Qualifié de buzz avant sa sortie, je vous confirme l’efficacité de ce film qui vous fera passer du rire à l’émotion en moins de temps qu’il n’en faut pour le dire…&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Philippe es un rico aristócrata que se ha convertido en tetraplejico tras un accidente de parapente. Se encuentra ahora solo sin poder mover otra cosa que la cabeza. Driss es un joven viviendo en los barrios, resultante de una minoria visible, quien suscribe sucesivamente al desempleo y a la prisión y, por eso, su madre le pide dejar el apartameno familiar. Al término de unas pruebas bastante cómicas, el primero compromete el segundo como ayudante a domicilio. Así dos universos van enfrentarse, domesticarse y dar nacimiento a una fuerte amistad tan chalada com inesperada. La apuesta de esta película, realizada por Eric Toledano y Olivier Nakache, no era simple. Con todo el objetivo se logro puesto que más allá de las desventajas físicas y sociales, la película aborda una metáfora social generaso que muestra el interés de la asociación entre vieja Francia paralizada sobr sus privilegios y fuerza vital de la juventud de la inmigración. Driss y Philippe, servidos por un Omar Sy y un françois Cluzet maravillosos, se ayudan mutuamente a sobrevivir en un mundo egoíta done reina la idiotez. Esta ayuda mutua los volverá intocables… y para los que dudan de la veracidad de la historia, hay que saber que se inspira de una historia real. Cafilicado como muy buena ante su salida, les confirmo la eficacia de esta película que le hará pasar de las carcajas a la emoción en menos tiempo que es necesario para decirlo…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Philippe is a rich aristocrat with tetraplegia following an accident of paragliding. He finds himself alone without being able to move anything else than the head. Driss is a young man of the visible minority from the suburbs, successively subscriber to unemployment and prison whose mother kick off the family apartment. At the end of a funny casting, the first engages the second as personal assistant. Thus two universes will telescope, tame down and give birth to a friendship as nutcase and strong as unexpected. The bet of this film, directed by Eric Toledano and Olivier Nakache, was not simpler. The objective is however reached since beyond the physical and social handicaps, the film approaches a generous social metaphor wich shows the interest of the association between old France paralysed on these privileges and vital forces of the youth from the immigration. Driss and Philippe, the incredible Omar Sy and François Cluzet, mutually help themselves to survive in an egoistic world full of stupidity. This mutual aid will make them untouchable… and for those who doubt the veracity of the story, it should be know that it’s inspired by a true story. Qualified of buzz before its release, I assure you the effectiveness of this film which will make you pass from laughs to emotion in less time necessary to say it…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/C0Rx9NFC3sc?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/FY8CgiTkgNk?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-2478782458574420658?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/2478782458574420658/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=2478782458574420658&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/2478782458574420658'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/2478782458574420658'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/11/intouchables-e-toledo-olivier-nakache.html' title='Intouchables - E. Toledano &amp; Olivier Nakache'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-7847659312240773941</id><published>2011-10-31T14:29:00.005Z</published><updated>2011-10-31T15:04:12.396Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Le Songe d’une Nuit d’Été de W. Shakespeare par N. Briançon</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/1207257763.2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/1207257763.2.jpg" width="266" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Hermia et Lysandre s’aiment et veulent se marier. Tout serait merveilleux si Egée, le père d’Hermia, ne la destinait à Démétrius, dont Héléna est amoureuse. Pour échapper à Egée nos deux amoureux fuient dans la forêt, poursuivis par Démétrius, lui-même poursuivi par Héléna. Dans le même temps, dans la forêt envahie par une troupe de comédiens venus y répéter leur pièce, Oberon, roi des Elfes, ordonne à son fidèle Puck de verser une potion magique sur les paupières de sa maîtresse Titania pour la punir de sa désobéissance. Mais Puck se trompe et les sentiments des uns et des autres sont alors bouleversés malgré tous les efforts de Puck pour réparer son erreur. Cette pièce de Shakespeare est, à n’en pas douter, la plus divertissante, passionnelle et charnelle de l’auteur qui y célèbre l’amour, le désir et, bien entendu, le théâtre d’une manière inégalable. L’adaptation qu’en fait ici Nicolas Briançon me faisait un peu peur puisqu’il n’a pas hésité à transposer le tout dans les années 70. Mon inquiétude a bien vite été balayée devant ce magnifique spectacle et ces thèmes universels. Briançon est resté fidèle au texte et ces deux heures passent à une allure folle en compagnie de cette troupe de comédiens et danseurs menés par Lorànt Deutsch et Mélanie Doutey qui nous offre un grand spectacle et feront aimer Shakespeare aux plus réticents…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Hermia and Lysander are in love and want to marry each other. All would be perfect if Egeus, father of Hermia, no want her to marry Demetrius loved by &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Helena&lt;/st1:place&gt;&lt;/st1:city&gt;. To escape Egeus the lovers flee in the forest, followed by Demetrius, himself followed by &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Helena&lt;/st1:place&gt;&lt;/st1:city&gt;. At the same time, in the forest invaded by a troop of actors come here to repeat their play, Oberon, King of the Fairies, orders his faithful Puck to pour a magic potion on the eyelids of his mistress Titania to punish its disobedience. But Puck is mistaken and the feelings of each one are then upset despite the efforts of Puck to repair its error. This play of Shakespeare is surely the more diverting, passionate and carnal of the author who celebrates here love, desire and, of course, theatre in an incomparable way. The adaptation made by Nicolas Briançon scared me a little knowing he transposed the play in the seventies. But since the beginning all doubt was forgotten in front of this splendid spectacle and these universal topics. Briançon remained faithful to the play and these two hours pass too quickly in company of this troop of actors and dancers, Lorànt Deutsch and Mélanie Doutey as leaders, who offer us a great play and will make love Shakespeare to the more reticent…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Hermia y Lysandro se aman y quieren casarse. Todo ser&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ía maravilloso si Egeo, padre de Hermia, no la destinara a Demetrio, de quien Helena está enamorada. Para escapar a Egeo nuestros dos enamorados huyen en el bosque, proseguidos por Demetrio, también proseguido por Helena. Al mismo tiempo, en el bosque invadido por un atropa de actores repitiendo su obra, Oberón, Rey de la hadas, pide a su fiel Puck pagar una poción mágica sobre los párpados de su esposa Titana par castigarla de su desobediencia. Pero Puck se equivoca y se trastornan entonces los sentimientos de los unos y otros a pesar de todos los esfuerzos de Puck para reparar su error. Esta obra de Shakespeare es, sin duda, la más divertida, pasional y carnal del autor puesto nos habla ahí del amor, del deseo y, por supuesto, del teatro de manera inagualable. Temaba un poco la adaptación de Nicolas Briançon puesto que no dudó en transponerla en los años 70. Olvidé rápidamente mi inquietud ante este maravilloso espectáculo y estos temas universales. Briançon siguió siendo fiel al texto original y estas dos horas pasan sin darse cuenta en compañía de est atropa de actores y bailarines llevados por Lorànt Deutsch y Mélanie Doutey, qu e nos ofrecen un gran espectáculo y harán gustar a Shakespeare a los más reservados…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-color: transparent; font-family: Tahoma; font-size: 12pt;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="background-color: transparent; font-family: Tahoma; font-size: 12pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.portestmartin.com/"&gt;Théâtre de &lt;st1:personname productid="la Porte Saint-Martin" w:st="on"&gt;&lt;st1:personname productid="la Porte" w:st="on"&gt;la Porte&lt;/st1:personname&gt; Saint-Martin&lt;/st1:personname&gt;&lt;/a&gt; (Paris 10&lt;sup&gt;e&lt;/sup&gt;) jusqu’au 01 Janvier 2012&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/ZU2bMeWsZms?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/wAPbnl0OUIM?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/GfXRKtjftbU?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-7847659312240773941?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/7847659312240773941/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=7847659312240773941&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7847659312240773941'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7847659312240773941'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/10/le-songe-dune-nuit-dete.html' title='Le Songe d’une Nuit d’Été de W. Shakespeare par N. Briançon'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-974369566105929403</id><published>2011-10-22T12:56:00.001+01:00</published><updated>2011-10-22T12:59:11.100+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Geekiness Attitude'/><title type='text'>Mists of Pandaria : the Next WoW Expansion</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/wow_mists_of_pandaria_logo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="206" src="http://static.skynetblogs.be/media/10755/wow_mists_of_pandaria_logo.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;During the Blizzcon 2011 Blizzard Entertainment announced the exit, next year, of a fourth expansion of the World of Warcraft licence. This one will make possible to raise the maximum level to 90 and will introduce innovations which already make dream each player (and me!). First of all a new continent will born : Pandaria of old &lt;st1:place w:st="on"&gt;&lt;st1:country-region w:st="on"&gt;China&lt;/st1:country-region&gt;&lt;/st1:place&gt; inspiration whose first images reveal the magnificences. This new territory is obviously populated by a new race very close to the panda in its aspect, Pandaren. Other great innovation of Mists of Pandaria : the appearance of a new class : Monk who will reveal news talents and will be, such as Droods, as well tank, as DPS or heal. Here for the great innovations of Mists of Pandaria, and il will be necessary for us to be very patient before play them…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;C’est lors de &lt;st1:personname productid="la Blizzcon" w:st="on"&gt;la Blizzcon&lt;/st1:personname&gt; 2011 que Blizzard Entertainment a annoncé la sortie, l’an prochain, d’une quatrième extension de la licence World of Warcraft. Cette dernière permettra d’élever le niveau maximal des joueurs à 90 et introduira des nouveautés qui font déjà frémir les joueurs (dont moi!). En premier lieu un nouveau continent fera son apparition&amp;nbsp;: Pandaria d’inspiration Chine ancienne dont les premières images révèlent les magnificences. Ce nouveau territoire est bien évidemment peuplé d’une nouvelle race très proche du panda dans son aspect, les Pandaren. Autres grande nouveauté de Mists of Pandaria&amp;nbsp;: l’apparition d’une nouvelle classe&amp;nbsp;: les Moines qui révèleront des talents nouveaux et seront, tels les Druides, aussi bien tank que DPS ou heal. Voilà pour les grandes nouveautés de Mists of Pandaria et il va nous falloir être très patients avant de pouvoir en profiter…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Es en el Blizzcon 2011 que Blizzard Entertainment anunci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; la salida, el pr&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ximo año, de una cuarta extensi&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n de la licencia World of Warcraft. Esta &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ltima permitir&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; elevar el nivel m&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ximo de los jugadores hasta 90 e introducir&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; novedades que ya hacen estremecer a los jugadores (&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;entre cuales yo!). En primer lugar un nuevo continente har&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á su aparición&amp;nbsp;: Pandaria de inspiración China antigua cuyas primeras imágenes revelan las magnificencias. Se puebla obviamente este nuevo pueblo de una nueva raza muy parecida a la panda en su aspecto, los Pandaren. Otra gran novedad de Mists of Pandaria&amp;nbsp;: la aparición de una nueva clase&amp;nbsp;: los Monjes que revelarán nuevos talentos y van a ser, tales las Druidas, tanto tanque como DPS o bien heal. Aquí tenemos las grandes novedades de Mists of Pandaria y lo cierto es que vamos deber estar muy paciente antes poder aprovecharlas…&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Le mini-site dédié &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;l&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; &lt;a href="http://eu.battle.net/wow/fr/game/mists-of-pandaria/"&gt;Mists of Pandaria&lt;/a&gt;&lt;/span&gt;    &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/RL2FgkptOMk?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/W9dKRNOhwvs?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="background-color: transparent; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/UEQ9MrYhzpU?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-974369566105929403?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/974369566105929403/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=974369566105929403&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/974369566105929403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/974369566105929403'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/10/mists-of-pandaria-next-wow-expansion.html' title='Mists of Pandaria : the Next WoW Expansion'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-987981169286095652</id><published>2011-10-17T18:12:00.000+01:00</published><updated>2011-10-17T18:12:35.402+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>And the winner is…. François Hollande!</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/hollande-candidat-presidentielle-socialiste-solferino-930x620_scalewidth_630.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://static.skynetblogs.be/media/10755/hollande-candidat-presidentielle-socialiste-solferino-930x620_scalewidth_630.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;France – Double victoire pour ces primaires&amp;nbsp;: celle de &lt;st1:personname productid="la Démocratie" w:st="on"&gt;la Démocratie&lt;/st1:personname&gt; dans un premier temps, puis celle de François Hollande qui est donc le candidat officiel PS pour les présidentielles 2012. Arrivé en tête avec une large avance sur Martine Aubry, il doit désormais convaincre les français qu’il est le plus à même de battre Sarkozy mais surtout de sortir le pays de la dette tout en ramenant l’égalité sociale. Tâches ardues s’il en est mais c’est uniquement en convainquant les français de sa réussite sur ces sujets, entre autres, qu’il pourra être élu. Une rude campagne s’engage donc dès à présent, dans laquelle il devra se montrer beaucoup plus offensif envers ses adversaires qu’il ne l’a été dans cette campagne des primaires. Tous nos espoirs reposent sur lui, à lui de faire en sorte de ne pas nous décevoir…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;France&lt;/span&gt;&lt;/st1:place&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; – Double victory for these primaries&amp;nbsp;: the one of the Democracy and the one of François Hollande who is thus the official PS candidate for the next presidential elections. Arrived winner with a great advance on Martine Aubry, he had now to convince French people whom is the most capable to beat Sarkozy and to leave the country from the crisis while binging back a social equality. Difficult tasks but it’s only by convince French people of its success on its subjects, with many others, that he could be elected. A difficult campaign is now engaged, in which he will have to be much more offensive towards the others candidates than he was during the primaries. All our hopes rest on him, he had now to not disappoint us…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/st1:country-region&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Francia – Doble Victoria para estas elecciones primarias : la de &lt;st1:personname productid="la Democracia" w:st="on"&gt;la Democracia&lt;/st1:personname&gt;, y la de François Hollande que es pues el candidate official del PS par alas presidenciales 2012. Llegado primero lejos de Martine Aubry, debe ahora convencer a los franceses que está el mejor para ganar contra Sarkozy pero sobre todo sacar el país de la deuda al mismo tiempo que arregla las igualdades sociales. Tareas dificiles pero es solamente convenciendo a los franceses de su éxito en estos temas, entre otros, que se podrá eligir. Una dura campaña electoral empieza ya en la cual deberá mostrarse mucho más ofensivo hacia sus adversarios que no lo estuvo en esta campaña primarias. Todas nuestras esperanzas se basan en él, tiene el deber de no decepcionarnos…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources&amp;nbsp;:&lt;/i&gt; &lt;a href="http://www.france-info.com/france-presidentielle-2012-2011-10-17-francois-hollande-et-maintenant-rassembler-la-gauche-et-le-centre-569300-9-508.html"&gt;France Info&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/us1Ff0H_DgY?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-987981169286095652?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/987981169286095652/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=987981169286095652&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/987981169286095652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/987981169286095652'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/10/and-winner-is-francois-hollande.html' title='And the winner is…. François Hollande!'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-4146564120229616400</id><published>2011-10-16T16:14:00.002+01:00</published><updated>2011-10-16T16:21:21.756+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><title type='text'>Las Fiestas del Sr. Punto – Mash Up Sound System</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/302090_114830448626085_100002973919307_95530_1228603322_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10755/302090_114830448626085_100002973919307_95530_1228603322_n.jpg" width="261" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/09/las-fiestas-del-sr-punto-mash-up-sound.html" style="background-color: transparent; font-family: Tahoma; font-size: 12pt;"&gt;Las Fiestas del Sr. Punto&lt;/a&gt;&lt;span style="background-color: transparent; font-family: Tahoma; font-size: 12pt;"&gt; se celebraran el próximo viernes 28 de octubre a las 22:00 en el camping&amp;nbsp; Santa Eulalia, Altafulla. Entradas 12€. ¡Os esperamos!...&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/09/las-fiestas-del-sr-punto-mash-up-sound.html"&gt;Las Fiestas del Sr. Punto&lt;/a&gt; auront lieu le vendredi 28 octobre à 22:00 au camping Santa Eulalia, Altafulla. Entrée 12€. Nous vous y espérons nombreux!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/09/las-fiestas-del-sr-punto-mash-up-sound.html"&gt;Las Fiestas del Sr. Punto&lt;/a&gt; will be celebrate next Friday October, 28 at 10:00 PM at camping Santa Eulalia, Altafulla. Entry 12€. We are waiting for you!...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-4146564120229616400?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/4146564120229616400/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=4146564120229616400&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4146564120229616400'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4146564120229616400'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/10/las-fiestas-del-sr-punto-mash-up-sound.html' title='Las Fiestas del Sr. Punto – Mash Up Sound System'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-2644802376621894632</id><published>2011-10-11T18:51:00.003+01:00</published><updated>2011-10-30T13:03:25.803Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>El Zorro : comienza la leyenda – Isabel Allende</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://4.bp.blogspot.com/-KJbATgNSHi4/TpSA8dwSZOI/AAAAAAAAALo/5cI4Jh-GJoM/s1600/el_zorro.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-KJbATgNSHi4/TpSA8dwSZOI/AAAAAAAAALo/5cI4Jh-GJoM/s400/el_zorro.jpg" width="268" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Biografia&amp;nbsp; ficticia del Zorro, precuela a los eventos de la historia original, esta novela nos cuenta los orígenes del héroe El Zorro. Éste, nacido en la década de 1790 en Alta California de un capitán asturiano, Don Alejandro de &lt;st1:personname productid="la Vega" w:st="on"&gt;la Vega&lt;/st1:personname&gt;, y de una guerrera amerindia, Toypurnia, es enviado a Barcelona por su padre para completar su educación. Así llega en la&amp;nbsp; década de 1810 en una Barcelona ocupada por el Ejército Francés de Napoleón Bonaparte. Ahí Diego de &lt;st1:personname productid="la Vega" w:st="on"&gt;la  Vega&lt;/st1:personname&gt; descubre su primer amor y, delante unos acontecimientos, se convierte en un luchador en contra de la opresión extranjera. Sus viajes lo ayudan a aprender muchas de las características propias del Zorro&amp;nbsp;: acrobacias en los mástiles de los barcos, esgrima del maestro español Manuel Escalante, varios trucos de los gitanos y del cocinero de un barco. Después de varias aventuras y luego de la derrota francesa, De &lt;st1:personname productid="la Vega" w:st="on"&gt;la Vega&lt;/st1:personname&gt; regresa a California donde decide continuar luchando en contra de la tiranía de su enemigo de España, el presuntuoso Don Rafael Moncada. Para eso, Diego asume la identidad secreta del Zorro, ayudado en esta cruzada por Bernardo y su fiel Tornado. Isabel Allende nos descubre en esta novela no sólo el retrato de unos personajes con sus virtudes y flaquezas, sino también la vida sencilla de las misiones españolas en &lt;st1:personname productid="la California" w:st="on"&gt;la California&lt;/st1:personname&gt; de principios del siglo XIX y la agitación en las calles de una Barcelona ocupada. Lejos del Zorro de Johnston McCulley, la autora rescata con ironía y humanidad, la figura del héroe y le da vida más allá de la leyenda…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Biographie fictive de Zorro, préquelle des évènements de l’histoire originelle, ce roman narre les origines du héros. Celui-ci, né dans les années 1790 en Haute Californie d’un capitaine asturien, Don Alejandro de &lt;st1:personname productid="la Vega" w:st="on"&gt;la Vega&lt;/st1:personname&gt;, et d’une guerrière amérindienne, Toypurnia, est envoyé à Barcelone par son père afin de compléter son éducation. C’est ainsi qu’il arrive dans les années 1810 dans une Barcelone occupée par l’armée française de Napoléon Bonaparte. Diego de &lt;st1:personname productid="la Vega" w:st="on"&gt;la Vega&lt;/st1:personname&gt; y rencontre son premier amour et, face aux évènements, se dresse contre l’oppression étrangère. Ses voyage l’aident à apprendre beaucoup des caractéristiques propres à Zorro&amp;nbsp;: les acrobaties dans les mâts des bateaux, l’escrime du maître espagnol Manuel Escalante, plusieurs tours des gitans et du cuisinier du bateau qui l’a conduit en Espagne. Après plusieurs aventures et la défaite française, De &lt;st1:personname productid="la Vega" w:st="on"&gt;la Vega&lt;/st1:personname&gt; retourne en Californie où il décide de poursuivre sa lutte contre la tyrannie de son ennemi espagnol, le présomptueux Don Rafael Moncada. Pour cela Diego prend l’identité secrète de Zorro, aidé dans cette croisade par Bernardo et son fidèle Tornado. Isabel Allende nous dévoile dans ce roman non seulement le portrait de personnages avec leurs vertus et défauts, mais aussi la vie simple des missions espagnole dans &lt;st1:personname productid="la Californie" w:st="on"&gt;la  Californie&lt;/st1:personname&gt; du début du XIXe siècle, et l’agitation des rues d’une Barcelone occupée. Loin du Zorro de Johnston Mc Culley, l’auteur dresse avec ironie et humanité le portrait du héros et lui donne vie au-delà de la légende…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Fictitious biography of Zorro, prequel of the events of the original story, this novel tells the origins of the hero. This one, born in the years &lt;st1:metricconverter productid="1790 in" w:st="on"&gt;1790 in&lt;/st1:metricconverter&gt; High California of an Asturnian Captain, Don Alejandro de &lt;st1:personname productid="la Vega" w:st="on"&gt;la Vega&lt;/st1:personname&gt;, and an Amerandian warlike, Toypurnia, is sent to &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Barcelona&lt;/st1:place&gt;&lt;/st1:city&gt; by his father in order to complete his education. He arrives thus in the years &lt;st1:metricconverter productid="1810 in" w:st="on"&gt;1810 in&lt;/st1:metricconverter&gt; a &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Barcelona&lt;/st1:place&gt;&lt;/st1:city&gt; occupied by the French army of Napoleon Bonaparte. Diego de &lt;st1:personname productid="la Vega" w:st="on"&gt;la  Vega&lt;/st1:personname&gt; meets there his forts love and, in front of the events, become an opponent of the foreign repression. Its trips help him to learn the characteristics suitable to be Zorro : acrobatics in the masts of the boats, the fencing of the Spanish master Manuel Escalante, several turns from the gipsies and a cooker. After several adventures and the French defeat, De &lt;st1:personname productid="la Vega" w:st="on"&gt;la Vega&lt;/st1:personname&gt; turns over &lt;st1:state w:st="on"&gt;&lt;st1:place w:st="on"&gt;California&lt;/st1:place&gt;&lt;/st1:state&gt; where he decides to continue its fight against the tyranny of its Spanish enemy, the presumptuous Don Rafael Moncada. For that Diego takes the secret identity of Zorro, helped in this crusade by Bernardo and the faithful Tornado. Isabel Allende reveals us in this novel not only the portrait of characters with their virtues and defects, but also the simple life of the Spanish missions in the California of the beginning of the XIXe century, and the agitation of the streets of the occupied Barcelona. Far from the Zorro of Johnston McCulley, the author draws up with irony and humanity the portrait of the hero and gives him life beyond the legend…&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-2644802376621894632?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/2644802376621894632/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=2644802376621894632&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/2644802376621894632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/2644802376621894632'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/10/el-zorro-comienza-la-leyenda-isabel.html' title='El Zorro : comienza la leyenda – Isabel Allende'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-KJbATgNSHi4/TpSA8dwSZOI/AAAAAAAAALo/5cI4Jh-GJoM/s72-c/el_zorro.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-4890283817565676749</id><published>2011-09-29T18:43:00.002+01:00</published><updated>2011-09-29T18:48:14.161+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Las Fiestas del Sr. Punto - Mash Up Sound System</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/1857259983.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="110" src="http://static.skynetblogs.be/media/10755/1857259983.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Comunicado oficial &lt;st1:state w:st="on"&gt;&lt;st1:place w:st="on"&gt;del&lt;/st1:place&gt;&lt;/st1:state&gt; Sr. Punto&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;«Desde el buga ovni mis colaboradores junto conmigo estamos trabajando duramente para restablecer la armonía en su planeta. Nos encargamos de traerles a ustedes la vibración optima para el buen funcionamento de nuestras cadenas de ADN, facilitando la buena comunicación y ayudando a impulasar sus energías al cosmos. Así las Fiestas que llevan mi nombre son una muestra de la nueva energía musical que mis colaboradores pueden hacer por usted y su bienestar. Espero que nos veamos en estos eventos. Próximamente le mantendré informado de los mismos. Un saludo cósmico. Sr. Punto»&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;Las fiestas &lt;/span&gt;&lt;st1:state style="font-family: Tahoma; font-size: 16px;" w:st="on"&gt;&lt;st1:place w:st="on"&gt;del&lt;/st1:place&gt;&lt;/st1:state&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt; Sr. Punto son un evento patrocinado por Gaia Stalla.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Communiqué official du Señor Punto&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;“Depuis le vaisseau mère mes collaborateurs et moi-même travaillons durement afin de rétablir l’harmonie de votre planète. Nous nous chargeons de nous apporter la vibration optimale pour le bon fonctionnement de nos chaînes ADN, facilitant une meilleure communication tout en aidant à impulser vos énergies au cosmos. Ainsi les Fêtes qui portent mon nom sont un échantillon de la nouvelle énergie musicale que mes collaborateurs peuvent vous apporter. J’espère vous rencontrer lors de ces évènements. Je vous tiendrez prochainement informer de ceux-ci. Salut cosmique. Sr. Punto»&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;Les fêtes du Sr. Punto sont parrainées par Gaia Stalla.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Official statement from the Señor Punto&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;“Since our UFO, my collaborators and myself are working hard in order to restore the harmony of your planet. We undertake to bring the optimal vibration for the good performance of our DNA chains, facilitating a better communication while helping to impel your energies to cosmos. Thus the Parties with my name are a sample of the new musical energy that my collaborators can bring to you? I hope to meet you during these events. I will inform you very soon about those events. Cosmic hugs.”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;Sr. Punto Parties are sponsored by Gaia Stalla.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Sig&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;nnos en el &lt;a href="http://srpunto.wordpress.com/"&gt;Blog&lt;/a&gt;, con &lt;a href="http://www.gaiastalla.com/srpunto.htm"&gt;Gaia Stalla&lt;/a&gt; o bien en &lt;a href="http://es-es.facebook.com/people/El-SrPunto/100002973919307"&gt;FaceBook&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/aL5MBfDBP6A?rel=0" width="480"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-4890283817565676749?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/4890283817565676749/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=4890283817565676749&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4890283817565676749'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4890283817565676749'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/las-fiestas-del-sr-punto-mash-up-sound.html' title='Las Fiestas del Sr. Punto - Mash Up Sound System'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1473830478361921869</id><published>2011-09-27T18:57:00.004+01:00</published><updated>2011-09-27T19:06:37.364+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Virage à gauche</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;France – Outre le fait qu’elle soit historique, la victoire de la gauche aux sénatoriales dimanche dernier, marque une nouvelle défaite de l’UMP. Encore une puisque depuis 2007, cinq élections ont rimées avec défaite pour le parti de la majorité présidentielle. Alors que se déroulera samedi l’affrontement entre Gérard Larcher (UMP) et Jean-Pierre Bel (PS) à la présidence du Sénat, Nicolas Sarkozy, s’il a admis cette nouvelle défaite, n’envisage pas d’autre candidat que lui-même pour 2012. Pourtant hormis le blocage législatif que représente ce virage à gauche du Sénat, certains à l’UMP mettent en garde contre le «&amp;nbsp;mauvais&amp;nbsp;» choix de candidat pour 2012, alors que d’autres s’interrogent sur les capacités de rassembleur de Sarkozy. Ces avis semblent plus que lucides, car si à l’Elysée prône l’unité, il apparaît très clairement que ces défaites successives ne sont pas uniquement des votes d’adhésion à la gauche, mais représentent un véritable rejet de l’ère Sarkozy. &amp;nbsp;Entre le peuple et Sarko qui sera le plus têtu? Verdict en 2012, en espérant que seuls les français et &lt;st1:personname productid="la France" w:st="on"&gt;la France&lt;/st1:personname&gt; en sortent vainqueurs…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;France&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; – In addition to the fact that it is historical, the victory of the left to the Senatorial elections last Sunday, mark a new defeat of the UMP. Another one still since 2007, five elections are synonymous of defeat for the party of the presidential majority. Whereas next Saturday will see the confrontation between Gerard Larcher (UMP) and Jean-Pierre Bel (PS) to the presidentcy of the Senate, Nicolas Sarkozy, who admitted this new defeat, does not consider another candidate only himself for 2012. However except a legislative blocking, that represent the victory of the left at Senate, some people at UMP warn against a “bad” choice of candidate for 2012, whereas others wonder about the capacities of gathering of Sarkozy. These opinions seem more than lucid, because if the Elysium preaches the unit, it appears very clearly that these successive defeats are not only adhesion votes to left, but represent a true rejection of the Sarkozy ea. Who will be most obstinate between French people and Sarkozy? Verdict in 2012, hoping that only French people and France leave it victorious…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Francia – Además del hecho de que sea histórica, &lt;st1:personname productid="la Victoria" w:st="on"&gt;la Victoria&lt;/st1:personname&gt; de la izquierda en las elecciones senatoriales del pasado domingo, señala una nueva derrota del UMP. Otra puesto que desde 2007, 5 elecciones rimaron con derrota para el partido de la mayoría presidencial. Mientras que se desarrollará este sábado la confrontación entre Gérard Larcher (UMP) y Jean-Pierre Bel (PS) a &lt;st1:personname productid="la Presidencia" w:st="on"&gt;la Presidencia&lt;/st1:personname&gt; del Senado, Nicolas Sarkozy, si admitió esta nueva derrota, no preve a otro candidato que él mismo para 2012. Con todo excepto el bloqueo legislativo que representa esta vuelta a la izquierda del Senado, algunos al UMP ponen en guardia contra la «&amp;nbsp;mala&amp;nbsp;» elección de candidato para 2012, mientras que otros se preguntan sobre la capacidades de unión de Sarkozy. Estos dictámenes parecen más que lúcidos, ya que si al Elíseo se predica la unidad, todo indica muy claramente que estas derrotas sucesivas no representan únicamente votos de adhesión a la izquierda, sino un verdadero rechazo de la era Sarkozy. ¿Quién del pueblo francés o de Sarkozy va a ser el más testaduro?Veredicto en 2012, esperando que solamente los franceses y Francia salgan vencedores de eso…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources :&lt;/i&gt; &lt;a href="http://www.lemonde.fr/politique/article/2011/09/27/la-gauche-promet-un-senat-plus-modeste-plus-transparent_1578624_823448.html"&gt;Le Monde&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/ANTWQRIIbVI?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/OrUO-W8lESY?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1473830478361921869?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1473830478361921869/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1473830478361921869&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1473830478361921869'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1473830478361921869'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/virage-gauche.html' title='Virage à gauche'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-7473780333710049963</id><published>2011-09-18T14:07:00.001+01:00</published><updated>2011-09-23T21:32:11.629+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Bref</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/165347368.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.skynetblogs.be/media/10755/165347368.jpg" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Le pitch de cette mini-série donne le ton «&amp;nbsp;Dans la vie, au début on naît, à la fin on meurt, entre les deux&amp;nbsp; y s’passe des trucs. Bref. C’est l’histoire d’un mec, entre les deux&amp;nbsp;».&amp;nbsp; Bref. Vous l’aurez compris l’idée est de raconter la vie d’un mec. Mais attention par n’importe comment&amp;nbsp;puisque le rythme et la qualité de l’écriture en font d’ors et déjà le coup de cœur de cette rentrée. Grand bravo donc à Kyan Khojandi, Navo, Baptiste Lecaplain et Bérangère Krief qui ont tourné cet été une quarantaine d’épisodes, diffusés chaque soir en ponctuation du &lt;a href="http://www.canalplus.fr/c-divertissement/pid3349-c-le-grand-journal.html"&gt;Grand Journal&lt;/a&gt; de Canal +. Bref j’adore…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El pitch de esta miniserie da el tono «&amp;nbsp;En la vida, se nace al principio, se muere al final, entre los dos se pasa cosas. Vale. Es la historia de un tío entre los dos.»&amp;nbsp; Vale. Lo habrá entendido la idea es hablar de la vida de un tío. Pero no te cualquiera manera puesto que el ritmo y la calidad de la escritura ya hacen de Bref (o sea&amp;nbsp;: Vale) la buena sorpresa de septiembre. Bravo a Kyan Khojandi, Navo, Baptiste Lecaplain y Bérangère Krief quienes han grabado este verano una cuarenta de episodios, difundidos cada día en puntuación del &lt;a href="http://www.canalplus.fr/c-divertissement/pid3349-c-le-grand-journal.html"&gt;Grand Journal&lt;/a&gt; en Canal + (canal francés). Vale me gusta…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;The pitch of this mini-series gives the tone&amp;nbsp;: «&amp;nbsp;In life, at the beginning we born&amp;nbsp;, at the end we die, between the two things happen. Anyways. It is the story of a guy, between the two.3 Anyways (Bref). You will understood it the idea is to tell the life of a guy. But not as always since the rhythm and the quality of the writing make of it the surprise of September. Great cheers thus to Kyan Khojandi, Navo, Baptiste Lecaplain and Bérangère Krief which turned this summer forty episodes, diffused each evening in punctuation of &lt;a href="http://www.canalplus.fr/c-divertissement/pid3349-c-le-grand-journal.html"&gt;Le Grand Journal&lt;/a&gt;, on Canal + (French channel). Anyways I love it…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Bref – J’ai dragué cette fille&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/l_GQruJsBu0?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Bref – J’ai traîné sur internet&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/4wGuW53rQ7g?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Bref – J’ai recroisé cette fille&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube-nocookie.com/embed/ueG7rK3Mcpc?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-7473780333710049963?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/7473780333710049963/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=7473780333710049963&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7473780333710049963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7473780333710049963'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/bref.html' title='Bref'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-4156962856720701698</id><published>2011-09-14T16:40:00.000+01:00</published><updated>2011-09-14T16:40:14.488+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Amiral Cherhal vs  Colonel Reyel</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/2130210846.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="138" src="http://static.skynetblogs.be/media/10755/2130210846.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Il y a trois mois, Colonel Reyel sortait la chanson Aurélie, dans laquelle le rappeur apporte son soutien aux adolescentes qui veulent être «&amp;nbsp;mère à tout prix&amp;nbsp;». Les mouvements anti-avortement n’ont pas été longs à encenser ce titre. Colonel Reyel a marqué son étonnement devant cette réaction, déclarant que le droit à l’avortement est un droit fondamental pour la femme. Ce discours peut paraître surprenant sachant que les paroles du titre sont très explicites sur le fait que donner la vie est la plus belle chose qui soit et que prétendre le contraire signifie ne rien avoir compris. La réponse musicale ne s’est pas faite attendre puisque Jeanne Cherhal, rebaptisée Amiral Cherhal, diffuse depuis hier un titre dans lequel elle s’oppose au rappeur, l’exhortant même, puisqu’il guide les adolescentes, de les aider financièrement une fois devenues mère. Si le côté artistique n’est pas des plus recherché, la réponse a le mérite d’exister. Et l’occasion m’est encore donnée ici de rappeler que le droit à l’avortement est un droit fondamental pour chaque femme, et qu’elle seule peut décider de sa vie…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Hace tres meses sali&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó la canción Aurélie en la cual el MC francés Coronel Reyel aporta su apoyo a los adolescentes que quieren ser «&amp;nbsp;madre ante todo&amp;nbsp;». Queda claro&amp;nbsp; que a los movimientos anti aborto les gustaron mucho el título que ya es su himno. Coronel Eeyel señaló su sorpresa ante tal reacción, declarando que el derecho a aborar es un derecho fundamental para la mujer. Discurso que sorprende puesto que las palabras de la canción son muy explícitas sobre el hecho de que dar la vida es la cosa más bonita de la vida y que pretender el contrario significa no haber incluido nada. La repuesta musical no se hizo esperar puesto que Jeanne Cherhal, llamada por la ocasión Almirante Cherhal, difunde desde ayer un título en cual se opone al cantante, pidiendolo, puesto que fuia a los adolscentes, de ayudarlas un avez vueltas madre. Si el lado musical no es lo mejro de esta canción, al menos existe una repuesta. Y es la ocasión para recordar que el derecho al aborto es un derecho fundamental para cada mujer, que ella sola puede decidir de su vida…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Three months ago Clonel Reyel presented a new song, Aurélie, in which the rapper gives support to teenagers who want to be «&amp;nbsp;mother in any case&amp;nbsp;». Movements anti-abortion were not long to approve this title and take it as hymn. Colonel Reyel marked his surprise in front of this reaction, declaring that the right to abort is a basic right for each woman. This speech can appear surprising knowing the letters of the song which are very explicit on the fact that give life is the most beautiful thing in life and tell the contrary means to have understood nothing. The musical answer came since 2 yesterday from Jeanne Cherhal, called Admiral Cherhal for the occasion, with a title in which she is opposed to the rap artist, exhorting him, since he guides teenagers, to help them financially once become mother. If the artistic side is not the quality of this song, at least the answer exists. And it’s the occasion to recall that the right to abort is a basic right for each woman, and that only her can decide her life…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Aurélie - Colonel Reyel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/-FzEiRaZkvw?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Colonel j’ai 16 ans – Amiral Cherhal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/mB6dDaRJhzg?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-4156962856720701698?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/4156962856720701698/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=4156962856720701698&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4156962856720701698'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4156962856720701698'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/amiral-cherhal-vs-colonel-reyel.html' title='Amiral Cherhal vs  Colonel Reyel'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-715286743387397024</id><published>2011-09-13T18:00:00.001+01:00</published><updated>2011-09-13T18:03:08.044+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Geekiness Attitude'/><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>初音 ミク – Le phénomène Hatsune Miku</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/hatsune_miku_004.2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10755/hatsune_miku_004.2.jpg" width="213" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;En 2003 Yamaha Corporation développe Vocaloid, un programme exploitant la technologie de synthèse vocale. L’intérêt de ce logiciel est de synthétiser une chanson, paroles et mélodie, et de la faire chanter par une voix artificielle . Diverses mascottes lui sont attribuées, dont Miku Hitsune (c’est-à-dire Premier Son du Futur) en 2007 lors de la commercialisation de Vocaloid 2. Elle a 16 ans, pèse &lt;st1:metricconverter productid="42 kg" w:st="on"&gt;42 kg&lt;/st1:metricconverter&gt; et mesure 1,58m, son objet totem est le negi (poireau) et sa couleur est le vert turquoise. En 2009 et 2010 sortait au Japon Hatsune Miku, Project DIVA, jeu de rythme dont Miku Hatsune est le personnage principal. L’histoire aurait pu s’arrêter là, mais dés la sortie du logiciel Miku devient une star au Japon et hors de ses frontières. A tel point que son propre manga est créé sous le nom d’Hatsune Mix et qu’elle donne désormais des concerts géants. Oui vous avez bien lu&amp;nbsp;: la star incontournable japonaise est un hologramme! Certes son style musical n’a rien de révolutionnaire, mais le public Japonais a accroché et Hastune Miku est une véritable star. Quand je pense que les artistes se battaient contre le téléchargement illégal pensant que celui-ci signait leur déclin. Parce que là pour le coup, ils ont de quoi s’inquiéter si le phénomène se développe&amp;nbsp;!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;In 2003 Yamaha Corporation develops Vocaloid, a program exploiting the speech synthesis technology. The interest of this software is to synthesize a song, words and melody, and make it sing by an artificial voice. Various humanoid robot models are created to react the soft, of which, in 2007 with Vocaloid 2, Miku Hitsune (i.e. First Sound of the Future). She’s 16, weighs &lt;st1:metricconverter productid="42 kg" w:st="on"&gt;42  kg&lt;/st1:metricconverter&gt; with a height of &lt;st1:metricconverter productid="5.2 ft" w:st="on"&gt;5.2 ft&lt;/st1:metricconverter&gt;, its totem is the negi (leek) and its colour the turquoise green. In 2009 and 2010 was available in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Japan&lt;/st1:place&gt;&lt;/st1:country-region&gt; a game named Hatsune Miku, Project Diva, in which Miku Hatsune is the main character. The story could have stopped here, but since the beginning Miku is a star in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Japan&lt;/st1:place&gt;&lt;/st1:country-region&gt;, even outside the country. To such point that a manga was created under the name of Hatsune Mix and that “she” gives some big concerts. Yes, the actual star in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Japan&lt;/st1:place&gt;&lt;/st1:country-region&gt; is a hologram! Of course its music has anything of revolutionary, but Japanese public loves her. When I think that artists fought against illegal downloading thinking this could sign their decline. Because this could be worrying if the phenomenon develops!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;En 2003 Yamaha Corporation desarrolla Vocaloid, un programa de sintetizaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n de voz. El interés del programa es sintetizar una canci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n, letras y melod&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;, y hacerla cantar por una voz artificial. Se le asignan distintas mascotas, cuyo en 2007 con Vocaloid 2, Miku Hitsune (o sea, Primer Sonido del Futuro). Tiene 16 años, pesa 42kg por una medida de 1.58m, su objeto totem es el negi (puerro) y su color es el verde turquesa. Se lanz&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; en 2009 y 2010 en el Jap&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n Hatsune Miku, Project Diva, un juego cuyo Miku Hatsune es el personaje principal. La historia habr&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a podido detenerse all&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; pero desde la salida del programa inical Miku se conviere en una star en el Jap&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n y fuera de sus fronteras. Tanto que se cre&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; su propio manga con el nombre de Hatsune Mix y que ahora da conciertos gigantes. Porque s&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&amp;nbsp;: &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;la star japonesa actual es un holograma! Claro que su estilo musical no tiene nada de revolucionario, pero le gusta al p&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;blico Japonés y Hatsune Miku es una verdadera star. Cuando pienso que los artistas luchan contra el download ilegal pensando que éste firmaba su decadencia. Porque con eso, &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; que tiene que preocuparse si se desarrolla aquel fen&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;meno&amp;nbsp;!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;World is Mine – Hatsune Miku Live&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/YSyWtESoeOc?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Po Pi &lt;st1:place w:st="on"&gt;Po&lt;/st1:place&gt; – Hatsune Miku Live&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/q47SiUtczLM?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Ai Kotoba – Hatsune Miku Live&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/i4FbzepgfAs?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-715286743387397024?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/715286743387397024/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=715286743387397024&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/715286743387397024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/715286743387397024'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/le-phenomene-hatsune-miku.html' title='初音 ミク – Le phénomène Hatsune Miku'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-8609054948385895296</id><published>2011-09-11T00:09:00.000+01:00</published><updated>2011-09-11T00:09:45.487+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>1Q84 Libro 1 …  Book 1 … Livre 1 – Haruki Murakami</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://3.bp.blogspot.com/-PYGbcYL77yo/TmvuBoWwGJI/AAAAAAAAALk/osAjLx8oyGc/s1600/1q84-livre-1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-PYGbcYL77yo/TmvuBoWwGJI/AAAAAAAAALk/osAjLx8oyGc/s320/1q84-livre-1.jpg" width="197" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Tal como ya lo ha mencionado Haruki Murakami, la idea de 1Q84 nace de la novela de Orwell pero en un sentido inverso. Si en japonés &lt;st1:personname productid="la Q" w:st="on"&gt;la Q&lt;/st1:personname&gt; tiene un sonido similar a 9, los mundos de la novela, no son iguales. En este primero libro encontremos Aomame, mujer independiente y monitora de gimnasio, y Tengo, profesor de matemáticas. Ambos son solitarios, tienen unos treinta años y guardan un secreto. La primera es una asesina mientras el segundo desea ser novelista. Ambos se han conocido en la escuela y, aunque sus vidas se separaron, Aomame sigue amando a Tengo que no lo sospecha. Mientras Aomame, dandose cuenta de la existencia de una segunda luna en vez de la que ya conocemos, sigue asesinando en nombre de una vieja mujer extraña, el editor de Tengo le encarga de reescribir «&lt;st1:personname productid="La Crisálida" w:st="on"&gt;La Crisálida&lt;/st1:personname&gt; del aire», novela de Fukaeri, adolescente de dicesiete años. Con esos personajes y sus historias personales, a cuales se mezcla la historia del Japón, Haruki Murakami nos revela el debut de una obra mágnifica al cual hay que añadir la presencia de &lt;st1:personname productid="la Little Peole" w:st="on"&gt;&lt;st1:personname productid="la Little" w:st="on"&gt;la Little&lt;/st1:personname&gt; Peole&lt;/st1:personname&gt;, el pendientedel Gran Hermano de Orwell. Dejanlo todo, ya entraron en el mundo de 1Q84 y entre este atractivo mundo y el mundo real ya no sabemos en donde estamos y aún menos quienes son – amigos o no – los Little People…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Comme l’a déclaré Haruki Murakami, l’idée de 1Q84 est née du roman 1984 d’Orwell tout en étant son opposé. Si en japonais la lettre Q se prononce de la même façon que le 9, les mondes de ce roman ne sont cependant pas égaux. Dans ce premier livre nous rencontrons Aomamé, jeune femme indépendante et prof de gym, et Tengo, professeur de mathématiques. Tous deux sont des trentenaires solitaires et ont un secret. La première est une tueuse à gages alors que le second rêve de devenir écrivain. Ils se sont connus à l’école primaire et, bien que la vie les ait séparé, Aomamé aime toujours secrètement Tengo. Alors qu’Aomamé découvre l’existence d’une seconde lune au lieu de l’unique que nous connaissons, continue de tuer pour une vieille femme excentrique, l’éditeur de Tengo lui demande de réécrire «&amp;nbsp;&lt;st1:personname productid="La Chrysalide" w:st="on"&gt;La  Chrysalide&lt;/st1:personname&gt; de l’air&amp;nbsp;», &amp;nbsp;roman de Fukaeri,&amp;nbsp; adolescente de dix-sept ans. Avec ces personnages et à travers de leurs histoires personnelles, mêlées à celle du Japon, Haruki Murakami nous dévoile le début d’une œuvre magnifique à laquelle il ne faut pas oublier de nommer la présence des «&amp;nbsp;Little Peole&amp;nbsp;», pendants du Big Brother de Georges Orwell. Oubliez tout, avec ce roman le lecteur entre dans le monde de 1Q84 et entre ce monde attirant et le monde réel nous ne savons plus où nous sommes et encore moins qui sont –amis ou ennemis – les Little People…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;As Haruki Murakami says himself, the idea of 1Q84 is born from 1984, by Orwell, while being its opposite. If in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Japan&lt;/st1:place&gt;&lt;/st1:country-region&gt; the letter Q is pronounced as a 9, the worlds of the novel are however not equal. In this first book we meet Aomame, young woman gym teacher, and Tengo, mathematics professor. Both are thirty years alone people and both have a secret. The first one is a killer whereas the second dreams to become writer. They meet each other at school and, although life separated them, Aomame always love secretly Tengo. Whereas Aomame discovers the existence of a second moon instead the one we know, she continues to kill for an eccentric old woman, the editor of tengo asks him to rewrite “The Chrysalid of the Air”, novel write by Fukaeri, seventeen years old teenager. With these characters and thourgh their personal stories, mixed to the History of Japan, Haruki Murakami reveals us the beginning of a great work for which we don’t have to forget the presence of the “Little Peopl”, hanging of the Big Brother created by Georges Orwell. Let’s forget all, with this novel the reader enters the world of 1Q84 and between this attracting world and the real world we d’ont know any more where we are and even less who are – friends or enemies – the Little People…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-8609054948385895296?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/8609054948385895296/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=8609054948385895296&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/8609054948385895296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/8609054948385895296'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/1q84-libro-1-book-1-livre-1-haruki.html' title='1Q84 Libro 1 …  Book 1 … Livre 1 – Haruki Murakami'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-PYGbcYL77yo/TmvuBoWwGJI/AAAAAAAAALk/osAjLx8oyGc/s72-c/1q84-livre-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-5016144047979266198</id><published>2011-09-10T23:16:00.002+01:00</published><updated>2011-09-10T23:20:12.060+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Por lo Menos Hoy – NTVG</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://3.bp.blogspot.com/-qP61XTgIn1I/TmvfOFKHqXI/AAAAAAAAALg/vR8P6Hi7Vpw/s1600/CD12739MP3%255B1%255D.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-qP61XTgIn1I/TmvfOFKHqXI/AAAAAAAAALg/vR8P6Hi7Vpw/s320/CD12739MP3%255B1%255D.jpg" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Su nombre surgió de una broma&amp;nbsp; y ahora se ha convertido en su marca. No Te Va Gustar son nueve músicos urugayos que conforman una banda de rock más que consolidada en América Latina. Por prueba su último trabajo, Por Lo Menos Hoy, es doble disco de platino en Uruguay, disco de oro en Argentina y ya ha salido a la venta en España. Comenzaron en 1994 y desde este tiempo nunca se han alejado de la raíz del grupo, a saber el rock. Aunque lo fusionan con reggae, ska, folklore, rioplatense y ritmos latinos&amp;nbsp; con letras con gran carga social y de denuncia así como amor, desamor e historias reales. Su sexto álbum, más «&amp;nbsp;guitarrero&amp;nbsp;» que los otros cincos, tiene un sonido más simple, más de banda y es más homogéneo. La otra caracteristica de la banda es comprometerse con las injustcias sociales. Su voz califica de «&amp;nbsp;absurda&amp;nbsp;» la polémica ley urugaya de «&amp;nbsp;Caducidad&amp;nbsp;» que mantiene impunes los crimenes que militares y policías realizaron durante la dicatatura. Declaran que los derechos humanos son innegociables y lo prueban de nuevo, como ya lo hicieron en sus trabajos, con el tema «&amp;nbsp;Nunca más a mi lado&amp;nbsp;» que denuncia la violencia doméstica. Por lo menos hoy, NTVG es una banda que no se puede evitar. Después la salida del ábum iniciaron una gira que les conduce de Uruguay hasta EE.UU. pasando por varios paises europeos. Ahí espero verlos próximamente…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;A l’origine le nom de ce groupe vient d'une une blague mais il est aujourd’hui devenu leur marque de fabrique. No Te Va Gustar (ça Ne Va Pas Te Plaire) c’est neuf musiciens uruguayens qui forment un célèbre groupe rock en Amérique Latine. Pour preuve leur dernier album, Por Lo Menos Hoy, est double disque de platine en Uruguay, disque d’or en Argentine et est déjà disponible en Espagne. Le groupe s’est formé en 1994 et ne s’est, depuis, jamais éloigné des racines du groupe, à savoir le rock. Ce dernier est cependant fusionné au reggae, ska, folklore, «&amp;nbsp;rioplatense&amp;nbsp;» et autres rythmes latins accompagnés de paroles engagées mais aussi d’amour ou désamour et d’histoire vécues. Leur sixième album a un son plus épuré que les cinq autres, plus groupe et plus homogène. L’autre caractéristique du groupe est de s’engager contre les injustices sociales. NTVG a par exemple qualifié d’&amp;nbsp;«&amp;nbsp;absurde&amp;nbsp;» la très polémique loi de «Caducidad&amp;nbsp;» qui maintient l’impunité des crimes commis par les militaires et policiers durant la dictature uruguayenne. Selon le groupe les droits humains ne sont pas négociables et il le prouve une nouvelle fois, comme dans chacun de ses albums, avec «&amp;nbsp;Nunca más a mi lado&amp;nbsp;» qui dénonce les violences domestiques. Pour aujourd’hui au moins, NTVG est un groupe incontournable. Suite à la sortie de l’album ils ont entamé une tournée qui les conduit de l’Uruguay aux USA en passant par divers pays européens. En espérant les voir bientôt, je profite de l’album…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;First the name of the band was a joke but today it is their mark. No Te Va Gustar (You Will Not Like That) it’s nine Urugayan musicians forming a rock band famous in all &lt;st1:place w:st="on"&gt;Latin  America&lt;/st1:place&gt;. For proof their last album, Por Lo Menos Hoy, is double platinum disc in &lt;st1:country-region w:st="on"&gt;Uruguay&lt;/st1:country-region&gt;, gold disc in &lt;st1:country-region w:st="on"&gt;Argentina&lt;/st1:country-region&gt; and is already available in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Spain&lt;/st1:place&gt;&lt;/st1:country-region&gt;. The group was formed in 1994 and since, never moved away from their roots, namely the rock’n’roll. This last is however mixed with reggae, ska, flok, “rioplatense” and other Latin rhythms, with lyrics about social problems, love and true stories. Their sixth album has a sound more simple than the five others, more “band music” and more homogeneous. The other characteristic of the band is to fight against social injustices. For example NTVG qualified as “absurdity” the polemical law of “Caducidad” which maintains the impunity of the crimes committed by soldiers and the police during the Urugayan dictatorship. According to the group Human rights are not negotiable and it proves it once again, as in each one of its albums, with “Nunca más a mi lado” which denounces domestic violence. At least today, NTVG is a group you have to know. They started a tour which leads them from &lt;st1:country-region w:st="on"&gt;Uruguay&lt;/st1:country-region&gt; to &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;USA&lt;/st1:place&gt;&lt;/st1:country-region&gt; passing through various European countries. And I hope see them there…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;P&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;gina Oficial &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;|&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; &lt;a href="http://www.notevagustar.com/"&gt;No Te VaGustar&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Cero a la izquierda - NTVG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/FDMSJeJ7_Oc?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Nunca m&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s a mi lado - NTVG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/1LoKg3rdWuQ?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Los indiferente - NTVG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/kRxjIVcy_pc?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-5016144047979266198?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/5016144047979266198/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=5016144047979266198&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5016144047979266198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5016144047979266198'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/por-lo-menos-hoy-ntvg.html' title='Por lo Menos Hoy – NTVG'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-qP61XTgIn1I/TmvfOFKHqXI/AAAAAAAAALg/vR8P6Hi7Vpw/s72-c/CD12739MP3%255B1%255D.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-6384122880915232719</id><published>2011-09-03T00:14:00.004+01:00</published><updated>2011-09-03T00:24:23.870+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><title type='text'>Ann’so M Concert Acoustique</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.annsom.com/"&gt;&lt;img border="0" height="262" src="http://static.skynetblogs.be/media/10755/3878512502.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Ce mercredi 7 septembre à l’Angora (3 Bd Richard Lenoir, Paris 11&lt;sup&gt;e&lt;/sup&gt;) Ann’so M en concert acoustique. Pour celles et ceux qui ne connaîtraient pas encore, je vous ai présenté cette artiste &lt;a href="http://clandestina-rbemba.blogspot.com/2010/07/pas-pas-annsom.html"&gt;ici&lt;/a&gt; et &lt;a href="http://clandestina-rbemba.blogspot.com/2010/08/annso-m-wake-up-le-clip.html"&gt;là&lt;/a&gt;. Donc, lieu sympa, artiste géniale, entrée gratuite (les artistes sont payés au chapeau!) il ne manque plus que vous. Allez allez, on se presse!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Concierto acústico de Ann’so M este miércoles 7 de septiembre al Angora (3 Bd Richard Lenoir, 11.o París). Para l@s que no conocen, les presenté a este artista &lt;a href="http://clandestina-rbemba.blogspot.com/2010/07/pas-pas-annsom.html"&gt;aquí&lt;/a&gt; y &lt;a href="http://clandestina-rbemba.blogspot.com/2010/08/annso-m-wake-up-le-clip.html"&gt;allí&lt;/a&gt;. Entonces, lugar chevere, artista chevere también, entrada gratuita, ya no le falta nada más que su presencia. &lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Venga!¡Venga!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;This Wednesday Septembre 7th, at L’Angora (3 Bd Richard Lenoir, Paris 11th), Ann’so M in acoustic concert. For those who would not know her yet, I introduced you this artist &lt;a href="http://clandestina-rbemba.blogspot.com/2010/07/pas-pas-annsom.html"&gt;here&lt;/a&gt; and &lt;a href="http://clandestina-rbemba.blogspot.com/2010/08/annso-m-wake-up-le-clip.html"&gt;there&lt;/a&gt;. Therefore, great place and great artist, free entrance, we just miss you. Come on and have a great evening!...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-6384122880915232719?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/6384122880915232719/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=6384122880915232719&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6384122880915232719'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6384122880915232719'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/annso-m-concert-acoustique.html' title='Ann’so M Concert Acoustique'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-9058725301137790156</id><published>2011-09-02T23:45:00.003+01:00</published><updated>2011-09-02T23:53:50.417+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Indignez-vous!... ¡Indignaos!... Time of Outrage!... – Stéphane Hessel</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/indignez_vous-hessel_m.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10758/indignez_vous-hessel_m.jpg" width="197" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Comment ne pas vous parler de cet essai signé par l’ancien résistant et co-auteur de &lt;st1:personname productid="la D￩claration" w:st="on"&gt;la Déclaration&lt;/st1:personname&gt; universelle des Droits de l’Homme, j’ai nommé Stéphane Hessel. Qui mieux que cet homme pouvait enfin dénoncer&amp;nbsp; la reprise d’idéaux propres à &lt;st1:personname productid="la R￩sistance" w:st="on"&gt;la  Résistance&lt;/st1:personname&gt; par Sarkozy&amp;nbsp;, les défendre et s’en indigner de la sorte? Tout débute par une virulente critique de Stéphane Hessel contre Nicolas Sarkozy suite à son discours prononcé sur le plateau de Glières, lieu de mémoires de &lt;st1:personname productid="la R￩sistance. Et" w:st="on"&gt;la  Résistance. Et&lt;/st1:personname&gt; justement l’ancien résistant qu’est Hessel, dénonce la trahison des principes du Conseil National de &lt;st1:personname productid="la R￩sistance" w:st="on"&gt;la Résistance&lt;/st1:personname&gt; par le chef de l’état. S’appuyant sur les idées de Jean-Paul Sartre d’engagement personnel, il nous exhorte à ne pas accepter le creusement des inégalités sociales. De là l’idée de cet essai dans lequel il critique très fermement la politique d’immigration du gouvernement Fillon prônée par Sarkozy, regrette le poids du monde financier dans les choix politiques et, bien évidemment, dénonce l’affaiblissement de l’héritage social du Conseil national de &lt;st1:personname productid="la R￩sistance" w:st="on"&gt;la Résistance&lt;/st1:personname&gt; à savoir &lt;st1:personname productid="la S￩curit￩ Sociale" w:st="on"&gt;&lt;st1:personname productid="la S￩curit￩" w:st="on"&gt;la Sécurité&lt;/st1:personname&gt; Sociale&lt;/st1:personname&gt; et le régime de retraite. Seul petit bémol dans ce manifeste, le passage consacré à la situation imposé par l’Etat d’Israël à &lt;st1:personname productid="la Palestine" w:st="on"&gt;la Palestine&lt;/st1:personname&gt; et notamment à &lt;st1:personname productid="la Bande" w:st="on"&gt;la Bande&lt;/st1:personname&gt; de Gaza, non pas sur le fonds, mais cela aurait mérité à mon sens d’être publié dans un autre ouvrage. Fi de ce détail, cet essai est à l’origine du mouvement des Indignados espagnols de mai 2011, mouvement loin d’être éteint et qui s’est étendu à d’autres pays européens. Nous aurons été longs à la détente Mr Hessel, mais indignez nous sommes, indignez nous combattrons…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Cómo no hablarle de este manifesto firmado por el antiguo resistente y coautor de &lt;st1:personname productid="la Declaraci￳" w:st="on"&gt;la Declaració&lt;/st1:personname&gt; universal de los Derechos Humanos, he nombrado Stéphane Hessel. ¿Quién mejor que este hombre podía por fin denunciar la reanudación de ideales consustanciales a &lt;st1:personname productid="la Resistencia" w:st="on"&gt;la Resistencia&lt;/st1:personname&gt; poor Sarkozy, defenderlos e indignarse de este modo? Todo comenza por un virulento crítico de Stéphane Hessel&amp;nbsp; contra Nicolas Sarkozy a raíz de su discurso pronunciado en Glières, lugar memorable de &lt;st1:personname productid="la Resitencia" w:st="on"&gt;la Resitencia&lt;/st1:personname&gt; francesa. Y precisamente el antiguo resistente en Hessel denuncia la traición de los principios del Consejo Nacional de &lt;st1:personname productid="la Resistencia" w:st="on"&gt;la Resistencia&lt;/st1:personname&gt; por el jefe del estado. Basándose en las ideas de Jean-Paul Sartre de compromiso personal, nos exhorta en no aceptar las desigualdades sociales. De allí la idea de este manifesto en cual critica firmamente la política de inmigración del gobierno Fillon predicada por Sarkozy, lamenta el peso del mundo financiero en las elecciones políticas y, obviamente, denuncai el debilitamiento de la herencia social del Congreso Nacional de &lt;st1:personname productid="la Resistencia" w:st="on"&gt;la Resistencia&lt;/st1:personname&gt;, a saber &lt;st1:personname productid="la Seguridad Social" w:st="on"&gt;&lt;st1:personname productid="la Seguridad" w:st="on"&gt;la Seguridad&lt;/st1:personname&gt; Social&lt;/st1:personname&gt; y el régimen de jubilación. Este manifesto tiene solamente una cosa que no me gusta, a saber el paso consagrado a la situación impuesto por el Estado de Israel a Palestina y, en particular, a Gaza, no sobre el fondo sino que eso merecía, de mi punto de vista, publicarse en otro libro. Meos este detalle, este manifesto es al origen del movimiento de los Indignads de España en mayo del 2011, movimiento siempre activo y que se extendió a otros países europeos. Habramos reaccionado con tiempo&amp;nbsp;, Sr. Hessel, pero indignamos estamos, indignamos combaterimos…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;It is impossible for e to not talk you about this text signed by a member of the French Resistance and author of the Universal Declaration of Human Rights, Stéphane Hessel. Who better than this man could finally denounce the resumption of ideals suitable to French Resistance by Sarkozy, defend them and be outraged as he is? All begin with a virulent criticism from Stéphane Hessel against Nicolas Sarkozy following his speech made at Glières, memory place of French Resistance. And precisely the old resistant that is Hessel denounces the treason of the principles of the National council of Resistance by Sarkozy. Based on the Jean-Paul Sartre’s ideas of personal engagement, he exhorts us to not accept social inequalities. From there the idea of this text in which he firmly criticizes the immigration policy of the Fillon government preached by Sarkozy, regrets the importance of financial world in policy options and, obviously, denounces the weakening of the social heritage of the National Council of&amp;nbsp; Resistance such Social Security and the system of retirement. Just a small bad point in this text, the passage devoted to the situation imposed by &lt;st1:country-region w:st="on"&gt;Israel&lt;/st1:country-region&gt; on &lt;st1:city w:st="on"&gt;Palestine&lt;/st1:city&gt; and in particular &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Gaza&lt;/st1:place&gt;&lt;/st1:city&gt;, not on the funds, but that would have deserved, to my point of view, to be published in another work. Out of this detail, this text is at the origin of the movement of Indignados in Spanish on May 2011, movement far from being extinct and which extended to other European countries. We will have been long to react, Mr. Hessel, but outraged we are, outraged we will fight…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/dBUIWopa7Bk?rel=0" width="480"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/zf1RGoHOJ_M?rel=0" width="480"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-9058725301137790156?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/9058725301137790156/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=9058725301137790156&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/9058725301137790156'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/9058725301137790156'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/09/indignez-vous-indignaos-time-of-outrage.html' title='Indignez-vous!... ¡Indignaos!... Time of Outrage!... – Stéphane Hessel'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1132828695745430332</id><published>2011-08-30T18:20:00.003+01:00</published><updated>2011-08-30T18:30:54.840+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Día Internacional del Detenido Desaparecido 2011</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/30agosto2011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10758/30agosto2011.jpg" width="228" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;José Henante, joven mapuche de 16 años, desapareció después de ser detenido por la policía en la&amp;nbsp; población Mirasol de Puerto Montt, Chile, el 3 de septiembre de 2005. Desde entonces, igual que en muchos casos como ese, se desconoce su destino. En 1983, por iniciativa de &lt;/span&gt;&lt;st1:personname productid="la Federación Latinoamericana" style="font-family: Tahoma; font-size: 16px;" w:st="on"&gt;la Federación  Latinoamericana&lt;/st1:personname&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt; de Asociaciones de Familiares de Detenidos-Desaparecidos (FEDEFAM) se estableció el 30 de agosto como Día Internacional del Detenido-Desaparecido para honrar a las víctimas de la detención extrajudicial y desaparición forzada que América Latina ha sufrido bajo muchos regímenes dictatoriales, especialmente como consecuencia del Operativo Cóndor, y para alertar sobre los nuevos casos produciendo bajo los regímenes de transición en América Latina y en el mundo. Aquel día 30 de agosto representa un aporte al fortalecimiento de la conciencia mundial sobre la persistencia a la práctica de las desapariciones forzadas. Catalogada como crimen de lesa humanidad por &lt;/span&gt;&lt;st1:personname productid="la OEA" style="font-family: Tahoma; font-size: 16px;" w:st="on"&gt;la  OEA&lt;/st1:personname&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt; y &lt;/span&gt;&lt;st1:personname productid="la ONU" style="font-family: Tahoma; font-size: 16px;" w:st="on"&gt;la ONU&lt;/st1:personname&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;, esa práctica consiste en que agentes del Estado violen derechos fundamentales de todo ser humano, tales como el derecho a la vida, libertad, dignidad y seguridad. ¿Dónde está José? ¿Dóndes están los miles de desaparecidos? Hoy, haz que el mundo entero se preguntan por ellos…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;José Henante, jeune Mapuche de 16 ans, a disparu après avoir été arrêté par la police à Mirasol de Puerto Montt, Chili, le 3 septembre 2005. Depuis, comme dans beaucoup d’autres cas, personne ne sait ce qui lui est arrivé. C’est en 1983, à l’initiative de &lt;st1:personname productid="la Fédération Latino-Américaine" w:st="on"&gt;&lt;st1:personname productid="la Fédération" w:st="on"&gt;la Fédération&lt;/st1:personname&gt;  Latino-Américaine&lt;/st1:personname&gt; d’Associations de Familles de Détenus-Disparus (FEDEFAM) qu’a été choisi le 30 août comme Journée Internationale des Détenus-Disparus afin d’honorer les victimes de détention extrajudiciaires et disparitions forcées qu’a connu l’Amérique Latine sous divers régimes dictatoriaux, conséquence de l’Opération Condor, et afin d’alerte sur les nouveaux cas des régimes de transition en Amérique Latine aussi bien que dans le monde. Ce jour, 30 août, représente un apport supplémentaire renforçant la conscience mondial sur la persistance de la pratique des disparitions forcées. Considérée comme crime contre l’Humanité par l’OEA et l’ONU, cette pratique est le fait que des agents de l’Etat violent les droits fondamentaux de tout être humain, tels que le droit à la vie, la liberté, la dignité et la sécurité. Où est José&amp;nbsp;? Où sont les milliers de disparus&amp;nbsp;? Aujourd’hui, plus que jamais, le monde se doit de se poser ces questions…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;José Henante, 16, young Mapuche, disappeared after being arrested by the police in Mirasol de Puerto Montt, &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Chile&lt;/st1:place&gt;&lt;/st1:country-region&gt;, on September 3d, 2005. Since, as in much of other cases, nobody knows what happened to him. In 1983 the Latin-American Federation of Associations of Families of&amp;nbsp; Prisoner-Disappeared, which was selected August 30 as International Day of Prisoner-Disappeared in order to honour the exta-judicial victims of detention and forced disappearances knew in Latin America under various dictatorial states, consequence of the Operation Condor, and in order to alarm on new cases in Latin America as well as in the world. This days, August 30, represents a contribution reinforcing the conscience of the world on the persistence of he practice of forced disappearance. Declared as crime against Humanity by the OAS and UNO, this practice consist in the fact that government officials violate the basic rights of any human being, such as the right of life, freedom, dignity and safety. Where is José? Where are the thousands of missing people? Today, more than ever, we all have to ask about them..&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;P&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;gina Oficial &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;|&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; &lt;a href="http://www.desaparecidos.org/fedefam/"&gt;FEDEFAM&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/xlh2_QVT6TA?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1132828695745430332?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1132828695745430332/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1132828695745430332&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1132828695745430332'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1132828695745430332'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/dia-internacional-del-detenido.html' title='Día Internacional del Detenido Desaparecido 2011'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-7179666754050405186</id><published>2011-08-24T16:59:00.001+01:00</published><updated>2011-08-24T17:00:06.129+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Geekiness Attitude'/><title type='text'>Concept et critique du Twinome</title><content type='html'>&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/1970373908.JPG" imageanchor="1" style="clear: left; display: inline !important; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.skynetblogs.be/media/10758/1970373908.JPG" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Le 06 août 2011 restera une date clé pour le web 2.0. Ce jour-là marque la naissance du premier twinome. Qu’est-ce qu’un twinome&amp;nbsp;? Il s’agit tout d’abord d’un néologisme venant de Twitter et Trinôme. Le concept est relativement simple&amp;nbsp;: trois twittos s’associent afin de s’aider mutuellement, partager des informations, échanger entre eux sur les réseaux sociaux en public (20%) et privé (80%). Sept valeurs de base sont nécessaires pour que le Twinome fonctionne&amp;nbsp;: alliance, confiance, confidentialité, consistance, ubiquité, respect et amitié. &amp;nbsp;Concept sympa, il faut en convenir, mais qui tend à prouver qu’après s’être isolé pendant des années, le geek, a envie de revenir aux valeurs irl, à savoir se faire des amis à qui se confier et sur qui il peut compter. Pour ma part j’ai envie de dire qu’il n’était nul besoin de créer ce concept, les liens d’échange et d’entraide s’établissant ou non naturellement entre les internautes…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;August 6, 2011, will remain an important date for Web 2.0. This day celebrates the birth of the first twinome. What is a twinome? First it is a neologism coming from Twitter and trinom. The concept is relatively simple : three users of Twitter join in order to help each other, share information, exchange on social networks in public (20%) and private (80%). Seven basic values are necessary : alliance, confidence, confidentiality, consistency, ubiquity, respect and friendship. This concept is clearly sympathetic, but it proves that after being isolated during years, the geek wants to return to irl values, namely have friends with whom entrust and who is a confident. For my part I want to say that it was not need to create such concept, exchange links and mutual help being established naturally help, or not, between net surfers…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El 6 de agosto de 2011 permanecer&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; una fecha clave para la red 2.0. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Ese d&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a es él &lt;st1:state w:st="on"&gt;del&lt;/st1:state&gt; nacimiento &lt;st1:state w:st="on"&gt;&lt;st1:place w:st="on"&gt;del&lt;/st1:place&gt;&lt;/st1:state&gt; primer twinome. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¿&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Qué es un twinome? Se trata en primer lugar de un neologismo que viene de Twitter y Trinomio. El concepto es relativamente simple&amp;nbsp;: tres twittos se asocian con el fin de ayudarse mutualmente, compartir informaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n, intercambiar el uno con el otro en las redes sociales en p&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&amp;lt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;blico (20%) y privado (80%). Se necesitan siete valores b&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ásicos para que el twinome funcione&amp;nbsp;: alianza, confianza, confidencialidad, consistencia, ubicuidad, respeto y amistad. Concepto interesante pero que demuestra que después haberse aislado durante años, el geek, tiene el deseo de volver de nuevo a los valores IRL, a saber hacerse amigos a quienes confiarse y con quienes puede capoyarse. Por mi parte tengo las ganas decir que no era necesidad crear tal concepto puesto que los vínculos de intercambio y ayuda mutua se establecien o no naturalmente entre los internautas…&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Site Officiel | &lt;a href="https://sites.google.com/site/twinomes/"&gt;Twinome&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/mqCKeKYIFDo?rel=0&amp;amp;hd=1" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-7179666754050405186?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/7179666754050405186/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=7179666754050405186&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7179666754050405186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7179666754050405186'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/concept-et-critique-du-twinome.html' title='Concept et critique du Twinome'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-2773202074854484503</id><published>2011-08-23T18:51:00.001+01:00</published><updated>2011-08-23T18:52:25.556+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>DSK libre</title><content type='html'>&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Une accusatrice, N. Diallo, rattrapée par ses trop nombreux mensonges. Un procureur, Cyrus Vence, qui n’arrive à démontrer ni le viol, ni la culpabilité de Dominique Strauss-Kahn. Il n’en fallait pas plus pour que la rocambolesque affaire DSK se termine par l’abandon des charges contre DSK. Quelle que soit l’issue du procès civil, que la plaignante gagne le jackpot ou non, Strauss-Kahn n’ira pas en prison pour ces faits. Quels que soient les faits, les jeux sont faits. Mais quels sont les faits, qu’avons-nous appris durant ces trois mois&amp;nbsp;? Rien. A l’heure actuelle nous ne savons toujours rien des faits qui se sont ou se seraient déroulés dans cette chambre du Sofitel.&amp;nbsp; Par contre nous en savons plus sur l’Homme. Nous savons qu’un riche par exemple est coupable, forcément surtout si le ou la plaignante est pauvre et d’origine raciale minoritaire. Si ce riche a le malheur d’avoir une vie sexuelle riche, il devient vite un pervers A fortiori un pauvre est forcément innocent. Pas de juste milieu, c’est ainsi. La vérité est que je m’interroge sur toutes ces âmes bien-pensantes qui s’enflamment pour une accusation de viol alors que l’actualité est remplie de faits divers narrant des viols commis dans des trains, par exemple, devant des passagers qui préfèrent ne pas entendre et laissent faire. Sont-ce les même qui ont crié au loup contre DSK?&amp;nbsp; Non vraiment, l’Homme reste une espèce à part…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Accusing, N. Dallo, caught up by its too many lies. A prosecutor, Cyrus Vence, who has any proof for the rape or the culpability of Dominique Strauss-Kahn. All this was necessary to put an end to the case DSK. Whatever the exit of the lawsuit, even if &lt;st1:place w:st="on"&gt;N.  Diallo&lt;/st1:place&gt; gains the jackpot, Strauss-Kahn will never go in prison for these facts. Whatever are the facts, it’s done. But what are the facts, what did we learn during these three months? Nothing. At the present time we don’t know anything about the facts which are or would have been held in this Sofitel room. But we know a little more about &lt;st1:state w:st="on"&gt;&lt;st1:place w:st="on"&gt;Man.&lt;/st1:place&gt;&lt;/st1:state&gt; We know that a rich man is guilty, inevitably, especially if the supposed victim is poor and from a minority racial origin. If this rich man has an important sexual life, he quickly becomes a pervert. A fortiori the poor is inevitably innocent. That’s all. The truth is that I don’t know what to think about people shouting for a charge of rape whereas the actuality is full of rapes made in trains, for example, in front of passengers who prefer to not hear what happen. Are the same people who accused DSK? Really, Man remains a special species…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Una acusadora, N. Diallo, recuperadi por sus numerosas mentiras. Un fiscal, Cyrus Vence, que no llega a demostrar la violación, tampoco la culpabilidad de Dominique Strauss-Kahn. No era necesario tener más para que el caso DSK se acaba por el abandono de las cargas contra DSK. Cualquiera que sea la salida del pleito civil, que N. Diallo gana el jackpot o no, Strauss-Kahn nounca va a ir en prisón para estos hechos. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Cualesquirta que sean los hechos, ya es hecho. Pero, ¿cúales son los hechos? ¿que hamos aprendido durante estos tres meses?&amp;nbsp; Nada. &lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Actualmente no sabemos nada de los hecho que pasarón o habrían pasado en este Sofitel. Por el contrario sabemos mucho sobre el Hombre. Sabemos que un rico es culpable, inevitablemente, sobre todo si la víctima supuesta es pobre y de origen racial minoritaria. Si este rico tiene una vida sexul rica, se convierte de inmediato en perverso. A fortiori un pobre es inevitablemente inocente. Así es. La verdad es que no sé que pensar de toda esa gente gritando para una acusación de tentativa de violación mientras la actualidad nos demuestra numerosos casos de violaciones en un tren, por ejemplo, delante unos pasajeros que prefieren no ver nada y dejan hacer. ¿Son los mismos que acusan a DSK? De verdd, el hombre sigue siendo una especie a parte…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources&amp;nbsp;:&lt;/i&gt; &lt;a href="http://www.nytimes.com/2011/08/24/nyregion/charges-against-strauss-kahn-dismissed.html"&gt;The NYTimes&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;iframe allowfulls&lt;="" frameborder="0" height="390" span="" src="http://www.youtube-nocookie.com/embed/eHc3a0VgWag?rel=0" width="640"&gt;&amp;lt;span lang="EN-GB" style="font-family: Tahoma;mso-bidi-font-family:&amp;amp;quot;Times New Roman&amp;amp;quot;;mso-ansi-language:EN-GB"&amp;gt;creen&amp;gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-2773202074854484503?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/2773202074854484503/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=2773202074854484503&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/2773202074854484503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/2773202074854484503'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/dsk-libre.html' title='DSK libre'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-3044967573425967514</id><published>2011-08-17T18:07:00.005+01:00</published><updated>2011-08-17T18:19:22.671+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Léviatemps – Maxime Chattam</title><content type='html'>&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/58518310.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/58518310.jpg" width="257" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Paris, 1900. Romancier à succès, Guy de Timée décide du jour au lendemain de tout quitter. Femme, enfant, amis, réussite, il fuit afin d’écrire non pas ce qu’on attend de lui mais ce qui le fait vibrer de plus en plus, à savoir un roman policier. Pour se faire il veut se confronter au sang et à la violence des bas-fonds du Paris admiré par le monde entier. Cette mort qu’il appelle de tout son être va surgir en la personne de Milaine, jeune prostituée du lupanar où il vit. C’est autant pour honorer sa mémoire que pour ses besoins d’écrivain qu’il se lance sur les pistes de son assassinat dont les circonstances sont pour le moins étranges. Et c’est épaulé de Faustine, courtisane et amie de Milaine, et du jeune inspecteur de police Perotti, que Guy se lance à la poursuite de ce qui semble être un serial killer et de son obsession&amp;nbsp;: le contrôle du temps. Si les romans de Maxime Chattam se suivent mais ne se ressemblent pas, l’excellence reste leur point commun et celui-ci ne déroge pas à la règle. Les rues de Paris prennent ici les teintes sanglantes de Whitechapel et l’intrigue, assaisonnée d’un soupçon d’ésotérisme, est, comme toujours, parfaitement bien construite. Il est également essentiel de souligner la description du Paris du début du XXe siècle (l’industrialisation et la naissance des automobiles filant à une allure «&amp;nbsp;folle&amp;nbsp;» soit &lt;st1:metricconverter productid="20 km/h" w:st="on"&gt;20 km/h&lt;/st1:metricconverter&gt;!) et de l’Exposition Universelle accueillie par la ville lumière (à qui elle doit son nom&amp;nbsp;!) en 1900. Bref la seule déception de ce roman est d’arriver à la dernière page tant on souhaiterait prolonger les péripéties de Guy de Timée à l’infini… ce que l’auteur a bien compris puisque nous retrouvons ce héros dans un nouveau roman dont je vous parlerais prochainement…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Par&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s, 1900. Novelista que cuenta con muchos éxitos Guy de Timée decide dejarlo todo de un golpe. Mujer, niña, amigos, éxito, huye con el fin de escribir no lo que se espera de él sino lo que le hace vibrar m&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ás y más, a saber una novela policíaca. Para eso quiere enfrentarse a la sangre y a la violencia de los huecos de &lt;st1:personname productid="la Par￭s" w:st="on"&gt;la París&lt;/st1:personname&gt; admirada por el mundo entero. Va a surgir este muerte que llama de todo su ser en la persona de Milaine, joven prostituta del burdel en cual vive. Tanto para honrar su memoria que para sus necesidades de escritor, se lanza sobre las pistas de su asesinato cuyas circunstancias son por lo menos extrañas. Y es con la ayuda de Faustine, cortesana y amiga de Milaine, y del joven inspector de policía Perotti, que Guy persigue lo que se parece a un serial killer y de su obsesión&amp;nbsp;: el control del tiempo. Si las novelas de Maxime Chattam se siguen sin parecerse, la excelencia sigue siendo su punto común y éste no deroga a la norma. Las calles de París toman aquí los colores sangrientos de Whitchapel y se construye perfectamente bien la intriga, sazonada de una sospecha de esoterismo. Tambi2n debo destacar la descripción del París del principio del siglo XX (con la industrialización y el nacimiento d los automóviles ¡tan rápidas con sus &lt;st1:metricconverter productid="20 km/h" w:st="on"&gt;20 km/h&lt;/st1:metricconverter&gt;!) y de &lt;st1:personname productid="la Exposici￳n Universal" w:st="on"&gt;&lt;st1:personname productid="la Exposici￳n" w:st="on"&gt;la Exposición&lt;/st1:personname&gt; Universal&lt;/st1:personname&gt; acogida por &lt;st1:personname productid="la Ciudad" w:st="on"&gt;la Ciudad&lt;/st1:personname&gt; de Luz (¡le debe su nombre! ) en 1900. En breve la única decepción de esta novela es llegar a la última página tano es fuerte el deseo de prolongar las aventuras de Guy de Timée… lo que el autor comprendió puesto que encontramos ya a este héroe en una nueva novela de cual os hablaré próximamente…&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;st1:place w:st="on"&gt;&lt;st1:city w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/st1:city&gt;&lt;/st1:place&gt;&lt;br /&gt;&lt;st1:place w:st="on"&gt;&lt;st1:city w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Paris&lt;/span&gt;&lt;/st1:city&gt;&lt;/st1:place&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;, 1900. Great novelist, Guy de Timée decides a day to leave everything. Wife, child, friends, success, he flees in order to write not what people is excepting from him, but what he really wants to write, a detective novel. To do it he wants toi confront himself with the blood and the violence of the &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Paris&lt;/st1:place&gt;&lt;/st1:city&gt; admired by the whole world. This death he calls will emerge in the person of Milaine, young prostitute of the brothel in which he lives. As much to honour its memory than for his writer needs, he launches out on the tracks of her murder whose circumstances are really strange. Helped by Faustine, courtesan and Milaine’s friend, and the young police inspector Perotti, Guy searches for a serial killer and his obsession : the control of time. If the novels of Maxime Chattam never seem the same, the excellence remains their common point and this one does not derogate the rule. The streets of &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Paris&lt;/st1:place&gt;&lt;/st1:city&gt; take here the bloody colours of Whitechapel and the intrigue, seasoned of a suspicion of esotericism, is as always perfectly built. It is also essential to underline the description of &lt;st1:city w:st="on"&gt;Paris&lt;/st1:city&gt; at the beginning of the XXe century (industrialization and birth of the automobiles with goes so fast at 20km/h!) and the Exposition Universelle in the City of &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Light&lt;/st1:place&gt;&lt;/st1:city&gt; (this name come from this Expo!) in &lt;st1:metricconverter productid="1900. In" w:st="on"&gt;1900.  In&lt;/st1:metricconverter&gt; short the only disappointment of this novel is when you arrives at the last page so much&amp;nbsp; one would wish to prolong the adventures of Guy de Timée ad infinitum… what the author understood since we find this hero in a new novel about which I would soon speak to you…&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Site Officiel | &lt;a href="http://www.maximechattam.com/blog/"&gt;Maxime Chattam&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object height="349" width="560"&gt;&lt;paramname="movie" value="http://www.youtube-nocookie.com/v/2xgfUsw1zw0?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen"value="true"&gt;&lt;/param&gt;&lt;paramname="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embedsrc="http://www.youtube-nocookie.com/v/2xgfUsw1zw0?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"type="application/x-shockwave-flash" width="560"height="349" allowscriptaccess="always"allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-3044967573425967514?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/3044967573425967514/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=3044967573425967514&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3044967573425967514'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3044967573425967514'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/leviatemps-maxime-chattam.html' title='Léviatemps – Maxime Chattam'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-4635567447265891448</id><published>2011-08-16T16:02:00.001+01:00</published><updated>2011-08-16T16:13:51.624+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Du faux débat au sujet de l’euthanasie</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Août 2011, Bayonne, cas du Dr Bonnemaison – Plusieurs patients d’un même médecin décèdent de manière suspecte depuis avril et voilà resurgir le débat sur l’euthanasie. Mais sur quoi débattons-nous? De patients, ou leur famille, qui ont clairement revendiqué leur droit à mourir dans la dignité? Ou bien alors d’un médecin qui a délibérément choisi la mort de ses patients, pour certains pas encore en fin de vie? Parce que ces deux concepts sont bien différents. Et qu’il apparaît clairement que nous nous trouvons dans le cas présent devant un médecin cachant ses crimes derrière l’euthanasie. Que les comités de soutien envers Bonnemaison cessent donc sur le champ! Car si le difficile, de par ses dérives possibles, débat sur l’euthanasie est légitime, défendre ce type revient à défendre un assassin…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Agosto de 2011, Bayona Francia, casi del Dr. Bonnemaison – Varios pacientes de un musmo médico mueren de manera sospechosa dese abril y vemos resurgir el debate sobre la eutanasia. Pero &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¿de qué hablamos? ¿De pacientes, o su familia, que reivindicaron claramente su derecho a morir con dignidad? ¿O bien de un médico que eligió deliberadamente la muerte de sus pacientes, para algunos no en final de vida? Porque estos dos conceptos son cien diferentes. Y todo indica claramente que nos encontramos ahí en el caso de un médico que oculta sus crímenes detrás de la eutanasia. ¡Que cesan de inmediato los comités de apoyo hacia Bonnemaison! Ya que si el dificil, debido a sus derivas posibles, debate sobre la eutanasia es legítimo, defender este tio equivale a defender a un asesino…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;August 2011, Bayonne, Francia, Dr Bonnemaison case – Several patients of the same doctor in medicine die in a suspect way since April and re-appear the debate on the euthanasia. But what is the subject of this debate? Patients, or their family, who clearly express their right to die with dignity? Or then a doctor in medicine who deliberately chose the death of his patients, for some of them not yet at the end of life? Because these two concepts are totally different. And it appears clearly that we are in this case in front of a doctor in medicine hiding his crimes behind the euthanasia. Cease immediately support groups for Bonnemaison. Because if the difficult, from its possible drifts, discusses about euthanasia is legitimate, defend this guy is defend an assassin…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources&amp;nbsp;:&lt;/i&gt; &lt;a href="http://www.lemonde.fr/societe/article/2011/08/13/les-mysteres-du-docteur-bonnemaison-medecin-confirme-homme-fragile_1559231_3224.html"&gt;Le Monde&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/1922JKGI-hk?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-4635567447265891448?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/4635567447265891448/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=4635567447265891448&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4635567447265891448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/4635567447265891448'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/du-faux-debat-au-sujet-de-leuthanasie.html' title='Du faux débat au sujet de l’euthanasie'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-6469180536758100976</id><published>2011-08-15T18:59:00.004+01:00</published><updated>2011-08-23T18:56:05.456+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Maya : de l’Aube au Crépuscule</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/ddc8eb7118.3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/ddc8eb7118.3.jpg" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Jusqu’au 2 octobre prochain le &lt;a href="http://www.quaibranly.fr/"&gt;musée du Quai Branly&lt;/a&gt; à Paris invite en son sein l’art Maya, l’une des trois civilisations qui ont marqué l’histoire de l’Amérique précolombienne. Céramiques peintes, stèles, pierres fines taillées… c’est plus de 160 pièces qui sont présentées aux visiteurs, pièces exceptionnelles qui, pour la plupart, ne sont jamais sorties&amp;nbsp; du Guatemala, leur pays d’origine. Elles proviennent pour la plupart des dernières découvertes archéologiques de plusieurs sites, dont El Mirador pressenti pour une nomination au Patrimoine Mondial de l’UNESCO. Ces dernières recherches permettent d’avoir une approche plus large et plus complexe de la civilisation maya. C’est ainsi que du IIIe millénaire av. J.-C. à son extinction lors de la conquête espagnole (XVe siècle) l’exposition suit, selon un parcours chronologique, l’évolution de cette société à travers son architecture et ses styles artistiques. Les «&amp;nbsp;lettres&amp;nbsp;» sont également présentes puisque la civilisation Maya est la seule de l’Amérique précolombienne&amp;nbsp; à avoir développé un remarquable système d’écriture. Enfin l’exposition présente un portrait actuel de cette civilisation puisqu’en effet une forte population maya, constituée de 23 groupes linguistiques, vit aujourd’hui au Guatemala. Entre passé millénaire et présent, cette exposition, riche de ses trésors, permet d’avoir une vision d’ensemble de la culture maya. C’est avec un réel plaisir que je vous recommande cette expo que je programme déjà de revenir admirer…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Hasta el pr&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ximo 2 de octubre el &lt;a href="http://www.quaibranly.fr/"&gt;museo del muelle Branly&lt;/a&gt; en Par&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s invita en sus muros el arte Maya, una de las tres civilizaciones que señalaron la historia de &lt;st1:personname productid="la Am￩rica" w:st="on"&gt;la América&lt;/st1:personname&gt; precolombiana. Cer&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;micas pintadas, estelas, piedras finas cortadas… son m&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s de 160 piezas que se presentan a los visitantes, piezas excepcionales que nunca han salido de Guatelema, su pa&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s de origen. La&amp;nbsp; mayor&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a proceden de los &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ltimos descubrimientos arqueol&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;gicos de varios lugares, entre ellos El Mirador presentido para un nombramiento al Patrimonio Mundial de &lt;st1:personname productid="la UNESCO. Estas" w:st="on"&gt;&lt;st1:personname productid="la UNESCO." w:st="on"&gt;la UNESCO.&lt;/st1:personname&gt; Estas&lt;/st1:personname&gt; &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ltimas investigaciones permiten tener un enfoque m&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s amplio y m&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s complejo de la civilizaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n Maya. As&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; del IIIo milenario antes de Cristo a su extinci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n durante la conquista española (XVo siglo) la exposici&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n sigue, seg&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ún un curso cronólogico, la evolución de esta sociedad a través de su arquitectura y sus estilos artísticos. También están presentes las «&amp;nbsp;letras&amp;nbsp;» puesto que la civilización Maya está la única de &lt;st1:personname productid="la Am￩rica" w:st="on"&gt;la América&lt;/st1:personname&gt; precolombiana en haber desarrollado un sistema de escritura notable. Por fin la exposición presenta un retrato actual de esta civilización puesto que una fuerte población Maya, constituida por 23 grupos lingüísticos, vive hoy en día en Guatemala. Entre pasado milenario y presente, esta exposición, rica de sus tesoros, permite tener una visión global de la cultura Maya. Es con gusto que les recomiendo esta expo que ya programo ir admirar de nuevo…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;The &lt;a href="http://www.quaibranly.fr/"&gt;Musée du Quai Branly&lt;/a&gt; in Paris presents until October 2th the Maya art, one of the three civilizations which marked the history of the pre-Colombian &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;America&lt;/st1:place&gt;&lt;/st1:country-region&gt;. Painted ceramics, steles, cut fine precious stones… it is more than 160 works which are presented to the visitors, exceptional works which never left Guatemala, their country of origin. They come for the majority from the last archaeological discoveries of several sites, of which El Mirador which would be nominated to the World Heritage of UNESCO. These last researches make it possible to have a broader and more complex approach of Maya civilization. So, from the third millennium BC to its extinction during the Spanish conquest (XV century) the exposure follows, according to a chronological course, the evolution of this society through its architecture and its artistic style. “Letters” are also present since Maya civilization is the only one of the pre-Colombian &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;America&lt;/st1:place&gt;&lt;/st1:country-region&gt; to have developed a remarkable written form. Finally the exposure presents a current portrait of this civilization since an important Maya population, made up of 23 linguistic groups, lives today in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Guatemala&lt;/st1:place&gt;&lt;/st1:country-region&gt;. Between past and present, this exposure, rich of its treasures, make possible to have an overall vision of the Maya culture. It is with a real pleasure that I recommend to you this expo that I already program to see again…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/KWEcmjjPIA8?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-6469180536758100976?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/6469180536758100976/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=6469180536758100976&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6469180536758100976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6469180536758100976'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/mayas-de-laube-au-crepuscule.html' title='Maya : de l’Aube au Crépuscule'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-5882594216704037792</id><published>2011-08-09T16:26:00.002+01:00</published><updated>2011-08-09T16:41:31.911+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>¿Y ahora qué hacemos? – Jarabe de Palo</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/xiagcibwv62xet6e941m.4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10758/xiagcibwv62xet6e941m.4.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;Lo esperaba desde tiempo y por fín&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;ya salío el nuevo álbum de Jarabe de Palo. Desde &lt;st1:personname productid="La Flaca" w:st="on"&gt;La Flaca&lt;/st1:personname&gt; (ese queda mi álbum de referencia) esa banda siempre es igual con una música ideal. Ese nuevo trabajo, grabado entre España y Nueva York es mucho m&lt;/span&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;;"&gt;á&lt;/span&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;s rock y cuenta con la colaboración de amigos de Pau Donés. Así reconocemos en varias canciones Joaquín Sabina con su voz inimitable, Alejandro Sanz con quién canta una versión de la famosa Je l’aime à mourir del francés Francis Cabrel, Carlos Tarque (Mac Clan) y Antonio Orozco. Tantas artístas que cuentan entre los mejores y quiza eso participa en hacer de este trabajo mi álbum del verano, el que quedara en mis recuerdos ensoleados del 2011. ¿Y ahora qué hacemos&amp;nbsp;? Pués ¡a gozarlo!...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;Attendu depuis quelque temps déjà le nouvel album de Jarabe de Palo est enfin disponible. Depuis &lt;st1:personname productid="La Flaca" w:st="on"&gt;La Flaca&lt;/st1:personname&gt; (qui reste mon album référence) la musique du groupe n’a jamais démenti sa qualité. Ce nouveau travail, enregistré en Espagne et New York, est beaucoup plus rock et compte avec la participation de quelques amis de Pau Donés. C’est ainsi que sur plusieurs chansons nous reconnaissons l’inimitable voix de Joaqu&lt;/span&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;ín Sabina, Alejandro Sanz avec qui il reprend le fameux Je l’aime à mourir du français Francis Cabrel, Carlos Tarque (Mac Clan) et Antonio Orozco. Autant d’artistes qui comptent parmi les meilleurs et cela participe sûrement au fait que ce nouvel opus est mon album de l’été, celui qui restera dans mes souvenirs ensoleillés de 2011. Et maintenant que faisons nous? Et bien on l’écoute, on chante et on danse!...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;I waited it for some time and the new album of Jarabe de Palo is yet available. Since &lt;st1:personname productid="La Flaca" w:st="on"&gt;La Flaca&lt;/st1:personname&gt; (which remains my reference) the music of the band never contradicted its quality. This new work, recorded between &lt;st1:country-region w:st="on"&gt;Spain&lt;/st1:country-region&gt; and &lt;st1:state w:st="on"&gt;&lt;st1:place w:st="on"&gt;New York&lt;/st1:place&gt;&lt;/st1:state&gt;, is much rock and see the participation of some Pau Donés’ friends. Thus on several songs we recognize the fabulous voice of Joaquín Sabina, Alejandro Sanz who sings with him a new version of the famous Je l’aime à mourir of the French artist Francis Cabrel, Carlos Taque (Mac Clane) and Antonio Orozco. So many artists making part of the bests, and that surely the reason why this new opus is my summer album, the one which will remain in my sunny memories of 2011. And now what can we make? Well, enjoy it!...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;Página Oficial l &lt;a href="http://www.jarabedepalo.com/"&gt;Jarabe dePalo&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;¿&lt;/span&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;Y ahora qué hacemos? – Jarabe de Palo&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/_1Bo-dUVPq4?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;Hice Mal Algunas Cosas – Jarabe de Palo con Joaqu&lt;/span&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;;"&gt;í&lt;/span&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;;"&gt;n Sabina&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/2nWeffDzQyI?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="left" class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left" class="MsoNormal"&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;Entrevista al l&lt;/span&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;;"&gt;í&lt;/span&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;der de Jarabe de Palo, Pau Donés&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/O1zuCwikOHg?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="left" class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left" class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal"&gt;&lt;/div&gt;&lt;div align="left" class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left" class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Tahoma&amp;quot;; font-size: 12pt;"&gt;&amp;nbsp;&lt;/span&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-5882594216704037792?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/5882594216704037792/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=5882594216704037792&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5882594216704037792'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5882594216704037792'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/y-ahora-que-hacemos-jarabe-de-palo.html' title='¿Y ahora qué hacemos? – Jarabe de Palo'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-9089919027980430883</id><published>2011-08-07T00:42:00.000+01:00</published><updated>2011-08-07T00:48:13.603+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Super 8 – J.J. Abrams</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/e9d360e44527961096c9c5cb9b8d6d354d80cad9519ca.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="400" src="http://static.skynetblogs.be/media/10758/e9d360e44527961096c9c5cb9b8d6d354d80cad9519ca.jpg" width="300" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;We are in &lt;st1:metricconverter productid="1979 in" w:st="on"&gt;1979 in&lt;/st1:metricconverter&gt; a small town, &lt;st1:state w:st="on"&gt;&lt;st1:place w:st="on"&gt;Ohio&lt;/st1:place&gt;&lt;/st1:state&gt;. A group of teenagers, fans of cinema and sciences fictions, make a super 8 movie in an abandoned station. During the shoot they assist to the derailment of a train transporting secret material of the &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;US&lt;/st1:place&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; army. Of course the Air Force isolate the place of the accident whereas start to occur in town some very strange phenomena, as disappearances of persons, animals and objects. Our group of friends decides to inquire in order to discover… the unimaginable. J.J. Abrams and Steven Spielberg firm a real homage to Goonies, E.T. and other traditional movies of these years, and that’s explains the success of Super 8. Of course this movie has anything original neither in the scenario nor special effects, its force resides in all the things reminding this time : framings, direction… Any parody there, J.J. Abrams immersed himself in the Eighties in order to bring us there during two hours without any idle period bringing us back to reality. It should be notes that for once it is recommended to see the credits end to appreciate the super 8 movie of the heroes. Finally we have here a diverting movie which I would describe as a delicious divertissement in the current cinema and time…&lt;/span&gt;&lt;/st1:country-region&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;st1:country-region w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/st1:country-region&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Nous sommes en 1979 dans une petite ville de l’Ohio. Une bande de jeunes adolescents passionnés de cinéma et de sciences fictions tournent un film en super 8 dans une gare abandonnée. Lors d’une prise ils sont témoins du déraillement d’un train de l’armée transportant du matériel top secret. Bien évidemment l’armée s’empresse d’isoler le lieu de l’accident alors que commencent à se produire dans la petite ville des évènements très étranges, essentiellement des disparitions de personnes, d’animaux et d’objets. Notre bande d’amis décide donc d’enquêter afin de découvrir… l’inimaginable. J.J. Abrams et Steven Spielberg signent là un véritable hommage aux Goonies, E.T. et autres classiques de ces années-là, et c’est ce qui fait le succès de Super 8. Certes ce film n’a rien d’original&amp;nbsp;ni dans le scénario ni dans les effets spéciaux mais il puise sa force dans tout ce qui rappelle cette période&amp;nbsp;: cadrages, direction d’acteurs … Aucune parodie ici, J.J. Abrams s’est bel et bien immergé dans les années 80 afin de nous y ramener pendant deux heures sans qu’aucun temps mort &amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ne nous ramène à la réalité. A noter que pour une fois il est recommandé de rester sur son siège lors du générique de fin pour apprécier le film super 8 des héros. Au final nous avons là un film divertissant que je qualifierais de délicieuse bouffée d’air frais dans le cinéma et l’époque actuels…&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;1979 en una pequeña ciudad, Ohio. Unos j&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;venes apasionados de cine y ciencia ficciones hacen una pel&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;cula super 8 en una estaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n abandonada. Durante el rodaje son testigos del descarrilamiento de un tren del ejército que transporta material secreta. Obviamente el ejército aisla el lugar del accidente meintras comienzan a producirse en la ciudad unos acontecimientos muy extraños, esencialmente desapareciones de personas, animales, objetos. Nuesta banda de amigos decide investigar para descubrir… lo inimaginable. J.J. Abrams y Steven Spielberg firman all&lt;/span&gt;&amp;lt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; un verdadero homenaje al Goonies, E.T. y otros cl&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;sicos de esos años, lo que hace el éxito de Super 8. Claro que la pel&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; no tiene nada de original ni en la situaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n ni en los efectos especiales, su fuerza reside en los recuerdos de este per&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;odo que tenemos en Super 8&amp;nbsp;: encuadres, direcci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n de los protagonistas… Ninguna parodia en eso, se sumergi&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; completamente J.J. Abrams en los años 80 con el fin de traernos ah&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; durante dos horas sin que ning&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n tiempo muerto nos trae de vuelta a la realidad. Hay que señalar que se recomienda para un avez permanecer durante el genérico final para apreciar la pel&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;cula super 8 de los héroes. Al final tenemos all&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í una película que divierte y que calificaría de delicioso soplo de aire fresco en el cine y época actuales…&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/vpzUCA5i6zY?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube-nocookie.com/embed/tCRQQCKS7go?rel=0" width="640"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-9089919027980430883?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/9089919027980430883/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=9089919027980430883&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/9089919027980430883'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/9089919027980430883'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/super-8-jj-abrams.html' title='Super 8 – J.J. Abrams'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1242726721619430772</id><published>2011-08-06T23:09:00.000+01:00</published><updated>2011-08-06T23:09:25.703+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>The Rosary Girls … -  Déviances… – Richard Montanari</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10758/9782266167680.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10758/9782266167680.jpg" width="197" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Kevin Byrn is an old cop used by the years passed at the criminal department. With a new team-member, Jessica Balzano, he will be confronted soon to a serial killer who attacks young catholic schoolgirls. The beginning of the novel shows all the stereotypes of the kind (from the divorced wounded cop to the shady journalist passing by the too easy suspect) but takes us very quickly far into the diabolic scene directed by Richard Montanari. This excellent thriller reveals us &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Philadelphia&lt;/st1:place&gt;&lt;/st1:city&gt;, theatre of the most sordid vices in which a sadistic and underhand assassin decided to prevail. It is impossible to the reader to leave the book without knowing the end. What is the council I can give you concerning this novel? You have to read it this summer on the beach!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;Kevin Byrn est un vieux flic usé par les années de service. Avec sa nouvelle équipière, Jessica Balzano, il va se voir confronter à un meurtrier en série qui s’attaque à de jeunes collégiennes catholiques. Le début du roman laisse entrevoir les clichés du genre (du flic divorcé blessé au journaliste véreux en passant&amp;nbsp; par le suspect trop facile) et pourtant très vite, il nous emmène loin dans la mise en scène diabolique dirigée par Richard Montanari. Ce thriller à la cadence soutenue nous dévoile une Philadelphie théâtre des plus sordides débauches dans laquelle un assassin sadique et sournois à décider de sévir. Scotché au bouquin, le lecteur a hâte d’en connaître le dénouement. Le conseil que je peux vous donner quant à ce roman? A prioriser sur la plage cet été&amp;nbsp;!...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;Kevin Byrn es un madero estropeado por los años de servicio. Con su nueva colega, Jessica Balzano, va deber enfrentarse a un serial killer quien ataca j&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;venes colegialas cat&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;licas. El principio de la novela deja entrever unos basicos (del madero divorciado herido al periodista malhonesto pasando por el sospecho evidente) pero va r&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;pidamente llevarnos lejos en la escena di&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ábolica dirigida por Richard Montanari. Este thriller tiene un verdadero ritmo y nos revela a Philadelphia teatro de los más sórdidos vicios en el cual un asesino sádico decidió atacar. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El lector no puede dejar el libro ante conocer el desenlace. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¿El consejo que puedo darle en cuanto a esta novella? ¡A leer en la playa este verano!...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1242726721619430772?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1242726721619430772/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1242726721619430772&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1242726721619430772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1242726721619430772'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/rosary-girls-deviances-richard.html' title='The Rosary Girls … -  Déviances… – Richard Montanari'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-153459796764278497</id><published>2011-08-04T18:57:00.000+01:00</published><updated>2011-08-04T19:09:48.477+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Geekiness Attitude'/><category scheme='http://www.blogger.com/atom/ns#' term='Blog Ego'/><title type='text'>Circle me I’m a Geek Girl</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://static.skynetblogs.be/media/10758/3737799598.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="212" src="http://static.skynetblogs.be/media/10758/3737799598.jpg" width="400" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;Google+ est le réseau social qui prend en compte ce fait évident&amp;nbsp;: nous n’avons pas les mêmes relations avec tous nos contacts (famille, amis, connaissances…). D’où cette idée simple&amp;nbsp;: créer des cercles afin de partager ses infos avec la ou les bonnes personnes. Il fallait y penser, Google l’a fait, et concurrence de ce fait le géant Facebook. Bien évidemment il y a d’autres différences entres ces deux réseaux sociaux (+Déclics, +InstantUpload…) et pour ma part&amp;nbsp;&amp;nbsp; ma préférence va à G+. Ah oui parce que forcément, j’ai testé, et aimé. Pour celles et ceux qui veulent m’y retrouver c’est par &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;a href="https://plus.google.com/104491378263182777640"&gt;ici&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt; et pour les invitations si vous n’avez pas encore de compte, n’hésitez pas à me demander&amp;nbsp;!...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Google+ is the social network which understands this obvious fact : we don’t have the same relationships with all our contacts (family, friends…). So this simple idea is born : create circles in order to share with the good person. It was necessary to think it, Google did it, and competes with the giant Facebook. Of course there are many others differences between these two social networks (+InstantUpload, +Declic…) and for my part my preference goes to G+. Because yes I inevitably testes it and liked it. For those who want to find me in it’s&amp;nbsp; &lt;a href="https://plus.google.com/104491378263182777640"&gt;there&lt;/a&gt;, and for the invitations if you don’t have yet, just ask me!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Google+ es la red social que tiene en cuenta este hecho evidente : no tenemos las mismas relaciones con todos nuestros contactos (familia, amigos, conocimientos…). &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;De ah&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; esta idea simple : crear c&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;rculos con el fin de compartir con las buenas personas. Hab&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a que pensarlo, Google lo hizo y compite con el gigante Facebook. Claro que hay muchas otras diferencias ente ambos redes (+InstantUpload…) y por mi parte mi preferencia va a G+. Porque claro que inevitablemente lo probé y me gusté. Para tod los que quieren seguirme en eso es por &lt;a href="http://www.blogger.com/goog_1727550097"&gt;aqu&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="https://plus.google.com/104491378263182777640"&gt;í&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; y si ya no tienen invitaciones &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;no dudan en pedirmelas&amp;nbsp;!...&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="https://plus.google.com/104491378263182777640"&gt;Clandestina R Bemba on Google+&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;iframe en-gb"="" height="349" src="http://www.youtube-nocookie.com/embed/xwnJ5Bl4kLI?r&amp;lt;/span&amp;gt;&amp;lt;span lang=" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;" width="560"&gt;&amp;amp;lt;p&amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;el=0" frameborder="0" allowfullscreen&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;gt;&amp;amp;lt;/p&amp;amp;gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-153459796764278497?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/153459796764278497/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=153459796764278497&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/153459796764278497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/153459796764278497'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/circle-me-im-geek-girl.html' title='Circle me I’m a Geek Girl'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-3995008292026107889</id><published>2011-08-03T16:34:00.000+01:00</published><updated>2011-08-03T16:34:38.390+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>El Manuscrito de Dios – Juan Ramón Biedma</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/52457624.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10755/52457624.jpg" width="206" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;En una Sevilla preapocalíptica, una guardacoches sin recuerdos, una mujer sin futuro y un sacerdote sin pasado se enfrantan a una alianza heredera de &lt;st1:personname productid="la Inquisición" w:st="on"&gt;la Inquisición&lt;/st1:personname&gt; y a otra potencias aún más oscuras en busca de un manuscrito que no quieren poseer. Si eso os parece incomprensible, de verdad no lo es puesto que en esta novela todo es tan simple como un cuento infantil. Las propias páginas del libro lo dicen todo. Hay un hombre bueno – el tío del protagonista - que encuentra un libro secreto – El Manuscrito de Dios - que encomienda a cinco guardianes – los Custodios – para que lo mantegan a salvo de una organización maléfica – &lt;st1:personname productid="la Santa Alianza" w:st="on"&gt;&lt;st1:personname productid="la Santa" w:st="on"&gt;la Santa&lt;/st1:personname&gt; Alianza&lt;/st1:personname&gt; – y para permitir que complete un recorrido ritual – el Tránsito -, libro que al final deberá ser recuperado por un ¿héroe? – Alvaro más sus colaboradores – para llevarlo a lugar seguro antes de que concluya un plazo que se repite una y otra vez a lo largo de la historia. Con un estilo atrevido y un ritmo narrativo implacable, Biedma convierte Sevilla en una ciudad desquiciada y extremamente peligrosa al mismo tiempo que deja al lector sin aliento. El autor sorprende por su originalidad y osadía en crear su propio mundo con un excéntrico elenco de personajes a la vez que demuestra poseer una pluma inteligente que dirige cada uno de los giros que toma ese sólo aparente caos. ¿Aficionados al género policiaco, al cómic y al gore&amp;nbsp;? Eso os va a gustar muchisimo…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Dans une Séville pré apocalyptique, un gardien de parking sans mémoire, une femme sans futur et un prêtre sans passé combattent une alliance héritière de l’Inquisition ainsi qu’à d’autres puissances obscures, à la recherche d’un manuscrit que personne ne veut posséder. Si cela vous paraît incompréhensible, ça ne l’est pourtant pas puisque dans ce roman tout est simple comme un conte d’enfant. Le livre se décrit lui-même très bien. Il y a un homme bon – l’oncle du personnage principal – qui découvre un livre secret – Le Manuscrit de Dieu – qu’il confie à cinq gardiens – les Gardes – pour qu’ils le protègent d’une organisation maléfique – &lt;st1:personname productid="la Sainte Alliance" w:st="on"&gt;&lt;st1:personname productid="la Sainte" w:st="on"&gt;la Sainte&lt;/st1:personname&gt; Alliance&lt;/st1:personname&gt; – et pour permettre l’accomplissement d’un parcours rituel – le Passage -, livre qui au final devra être récupéré par un héros – Alvaro et ses collaborateurs – afin de le mettre en lieu sûr avant la fin d’un délai qui se répète inlassablement au cours de l’Histoire. Avec un style osé et un rythme narratif implacable, Biedma transforme Séville en une ville ébranlée et extrêmement dangereuse tout en maintenant le lecteur en haleine. L’auteur nous surprend par son&amp;nbsp; originalité et son audace à créer son monde avec un excentrique catalogue de personnages, le tout avec une plume intelligente qui dirige à la perfection chaque revirement de situation de cet apparent chaos. Amateurs de policiers de BD et de gore? Vous allez adorer ce livre…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Seville, a guard of carpark without memory, a woman without future and a priest without past fight against an alliance heiress of the Enquiry as to otehr obscure powers, in the search of a manuscript that nobody wants to have. If that appears incomprehensible, that’s not since in that novel all simple as in a tale. The book describes however itself very well. There’s a good man – uncle of main character – who discovers a secret book – The Manuscript of God – and entrusts five guards – the Guards – to protect it from a malefic organization – the Holy Alliance – and to allow the achievement of a ritual course – the Passage -, book which will finally have to be recovered by a hero – Alavaro and his collaborators – in order to put it in security before the end of a time which is repeated again and again during the History. With a dared style and a narrative rhythm relentless, Biedma transforms &lt;st1:place w:st="on"&gt;&lt;st1:city w:st="on"&gt;Seville&lt;/st1:city&gt;&lt;/st1:place&gt; into a shaken and extremely dangerous city while maintaining the reader in breath. The author surprises us by his originality and its audacity to create his world with an eccentric catalogues characters, all this with intelligence, directing perfectly each reversal of situation of this apparent chaos. Fan of thrillers, comics and gore? Then this book is made for you…&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-3995008292026107889?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/3995008292026107889/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=3995008292026107889&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3995008292026107889'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3995008292026107889'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/08/el-manuscrito-de-dios-juan-ramon-biedma.html' title='El Manuscrito de Dios – Juan Ramón Biedma'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-982502858831959290</id><published>2011-07-03T18:24:00.001+01:00</published><updated>2011-07-03T18:28:08.204+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Tweet-Clash au PS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/407983636.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="259" src="http://static.skynetblogs.be/media/10755/407983636.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;France - D’un côté Martine Aubry, de l’autre Ségolène Royal. Alors que &lt;st1:personname productid="la France" w:st="on"&gt;la France&lt;/st1:personname&gt; a les yeux tournés vers une célèbre affaire DSK et que la campagne pour les primaires socialistes bat son plein, nos deux rivales tweetent. Et en ce dimanche ensoleillé, leurs tweets vont vers les banlieues. Alors que la première déclare que &lt;a href="http://twitter.com/#!/MartineAubry/status/87532105285898241"&gt;les problèmes de &lt;st1:personname productid="la France" w:st="on"&gt;la France&lt;/st1:personname&gt; seront réglés lorsque les problèmes des banlieues le seront&lt;/a&gt;, la seconde déclare une heure après que &lt;a href="http://twitter.com/#!/RoyalSegolene/status/87544385897631744"&gt;la banlieue, loin d’être un problème, est une partie de la solution&lt;/a&gt;. C’est là qu’il faut rappeler que si primaire il y a, c’est&amp;nbsp; sur les candidats vu que le programme est officiellement le même pour tous. Je vous le dis tel que je le pense, l’unité au PS, c’est pas gagné&amp;nbsp;!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Francia - Por una parte Martine Aubry, de otra Ségolène Royal. Mientras Francia est&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;esperando lo que va a pasar en el caso DSK y que la campaña para las primarias socialistas ya est&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; lanzada, nuestras dos rivales are tuiteando. Y en este domingo soleado, sus tweets van hacia las banlieues o sea los suburbios. Mientras la primera declara que &lt;a href="http://www.blogger.com/goog_1172813487"&gt;se regular&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.blogger.com/goog_1172813487"&gt;á&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n los problemas de Francia cuando lo ser&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.blogger.com/goog_1172813487"&gt;á&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://twitter.com/#!/MartineAubry/status/87532105285898241"&gt;n los de las banlieues&lt;/a&gt;, la segunda declara una hora después que &lt;a href="http://www.blogger.com/goog_1172813499"&gt;los suburbios, lejos de ser un problema, es una parte de la soluci&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.blogger.com/goog_1172813499"&gt;ó&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://twitter.com/#!/RoyalSegolene/status/87544385897631744"&gt;n&lt;/a&gt;. Es all&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; que debemos recordar que si hay primarias es por unos candidatos puesto que el programa del PS es oficialmente el mismo para todos. Se les digo tal como lo pienso, &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;no est&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; lista&amp;nbsp;la unidad del PS!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;st1:place w:st="on"&gt;&lt;st1:country-region w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;France&lt;/span&gt;&lt;/st1:country-region&gt;&lt;/st1:place&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; - On a side, Martine Aubry, on the other, Ségolène Royal. Whereas &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt; is waiting for the DSK case and the campaign for the socialist primaries is running, our two rivals are tweeting. And in this sunny Sunday, their tweets go towards suburbs or French bidonvilles. Whereas the first one declares that &lt;a href="http://twitter.com/#!/MartineAubry/status/87532105285898241"&gt;the problems of &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt; will be regulated with the end of the ones in the suburbs&lt;/a&gt;, the second declares one hour after that&amp;nbsp;&lt;a href="http://twitter.com/#!/RoyalSegolene/status/87544385897631744"&gt;the suburbs are, far for being a problem, are part of the solution&lt;/a&gt;. It’s here that I remember that if primaries are, I is about candidates and not a program which is officially the same for everyone. I say it such as I think it, the unit is not made in this party!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-982502858831959290?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/982502858831959290/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=982502858831959290&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/982502858831959290'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/982502858831959290'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/07/tweet-clash-au-ps.html' title='Tweet-Clash au PS'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-1515063558603353428</id><published>2011-06-30T20:07:00.001+01:00</published><updated>2011-06-30T22:22:39.396+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Geekiness Attitude'/><title type='text'>Viber</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/phone.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="185" src="http://static.skynetblogs.be/media/10755/phone.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Vous imaginez que passer des appels et envoyer des SMS gratuitement via votre mobile est une douce illusion&amp;nbsp;? Détrompez-vous&amp;nbsp;! Viber permet désormais &amp;nbsp;de passer des appels voix et d’envoyer des SMS, gratuitement et en illimité, à vos contacts utilisant également l’application Viber. Compatible avec les iPhone, Android, Blackberry, iPodTouch et iPad, il suffit d’entrer son numéro de mobile et c’est tout. L’un des points forts de cette application est en effet d’être toujours en fonctionnement, pas besoin donc d’être sur l’application pour recevoir un appel ou un SMS. Autre avantage indéniable de Viber est qu’il est exécutable quelle que soit votre localisation. Un bémol cependant concernant ceci, préférez la connexion Wifi lorsque vous appelez de l’étranger pour éviter le dépassement du forfait 3G. Après les Nimbuzz, Skype, FriendCaller et autre Fring, il est évident que le marché de la téléphonie via VoIP est en pleine expansion. De quoi donner des sueurs froides aux opérateurs… et le sourire aux abonnés!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;You certainly think that free calls or free SMS via from your phone mobile is an illusion? That’s not true! Viber makes possible to call or send SMS, free and unlimited, to your contacts using the Viber application too. This iPhone, Android, Blackberry, iPodTouch and iPod applicationjust need you to enter your phone number to function. One of the advantages of this application is to be always operational, you don’t need to login to receive a message or a call. Other great advantage is that is achievable whatever your localization. Concerning this, you should prefer the Wifi connection when you’ll call from abroad to avoid to be out the 3G fixed price. It is undeniable that after Nimbuzz, Skype, FriendCaller and Fring, the market of telephony via VoIP is in expansion. What is certainly bad for operators… but really good to us!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Se imagina llamar o enviar mensajes gratuitamente mediante su m&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;vil? &lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¡&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Ya es posible&amp;nbsp;! Viber permite llamar o bien enviar SMS, gratuitamente y en ilimitado, a sus contactos utilizando también la aplicaci&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n Viber. Compatible con el iPhone, Android, Blackberry, iPodTouch e iPad, se necesita solmaente entrar su n&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;mero y ya est&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á. Uno de los puntos positivos de esta aplicación es que es siempre en funcionamento, no se necesita ir en Viber para recibir llamadas o SMS. Otra ventaja de Viber es que es realizable cualquiera que sea su localización. Pero hay que preferar la conexión Wifi para llamar desde el extranjero para no explotar su delito 3G. Tras Nimbuzz, Skype, FriendCaller y otro Fring, está claro que el mercado de la telefonía mediante VoIP está en extensión. Lo que da miedo a los operadores… y ¡nos hace sonreir!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Official Site l &lt;a href="http://www.viber.com/"&gt;Viber&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object height="390" width="640"&gt;&lt;paramname="movie" value="http://www.youtube-nocookie.com/v/UAVE8djwnTQ?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen"value="true"&gt;&lt;/param&gt;&lt;paramname="allowscriptaccess"value="always"&gt;&lt;/param&gt;&lt;embedsrc="http://www.youtube-nocookie.com/v/UAVE8djwnTQ?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"type="application/x-shockwave-flash" width="640"height="390" allowscriptaccess="always"allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-1515063558603353428?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/1515063558603353428/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=1515063558603353428&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1515063558603353428'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/1515063558603353428'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/viber.html' title='Viber'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-6930720728333219608</id><published>2011-06-29T16:09:00.000+01:00</published><updated>2011-06-29T16:09:30.313+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Libres!</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/555200415.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="204" src="http://static.skynetblogs.be/media/10755/555200415.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;547. C’est le nombre de jours qu’il aura fallu attendre pour les voir libres. Et voilà que cette l’après-midi nous apprenons la libération de Stéphane Taponier et Hervé Ghesquière, otages en Afghanistan depuis le 29 décembre 2009.&amp;nbsp; Pas grand-chose à rajouter sur cette news à part qu’elle fait évidemment énormément plaisir&amp;nbsp;! Ah si, peut être un mot à Nicolas Sarkozy qui devrait avoir l’intelligence de ne pas trop se mettre en avant dans cette affaire vu &lt;a href="http://www.rue89.com/2010/01/06/journalistes-enleves-la-reaction-de-nicolas-sarkozy-choque-a-france-3-132614"&gt;les propos qu’il a tenu aprés de leur enlèvement&lt;/a&gt;. Merci…&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;547. Here are the days we’ve waited their liberation. And this afternoon we learn the release of Stéphane Taponier and Hervé Ghesquière, hostages in &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Afghanistan&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt; since December 29, 2009. I have not many things to say about this news, just a that it make me happy. Well just one thing in fact to Nicolas Sarkozy who should have the intelligence to not say many things about this considering &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;a href="http://www.rue89.com/2010/01/06/journalistes-enleves-la-reaction-de-nicolas-sarkozy-choque-a-france-3-132614"&gt;the remarks he made about it at the time of their kidnapping&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;. Thanks...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;547. Es el n&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;úmero de días que habrá sido necesario esperar para verlos libres. En efecto esta tarde nos enteramos de la liberación de Stéphane Taponier y Hervé Ghesquière, rehenes en Afganistán desde el 29 de diciembre de 2009. No hay muchas cosas que añadir sobre eso solamente que nos da un placer ¡inmenso! O quizá una palabra a Nicolas Sarkozy que debería tener la inteligencia no decir mucho acerca del caso vistas &lt;a href="http://www.rue89.com/2010/01/06/journalistes-enleves-la-reaction-de-nicolas-sarkozy-choque-a-france-3-132614"&gt;las afirmaciones que hizo después su rapto&lt;/a&gt;. Gracias…&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources&amp;nbsp;:&lt;/i&gt; &lt;a href="http://www.lemonde.fr/asie-pacifique/article/2011/06/29/herve-ghesquieres-et-stephane-taponier-ont-ete-liberes_1542625_3216.html"&gt;Le Monde&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: left;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,47,0" height="270" id="flashObj" width="480"&gt;&lt;paramname="movie"value="http://c.brightcove.com/services/viewer/federated_f9?isVid=1&amp;amp;isUI=1"/&gt;&lt;param name="bgcolor" value="#FFFFFF"/&gt;&lt;param name="flashVars"value="videoId=1029967550001&amp;amp;linkBaseURL=http%3A%2F%2Fwww.bfmtv.com%2Fvideo-infos-actualite%2Fdetail%2Fherve-ghesquiere-et-stephane-taponier-libres-1426226%2F&amp;amp;playerID=1027556707001&amp;amp;playerKey=AQ~~,AAAAzBCG-1E~,ZmNCmEZClj4eQ1WsLf_mGl_Pmb90_E4h&amp;amp;domain=embed&amp;amp;dynamicStreaming=true"/&gt;&lt;param name="base"value="http://admin.brightcove.com" /&gt;&lt;paramname="seamlesstabbing" value="false" /&gt;&lt;param name="allowFullScreen"value="true" /&gt;&lt;param name="swLiveConnect"value="true" /&gt;&lt;param name="allowScriptAccess"value="always" /&gt;&lt;embedsrc="http://c.brightcove.com/services/viewer/federated_f9?isVid=1&amp;amp;isUI=1"bgcolor="#FFFFFF" flashVars="videoId=1029967550001&amp;amp;linkBaseURL=http%3A%2F%2Fwww.bfmtv.com%2Fvideo-infos-actualite%2Fdetail%2Fherve-ghesquiere-et-stephane-taponier-libres-1426226%2F&amp;amp;playerID=1027556707001&amp;amp;playerKey=AQ~~,AAAAzBCG-1E~,ZmNCmEZClj4eQ1WsLf_mGl_Pmb90_E4h&amp;amp;domain=embed&amp;amp;dynamicStreaming=true"base="http://admin.brightcove.com" name="flashObj"width="480" height="270" seamlesstabbing="false"type="application/x-shockwave-flash" allowFullScreen="true"allowScriptAccess="always" swLiveConnect="true"pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-6930720728333219608?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/6930720728333219608/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=6930720728333219608&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6930720728333219608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6930720728333219608'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/libres.html' title='Libres!'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-8598291733953953138</id><published>2011-06-26T13:29:00.001+01:00</published><updated>2011-06-29T16:10:58.937+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Dos premios Nobel atacan a los banqueros</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/arton632.2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.skynetblogs.be/media/10755/arton632.2.jpg" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Lo normal es que le sanctionan a la persona que tiene la mayor responsabilidad en un delito. Apoyandose en esto los economistas Joseph Stiglitz y George Akerlof&amp;nbsp; declaran desde unos meses ya (noviembre de 2010) que «&amp;nbsp;es imposible resolver la crisis económica sin que los criminales que comieteron el fraude estén en la cárcel&amp;nbsp;». Peor que eso puesto que denuncian el sistema ecónomico, diseñado según ellos, para fomentar ese tipo de cosas. Y, siguen declarando, aunque se les multara con un 5% o 10% de las ganancias que han obtenido, los banqueros seguirían viviendo en sus lujosas casas y con sus cientos de milones de dólares. ¿Os recuerdo los problemas de los pueblos griegos y tantos otros, desde este anuncio, que deben pagar las restricciones de sus gobiernos para ayudar su país a resolver la crisis&amp;nbsp;? ¿Cúando van a pagar los verdaderos delicuentes en este caso? &amp;nbsp;Es muy importante que premios Nobel hablan del caso y se levantan contra este sistema. Con ellos, nosotros del pueblo, debemos seguir en la vía que ya muchos seguimos desde unas semanas y que esos Nobel siguen desde el año pasado. Entonces es tu turno, ¡indignáte&amp;nbsp;! pa’ que se sancionan a los verdaderos responsables ...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Logiquement le responsable d’un délit est sanctionné. S’appuyant sur ce constat les économistes Joseph Stiglitz et George Akerlof déclarent depuis plusieurs mois déjà qu’il «&amp;nbsp;est impossible de résoudre la crise économique sans que les criminels qui ont commis des fautes ne soient emprisonnés&amp;nbsp;». Pire que cela puisqu’ils dénoncent le système économique conçu, selon eux, pour favoriser ce type de délit. Ils poussent plus avant leur théorie en déclarant que même si les banquiers étaient mis à l’amende sur 5 ou 10% de leurs profits, ils continueraient à vivre dans leurs luxueuses maisons et leurs centaines de millions de dollars. Est-il nécessaire de vous rappeler les sacrifices demandés, depuis ce cri d’alerte, aux peuples grecs et autres par leurs gouvernements afin de sortir de cette crise? Quand vont enfin payer les vrais responsables de tout ceci&amp;nbsp;? Il est en tout cas très important que des prix Nobel dénoncent ce système, ce depuis la fin de l’année dernière. C’est à nous désormais, avec eux, de poursuivre le chemin que beaucoup ont emprunté depuis quelques semaines déjà&amp;nbsp;: indignez-vous&amp;nbsp;pour que les vrais responsables de cette situation payent!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;It is logically to the person in charge of an offence to be sanctioned. Based their theory on this report the economists Joseph Stiglitz and George Akerlof have declared for several months that is “impossible to solve the economic crisis without put the criminals who made the fault in prison”. Worse than that since they denounce the economic system, conceived, according to them, to support this type of offence. They continue their theory while declaring than even if the bankers were put at the fine on 5 or 10% their profits, they would continue to live in their luxurious houses and their hundreds of millions dollars. Is it necessary to point out the sacrifices requested since their declaration (2010) to Greek people by their government to leave the crisis? Finally, when will pay the real responsible of this situation? In any case, it is very important that Nobel Prize denounce this system. It is to us, with them, to continue the way that a lot had yet follow to sanction those who had to : revolt you!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources :&lt;/i&gt; &lt;st1:personname productid="La Repúblia" w:st="on"&gt;&lt;a href="http://www.larepublica.es/spip.php?article22255"&gt;La Rep&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;blica&lt;/a&gt;&lt;/st1:personname&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Read&amp;nbsp; / A lire :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.project-syndicate.org/commentary/stiglitz118/French"&gt;A New Perspective on the Global Economic Crisis&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.leconomiste.com/article/pensee-economique-pour-l-eclosion-de-centaines-de-theoriesbripar-george-akerlof-et-joseph-st"&gt;Pour l’éclosion de centaiens de théories&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-8598291733953953138?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/8598291733953953138/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=8598291733953953138&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/8598291733953953138'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/8598291733953953138'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/dos-premios-nobel-atacan-los-banqueros.html' title='Dos premios Nobel atacan a los banqueros'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-9177420502252273415</id><published>2011-06-24T17:04:00.000+01:00</published><updated>2011-06-24T17:04:59.330+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Loïc Sécher acquitté</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;France – Après une semaine d’audience Loïc Sécher a enfin été acquitté par &lt;st1:personname productid="la Cour" w:st="on"&gt;la Cour&lt;/st1:personname&gt; d’Assise de Paris lors de son procès en révision. Accusé par une adolescente de viols, alors qu’il a toujours clamé son innocence, il a été écroué dés 2000 puis condamné à 16 ans de réclusion en 2004 pour viols sur mineure. Après avoir purgé sept ans de prison il a été libéré en 2010 pour révision de son procès. Or il faut savoir que dès 2007 son accusatrice s’est rétracté et a déclaré avoir menti à propos de ce viol. 2007 à 2011&amp;nbsp;: il est évident que la justice est plus rapide à condamner des innocents qu’à les innocenter et les libérer. Dans un second temps, s’il apparaît que Loïc Sécher ne poursuivra pas son «&amp;nbsp;accusatrice&amp;nbsp;» (son avocate demandera seulement une indemnisation pour le préjudice subi), il me paraît étonnant que la justice elle-même ne se saisisse pas de telles affaires et ne juge pas d’office les «&amp;nbsp;accusateurs-menteurs&amp;nbsp;». Elle devrait en tout cas se pencher sur la question, ce qui ferait réfléchir certain( e)s avant de porter de fausses accusations et briser la vie d’innocents…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&amp;lt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Francia – Después de una semana de audiencia de pleito de revisi&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n, el tribunal de Par&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s absolv&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; a Loïc Sécher. Acusado por una adolescente de violaciones, mientras que ha siempre declarado su inociencia, fue encarcelado desde 2000 y condenado en &lt;st1:metricconverter productid="2004 a" w:st="on"&gt;2004 a&lt;/st1:metricconverter&gt; 16 años de reclusi&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n para violaciones sobre menor. Después de haber purgado siete años de prisi&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;, fue liberado en 2010 gracias a una revisi&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&amp;gt;ón de su pleito. Es necesario decir que a partir de 2007 se retractó su acusadora declarando haber mentido con respecto a esta violación. 2007 hasta 2011&amp;nbsp;: queda claro que la justicia es más rápida en condenar inocentes que en declararlos inocentes y liberarlos. De misma manera, si todo indica que Loïc Sécher no va acosar a su «&amp;nbsp;acusadora&amp;nbsp;» (su abogada pedirá solamente una indemnizaciópara el perjuicio sufrido), me parece increíble que la justicia no se agarre de tales asuntis y no juzga de oficio los «&amp;nbsp;acusadores-mentirosos&amp;nbsp;». Se debe pensarlo, creo, lo que haría reflexionar a unos antes de llevar falsas acusaciones y destrozar la vida de inocentes…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;France&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; – After a week of audience, Loïc Sécher was finally discharged by the Court of Paris. Accused of rapes by a teenager whereas he always protested his innocence, he was arrested dice 2000 and condemned to 16 years of reclusion in 2004 for rapes of child. After having passed seven years in prison he was liberated in 2010 thanks a revision of its lawsuit. However it should be known that since 2007 his accusing retracted and declared to have lied about this rape. 2007 to 2011 : it is obvious that justice is faster to condemn innocent ones than to clear and liberate them. In a second time, if it appears that Loïc Sécher will not proceed his “accusing” (his lawyer will only ask for a compensation for the damage), it is incredible that justice does not proceed such “accusing” people and does not judge directly the “indicters-liars”. The question should be considered, and perhaps then some people would make thought before carrying false charges and break the life of innocent…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: right;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources :&lt;/i&gt; &lt;a href="http://www.20minutes.fr/article/747263/loic-secher-acquitte-engagera-aucune-poursuite-contre-accusatrice"&gt;20 Minutes&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;object height="390" width="640"&gt;&lt;paramname="movie"value="http://www.youtube-nocookie.com/v/IXgrEhOGV1A?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen"value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess"value="always"&gt;&lt;/param&gt;&lt;embedsrc="http://www.youtube-nocookie.com/v/IXgrEhOGV1A?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"type="application/x-shockwave-flash" width="640"height="390" allowscriptaccess="always"allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-9177420502252273415?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/9177420502252273415/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=9177420502252273415&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/9177420502252273415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/9177420502252273415'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/loic-secher-acquitte.html' title='Loïc Sécher acquitté'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-3463167864652501026</id><published>2011-06-18T00:06:00.004+01:00</published><updated>2011-06-18T00:13:44.745+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>The Paris Vendetta …. Le Mystère Napoléon… - Steve Berry</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/2183976616.2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10755/2183976616.2.JPG" width="201" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;During his conquests, Napoleon accessed many richness as well as occult files, in particular those of the &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Vatican&lt;/st1:place&gt;&lt;/st1:country-region&gt; and Knights of Malte. It is thus to the quest of one of the secrets of the Emperor, perhaps the most secret, than Cotton Malone, recurring hero of Steve Berry, is launched. What contains the work dedicated to Merovingian dynasties Napoleon gives to his son a little time before his death? What also are those mysterious documents disputed by the Emperor and his former friend, now his enemy, Pozzo di Borgo? As always Steve Berry proposes us a fabulous trip from the historical &lt;st1:city w:st="on"&gt;Paris&lt;/st1:city&gt; to the &lt;st1:city w:st="on"&gt;Santa Maria&lt;/st1:city&gt; tower in &lt;st1:place w:st="on"&gt;Corsica&lt;/st1:place&gt; passing by a mysterious French castle. All this with a lot of mysteries, enigmas and events. If you are fan of history and mysteries, you cannot miss this novel…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Durant ses années de conquête Napoléon a eu accès à de nombreuses richesses ainsi qu’à des archives occultes, en particulier celles du Vatican et des Chevaliers de Malte. C’est à la quête d’un des secrets de l’Empereur, peut-être le mieux gardé, que se lance cette fois Cotton Malone, héros récurrent des romans de Steve Berry. Que renferme l’ouvrage consacré aux royaumes mérovingiens que Napoléon a fait remettre à son fils peu de temps avant sa mort? Qu’en est-il également de ces mystérieux documents que se sont disputés dans l’ombre l’Empereur et son ancien complice, devenu son ennemi, le comte Pozzo di Borgo?&amp;nbsp; Comme à son habitude Steve Berry nous propose un fabuleux voyage du Paris historique à la tour Santa Maria au Cap Corse en passant par un mystérieux château de &lt;st1:personname productid="la Loire. Le" w:st="on"&gt;&lt;st1:personname productid="la Loire." w:st="on"&gt;la   Loire.&lt;/st1:personname&gt; Le&lt;/st1:personname&gt; tout truffé de mystères, d’énigmes et de rebondissements. Si vous êtes mordus d’histoire et de mystères, vous ne pouvez passer à côté de ce roman…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Durante sus años de conquista Napole&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n tuvo accesso a numerosas riquezas as&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; como a archivos ocultos, en particular los del Vaticanoy de los Caballeors de Malta. Es a la b&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;squeda de uno de los secretos del Emperador, quiz&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; el m&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s secreto, que se lanza Cotton Malone, héroe recurrente de las novelas de Steve Berry. &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¿&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Qué contiene la obra consagrada a los reinos merovingios que Napole&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ón da a su hijo poco tiempo antes de su muerte&amp;nbsp;? ¿Qué son esos misteriosos documentos que se disputaron el Emeprador y su antiguo cómplice, ahora su enemigo, el conde Pozzo di Borgo&amp;nbsp;? Como siempre Steve Berry nos propone un fabuloso viaje&amp;nbsp; de &lt;st1:personname productid="la París" w:st="on"&gt;la París&lt;/st1:personname&gt; histórica a la torre Santa Maria en Corsica, pasando por un misterioso castillo del Loira. Todo eso lleno de misterios, enigmas y eventos. Si les gustan la historia y los misterios, no se puede evitar esta novela…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-3463167864652501026?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/3463167864652501026/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=3463167864652501026&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3463167864652501026'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3463167864652501026'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/paris-vendetta-le-mystere-napoleon.html' title='The Paris Vendetta …. Le Mystère Napoléon… - Steve Berry'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-3809203211201606317</id><published>2011-06-17T23:02:00.005+01:00</published><updated>2011-06-18T00:14:45.985+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='En Vivo'/><title type='text'>Festival DJ Solidario</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/1879318850.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.skynetblogs.be/media/10755/1879318850.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;El próximo jueves 23 de junio, el Paraninfo de &lt;st1:personname productid="La Universidade Complutense" w:st="on"&gt;La Universidade Complutense&lt;/st1:personname&gt; de Madrid será testigo de un festival solidario que reunirá algunos de los mejores artistas del panorama nacional así como todos aquellos que quieran ayudar a los afectados por el terremoto de Lorca. Entre los 15 grupos invitados estarán Iván Ferreiro, Pol 3.14, Ozono3, &lt;st1:personname productid="la Sonrisa" w:st="on"&gt;la Sonrisa&lt;/st1:personname&gt; de Julia, Luigi Nieto… Los artistas solidarios amenizarán más de 15 horas en directo desde las 13h00. Si quieres pasarlo bien mientras colaboras con una buena causa (se destina el 10% de la recaudación a&amp;nbsp;los afectados por el terremoto de Lorca), no puedes perderte el festival DJ Solidario. Entonces compra ya tus entradas &lt;a href="http://www.ticktackticket.com/entradas/buscar.do?claves=dj+solidario&amp;amp;buscar=BUSCAR&amp;amp;poblacion=&amp;amp;categoria=&amp;amp;dia=&amp;amp;mesany=&amp;amp;codIdioma=CAS"&gt;ahí&lt;/a&gt; , Lorca ya te agradece tu ayuda…&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;Le 23 juin prochain, le Paraninfo de l’Université Complutense de Madrid sera le théâtre d’un festival solidaire qui réunira les meilleurs artistes espagnols ainsi que tous ceux qui souhaitent venir en aide aux victimes du tremblement de terre de Lorca. Parmi les 15 groupes invités notons la présence de Iv&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n Ferreiro, Pol 3.14, Ozono3, &lt;st1:personname productid="la Sonrisa" w:st="on"&gt;La Sonrisa&lt;/st1:personname&gt; de Julia, Luigi Nieto… Les artistes solidaires se produiront plus de 15 heures durant à partir de 13h00.&amp;nbsp; Si vous voulez vous amuser tout en participant à une bonne cause (10% des recettes iront aux victimes du tremblement de terre de Lorca), vous ne pouvez rater le festival DJ Solidario. Réservez dès à présent vos billets &lt;a href="http://www.ticktackticket.com/entradas/buscar.do?claves=dj+solidario&amp;amp;buscar=BUSCAR&amp;amp;poblacion=&amp;amp;categoria=&amp;amp;dia=&amp;amp;mesany=&amp;amp;codIdioma=CAS"&gt;ici&lt;/a&gt; , Lorca vous remercie d’avance…&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Next June 23, Paraninfo of Complutense University of Madrid will be place of a Solidarity Festival which will bring together the best Spanish artists as all those who want to help of the victims of the earthquake of Lorca. Among the 15 invited groups let us note the presence of Iv&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;án Ferreiro, Pol 3.14, Ozono3, Sonrisa de Julia, Luigi Nieto… The interdependent artists will play more than 15 hours since 13:00. If you want to have fun while taking part to a cause (10% of the receipts will be given to the victims of the earthquake of Lorca), you cannot miss festival DJ Solidario. Reserve now your tickets &lt;a href="http://www.ticktackticket.com/entradas/buscar.do?claves=dj+solidario&amp;amp;buscar=BUSCAR&amp;amp;poblacion=&amp;amp;categoria=&amp;amp;dia=&amp;amp;mesany=&amp;amp;codIdioma=CAS"&gt;here&lt;/a&gt; , Lorca already thanks you…&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-3809203211201606317?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/3809203211201606317/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=3809203211201606317&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3809203211201606317'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/3809203211201606317'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/festival-dj-solidario.html' title='Festival DJ Solidario'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-7149823786093739040</id><published>2011-06-13T18:34:00.002+01:00</published><updated>2011-06-13T22:14:36.662+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>La difficile intégration des Afro-Péruviens – Cause Nationale 2011</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/146579032.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="240" src="http://static.skynetblogs.be/media/10755/146579032.jpg" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;C’est en décembre 1854 que l’esclavage est officiellement aboli au Pérou. Pourtant la situation des afro-péruviens est aujourd’hui encore marquée par la pauvreté et la discrimination. Sur les 12% de Péruviens – taux déjà trop peu élevé – qui vont à l’université, seuls 2% d’entre eux sont d’ascendance africaine, c’est dire si leur situation ne va pas s’améliorer de sitôt. Ni le pardon national, demandé en décembre 2009 par le président Alan Garc&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a, ni &lt;st1:personname productid="la Journée" w:st="on"&gt;la  Journée&lt;/st1:personname&gt; de la culture Afro-Péruvienne célébrée le 4 juin, et passée inaperçue cette année en raison de l’élection présidentielle, ne vont faire évoluer les choses. Cette évolution passe inexorablement par l’éducation des afro-péruviens et des péruviens de souche. Elle permettra aux premiers l’accès à l’université et augmentera les chances d’obtenir un travail décent, rompant ainsi le cycle de la pauvreté. Quand aux seconds elle leur apportera enfin un regard différent sur les afro-péruviens, facilitant leur intégration dans cette société qu’ils ont contribué à façonner. &amp;nbsp;Etat des lieux avec ce reportage audio signé &lt;a href="http://www.rfi.fr/"&gt;RFI&lt;/a&gt; …&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;En diciembre de 1854 se suprime oficialmente la esclavitud en Per&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;. Pero la situaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n del afroperuano se caracteriza a&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ún hoy en día por la pobreza y la discriminación. Sobre el 12% de Peruanos – ya es muy poco – que van a la universidad, sólo un 2% de ellos son de ascendancia africana, es decir si su situación no va a mejorarse pronto. Ni el perdón nacional, pedido en diciembre de 2009 por el presidente Alan García, ni el Día de &lt;st1:personname productid="la Cultura Afro-Peruana" w:st="on"&gt;&lt;st1:personname productid="la Cultura" w:st="on"&gt;la Cultura&lt;/st1:personname&gt; Afroperuana&lt;/st1:personname&gt;, celebrado el 4 de junio que ha pasado desaparecibido este año con la emoción de las elecciones, van a hacer evolucionar las cosas. Esta evolución pasa inexorablemente por la educación de los afroperuanos y de los peruanos. Permitirá a los primeros el acceso a la universidad e incrementará las posibilidades de obtener un trabajo digno, rompiendo así el ciclo de la pobreza. Cuando a los segundos les aportará por fin una mirada diferente sobre los afro-peruanos, facilitando su integración en esta sociedad en cual contribuyeron. Reportaje sobre esta situación con &lt;a href="http://www.rfi.fr/"&gt;RFI&lt;/a&gt; …&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;In December 1854 slavery is officially abolished in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Peru&lt;/st1:place&gt;&lt;/st1:country-region&gt;. However the situation of Afro-Peruvians people today is still marked by poverty and discrimination. On the 12% of Peruvians – rate already too low – who goes to University, only 2% of them is of African ascent, so their situation will not improve sooner. Neither the national forgiveness, required in December 2009 by the president Alan García, nor the Afro-Peruvian Culture Day celebrated on June 4&lt;sup&gt;th&lt;/sup&gt;, and unperceived this year because of the presidential elections, will make evolve the things. This evolution passes unrelentingly by the education of Afro-Peruvians and Peruvians. It will give to the first one access to the university and will increase the chances to obtain a decent work, breaking thus the cycle of poverty. To the seconds it brings a different glance on Afro-Peruvians, facilitating their integration in this society they contributed to build. Inventory of the situation with this audio report signed &lt;a href="http://www.rfi.fr/"&gt;RFI&lt;/a&gt; …&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;Defensor&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;a del Pueblo &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;l&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt; &lt;a href="http://www.defensoria.gob.pe/modules/Downloads/informes/varios/2011/Informe-003-2011-DP-ADHPD.pdf"&gt;Informe&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;PressGirlK&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;l&amp;nbsp;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.scribd.com/fullscreen/57102184?access_key=key-15jvjm3syazov73rtcjn"&gt;Afro-Descendants in Peru. An Approach to Their Reality and the Exercise of their Rights&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;span style="font-family: Tahoma;"&gt;La difficile intégration des Afro-Péruviens&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;object height="81" width="100%"&gt; &lt;param name="movie"value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F17062202%3Fsecret_token%3Ds-FVVZQ&amp;amp;secret_url=true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess"value="always"&gt;&lt;/param&gt;&lt;embed allowscriptaccess="always"height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F17062202%3Fsecret_token%3Ds-FVVZQ&amp;amp;secret_url=true"type="application/x-shockwave-flash"width="100%"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-7149823786093739040?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/7149823786093739040/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=7149823786093739040&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7149823786093739040'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/7149823786093739040'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/la-difficile-integration-des-afro.html' title='La difficile intégration des Afro-Péruviens – Cause Nationale 2011'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-952662102340003438</id><published>2011-06-06T17:10:00.008+01:00</published><updated>2011-06-06T18:06:31.629+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Ollanta Humala presidente</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/photo_1307340422777-9-0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="244" src="http://static.skynetblogs.be/media/10755/photo_1307340422777-9-0.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Per&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; – El n&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma;" font-size: 12pt;&gt;mero uno del pa&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;s ya es Ollanta Humala. As&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; lo decidieron los peruanos este domingo preferiendo al hija del ex dictador Fujimori, Keiko (47,8 %), el candidato quien promete lograr la paz socia y el crecimiento econ&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;mico del pa&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;s (con unos 52.2%). Se puede resumir su programa en 4 ejes principales&amp;nbsp;:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin-left: 78.9pt; mso-list: l0 level1 lfo1; tab-stops: list 78.9pt; text-indent: -43.5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;la lucha contra la pobreza&amp;nbsp;: la creaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n del programa Pensi&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n 65, protecci&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n de la niñez, lograr empleos dignos&amp;nbsp;;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;seguridad y narcotr&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;fico&amp;nbsp;: hacer una reforma penitenciaria, mejorar la situaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ón de &lt;st1:personname productid="la Polic￭a Nacional" w:st="on"&gt;&lt;st1:personname productid="la Polic￭a" w:st="on"&gt;la Policía&lt;/st1:personname&gt;  Nacional&lt;/st1:personname&gt; y el servicio militar, instaurar la cadena perpetual para los violadores de minores, &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;crear un Alto Comisionado con rango ministerial para que diseñe la estrategia para separar a la poblaci&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n cocalera del narcotr&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;fico&amp;nbsp;;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font: normal normal normal 7pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;institucionalidad democr&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;tica&amp;nbsp;: de fortalecer la democracia defendiendo la libertad de expresi&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ón y&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; luchando contra la corrupci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n as&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; como la violaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n de derechos humanos&amp;nbsp;;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;econom&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;a e inclusi&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;n social&amp;nbsp;: salir los 12 millones de peruanos que se encuentran en la pobreza con la descentralizaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n y la diversificaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n del aparato productivo, promover industrias alternativas a la miner&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a para darle estabilidad a la econom&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a, crear tecnolog&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a con la creaci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;n de un Ministerio de &lt;st1:personname productid="la Ciencia" w:st="on"&gt;la Ciencia&lt;/st1:personname&gt; y &lt;st1:personname productid="la Tecnología." w:st="on"&gt;la Tecnología.&lt;/st1:personname&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma;"&gt;Vamos a ver ahora si Ollanta Humala logra realizar todo eso, lo que esperemos por el Per&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;. Por el momento les felicito de su elecci&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n esperandoles lo mejor por el futuro…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Pérou – Le numéro un du pays est Ollanta Humala. Les péruviens l’ont en effet élu ce dimanche préférant à la fille de l’ancien dictateur Fujimori, Keiko (47,8%), le candidat (52,2%) qui promet&amp;nbsp; au pays d’obtenir la paix social et la croissance économique. Son programme es taxé sur 4 points principaux&amp;nbsp;:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 78.9pt; mso-list: l0 level1 lfo1; tab-stops: list 78.9pt; text-indent: -43.5pt;"&gt;&lt;span style="font-family: Tahoma;"&gt;-&lt;span style="font-size: 12pt; font: normal normal normal 12pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;la lutte contre la pauvreté&amp;nbsp;: création du programme Pensi&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;n 65, protection de l’enfance, créer des emplois dignes&amp;nbsp;;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font-size: 12pt; font: normal normal normal 7pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;sécurité et trafic de drogues&amp;nbsp;: mener à bien une réforme pénitentiaire, améliorer la situation de &lt;st1:personname productid="la Police Nationale" w:st="on"&gt;&lt;st1:personname productid="la Police" w:st="on"&gt;la Police&lt;/st1:personname&gt; Nationale&lt;/st1:personname&gt; et du service militaire, perpétuité pour les pédophiles, création d’un Haut Commissariat de rang ministériel afin&amp;nbsp;&amp;nbsp; réfléchir à la séparation de la population «&amp;nbsp;cocalera&amp;nbsp;» de trafiquants de drogues&amp;nbsp;;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font-size: 12pt; font: normal normal normal 7pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;institutionnaliser la démocratie&amp;nbsp;: renforcer la démocratie en défendant la liberté d’expression et en combattant la corruption et les violations des droits de l’Homme&amp;nbsp;;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font-size: 12pt; font: normal normal normal 7pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;économie et intégration sociale&amp;nbsp;: sortir 12 millions de péruviens de leur situation de pauvreté&amp;nbsp; grâce à la décentralisation et la diversification de l’appareil productif, promouvoir des industries alternatives à l’industrie minière afin de stabiliser l’économie, créer des industries technologiques avec la création d’un Ministère de &lt;st1:personname productid="la Science" w:st="on"&gt;la Science&lt;/st1:personname&gt; et de &lt;st1:personname productid="la Technologie." w:st="on"&gt;la Technologie.&lt;/st1:personname&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;A voir maintenant si Ollanta Humala réalise ses promesses ce que nous espérons pour le Pérou. L’heure est cependant aux félicitations pour cette élection tout en espérant un futur démocratique pour le pays…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;Peru&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt; – The leader of the country is Ollanta Humala. Indeed Peruvians elected him this Sunday, preferring to the girl of the former dictator Fujimori, Keiko (47.8%), the candidate (52,2%) who promises to the country social peace and economic growth. His program is about 4 principal points :&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 78.9pt; mso-list: l0 level1 lfo1; tab-stops: list 78.9pt; text-indent: -43.5pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;-&lt;span style="font-size: 12pt; font: normal normal normal 7pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;the fight against poverty : creation of the program Pensi&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;n 65, child welfare, create worthy jobs ;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font-size: 12pt; font: normal normal normal 7pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;safety and drug trafficking : conclude a penitentiary reform, improve the situation of the National Police and military service, perpetuity for paedophiles, creation of an High Commission with ministerial rows to study the separation of the ”cocalera” population with drug traffickers ;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font-size: 12pt; font: normal normal normal 7pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;institutionalize the democracy : reinforce the democracy by defending freedom of expression and fighting corruption as well as violation of Human Rights ;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;-&lt;span style="font-size: 12pt; font: normal normal normal 7pt/normal Tahoma;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;economy and social integration : help the 12 million of Peruvians to leave their situation of poverty thanks to the decentralisation and the diversification of the productive apparatus, promote alternative industries to mining industry in order to stabilize the economy, create technological industries with the help of a Ministry for Science and Technology.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;To see now if Ollanta Humala carries out his promises and we hope for the country he’ll do it. Time is now to congratulate the Peruvians for this election hoping democratic future for &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Peru&lt;/st1:place&gt;&lt;/st1:country-region&gt;…&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;&amp;nbsp;Sources&amp;nbsp; :&lt;/i&gt; &lt;st1:personname productid="La República" w:st="on"&gt;&lt;a href="http://www.larepublica.pe/06-06-2011/humala-ofrece-concertacion-esperanza-y-cambio"&gt;La República&lt;/a&gt;&lt;/st1:personname&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;object height="390" width="480"&gt;&lt;param name="movie" value="http://www.youtube-nocookie.com/v/z7NS_TMF4Ow?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube-nocookie.com/v/z7NS_TMF4Ow?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0" type="application/x-shockwave-flash" width="480" height="390" allowscriptaccess="always" allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-952662102340003438?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/952662102340003438/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=952662102340003438&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/952662102340003438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/952662102340003438'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/ollanta-humala-presidente.html' title='Ollanta Humala presidente'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-5004075869921472607</id><published>2011-06-02T14:27:00.009+01:00</published><updated>2011-06-02T15:39:57.566+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>La Ley de la Atracción – Gaia Stalla</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/l.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;img border="0" height="235" src="http://static.skynetblogs.be/media/10755/l.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;Un regalito por este larga fin de semana con el ultimísimo videoclip de Gaia Stalla. Se dedica «&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;st1:personname productid="La Ley" w:st="on"&gt;La Ley&lt;/st1:personname&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt; de &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;st1:personname productid="la Attracción" w:st="on"&gt;la Atracción&lt;/st1:personname&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;» a tod@s los indignados del mundo, nos dice la banda. Gracias por eso, y aprovecho la occasión pa’ recordarvos que el DVD de los Gaia Stalla, &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/01/teoria-del-sosiego-en-una-teorica.html"&gt;Teoría del Sosiego en una Teórica Vorágine&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 12pt;"&gt;, ya está disponible. ¡Disfrutalo!...&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Cadeau musical pour ce long week-end avec le tout dernier clip de Gaia Stalla. «&lt;st1:personname productid="La Ley" w:st="on"&gt;La Ley&lt;/st1:personname&gt; de &lt;st1:personname productid="la Attracció" w:st="on"&gt;la Atracción&lt;/st1:personname&gt;» est dédicacé à tous les indignés de par le monde, précise le groupe. Merci à eux et je profite de l’occasion pour vous rappeler que le DVD de Gaia Stalla, &lt;a href="http://clandestina-rbemba.blogspot.com/2011/01/teoria-del-sosiego-en-una-teorica.html"&gt;Teoría del Sosiego en una Teórica Vorágine&lt;/a&gt;, est enfin disponible. Enjoy&amp;nbsp;!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;Musical gift for this long week-end with the last videoclip of Gaia Stalla. “&lt;st1:personname productid="La Ley" w:st="on"&gt;La Ley&lt;/st1:personname&gt; de &lt;st1:personname productid="la Attracción" w:st="on"&gt;la Atracción&lt;/st1:personname&gt;” is dedicated to all the “indignados” of the world, specifies the band. Thank to it for that, and I benefit the occasion to recall you that the DVD of Gaia Stalla, &lt;a href="http://www.blogger.com/goog_1114373759"&gt;Teor&lt;/a&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/01/teoria-del-sosiego-en-una-teorica.html"&gt;ía del Sosiego en una Teórica Vorágine&lt;/a&gt;, is available. Enjoy it!...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: 18px;"&gt;&lt;span style="color: #000033; font-family: Tahoma; font-size: 12pt;"&gt;Página Oficial |&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 18px;"&gt;&lt;span lang="EN-GB" style="color: #000033; font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="FR" style="color: #660000;"&gt;&lt;a href="http://www.gaiastalla.com/"&gt;Gaia Stalla&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 13.5pt;"&gt;&lt;span lang="EN-GB" style="color: #000033; font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.gaiastalla.com/"&gt;&lt;span lang="FR" style="color: #660000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: #000033;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 13.5pt;"&gt;&lt;span lang="EN-GB" style="color: #000033; font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestinarbemba.20six.fr/clandestinarbemba/art/205801"&gt;&lt;span lang="FR" style="color: #660000;"&gt;Julio Lobos&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="color: #000033; font-family: Tahoma;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000033; font-family: Tahoma; font-size: 12pt;"&gt;entrevistado por Clandestina&lt;/span&gt;&lt;span style="color: #000033;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 13.5pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 13.5pt;"&gt;&lt;span lang="EN-GB" style="color: #000033; font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2009/02/entrevista-con-esther-garrido-gaia.html"&gt;&lt;span style="color: #660000;"&gt;Esther Garrido&lt;/span&gt;&lt;/a&gt;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;entrevistada por Clandestina&lt;/span&gt;&lt;span style="color: #000033;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 13.5pt;"&gt;&lt;span lang="EN-GB" style="color: #000033; font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="line-height: 13.5pt;"&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;st1:personname productid="La Ley" w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/st1:personname&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 13.5pt;"&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;st1:personname productid="La Ley" w:st="on"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;La Ley&lt;/span&gt;&lt;/st1:personname&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; de &lt;st1:personname productid="la Attracción" w:st="on"&gt;la  Atracción&lt;/st1:personname&gt; – Gaia Stalla&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object height="390" width="480"&gt;&lt;param name="movie"value="http://www.youtube-nocookie.com/v/pZNdF518Ens?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen"value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess"value="always"&gt;&lt;/param&gt;&lt;embedsrc="http://www.youtube-nocookie.com/v/pZNdF518Ens?version=3&amp;amp;hl=fr_FR&amp;amp;rel=0"type="application/x-shockwave-flash" width="480"height="390" allowscriptaccess="always"allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-5004075869921472607?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/5004075869921472607/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=5004075869921472607&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5004075869921472607'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5004075869921472607'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/06/la-ley-de-la-attraccion-gaia-stalla.html' title='La Ley de la Atracción – Gaia Stalla'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-6064374422371566648</id><published>2011-05-31T20:14:00.000+01:00</published><updated>2011-05-31T20:14:28.589+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>De Norte a Sur - Lone Rhino Club</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://www.flickr.com/photos/stb_rec/4773275290/in/photostream/"&gt;&lt;/a&gt;&lt;a href="http://static.skynetblogs.be/media/10755/608873161.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="222" src="http://static.skynetblogs.be/media/10755/608873161.JPG" width="320" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Ya está disponible el tercer trabajo de &lt;a href="http://clandestina-rbemba.blogspot.com/2011/03/lone-rhino-club.html"&gt;Lone Rhino Club&lt;/a&gt;, De Norte a Sur. Desde las noventa la banda formada por Julio Lobos, Robert Gomez y Josep Marti Pasto, encanta los enamorados del Blues con su ritmo increíble. Se habla de ellos por todas partes y esta vez el grupo editó su CD con material propio y con la participación de varios invitados tales Esther Garrido, Roger Benet, Lucia Lorenzo etc.&amp;nbsp; No os aprendaré mucho diciendo que lo mejor es verlos en vivo ya que se encuentra a la venta su CD en los conciertos. Por el momento os regalo una canción del nuevo CD y…&amp;nbsp; un poquito más…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Le troisième opus de &lt;a href="http://clandestina-rbemba.blogspot.com/2011/03/lone-rhino-club.html"&gt;Lone Rhino Club&lt;/a&gt;, De Norte a Sur, est enfin disponible. Depuis les années 90 le groupe formé par Julio Lobos, Robert Gomez et Josep Marti Pasto, enchante les amoureux de Blues avec un rythme incroyable. Beaucoup dans le milieu parlent d’eux et cette fois-ci le groupe a lui-même édité son album avec, en plus, la participation d’invités prestigieux tels&amp;nbsp; que Esther Garrido, Roger Benet, Lucia Lorenzo etc. Je ne vous en apprendrais pas beaucoup en vous recommandant d’aller les voir sur scène, vous y trouverez d’ailleurs les CD, Pour l’heure je vous laisse avec un titre de leur dernier album et… un bonus surprise…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;The third album of &lt;a href="http://clandestina-rbemba.blogspot.com/2011/03/lone-rhino-club.html"&gt;Lone Rhino Club&lt;/a&gt;, De Norte a Sur, is already available. Since the Nineties the group formed by Julio Lobos, Robert Gomez and Josep Marti Pasto, enchants Blues lovers with their incredible sound. Everyone talk about them and for this work the group published with his own material&amp;nbsp; and the participation of prestigious guest such as Esther Garrido, Roger Benet, Lucia Lorenzo etc. You will be not surprised if I recommend you to see them live, place where you’ll find their albums. For the moment I leave you with a title of the new album … and some surprise…&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span class="Apple-style-span" style="color: #000033; line-height: 18px;"&gt;&lt;a href="http://www.myspace.com/lonerhinoclub" style="color: #660000;"&gt;Lone Rhino Club&lt;/a&gt;&amp;nbsp;on MySpace&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;De Norte a Sur – Lone Rhino Club&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;  &lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object height="81" width="100%"&gt; &lt;paramname="movie"value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F16267760"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess"value="always"&gt;&lt;/param&gt;&lt;embedallowscriptaccess="always" height="81"src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F16267760"type="application/x-shockwave-flash"width="100%"&gt;&lt;/embed&gt; &lt;/object&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;h1 style="line-height: 13.65pt; margin-bottom: .0001pt; margin: 0cm;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt; font-weight: normal;"&gt;Bonus 1&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 13.65pt; margin-bottom: .0001pt; margin: 0cm;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt; font-weight: normal;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px; font-weight: normal;"&gt;Hallelujah I love her so - Lone Rhino Club&lt;/span&gt;&lt;/h1&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object height="390" width="480"&gt;&lt;paramname="movie"value="http://www.youtube-nocookie.com/v/C9qn2D9G410?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;paramname="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embedsrc="http://www.youtube-nocookie.com/v/C9qn2D9G410?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"type="application/x-shockwave-flash" width="480"height="390" allowscriptaccess="always"allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;Bonus 2&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; font-size: 16px;"&gt;Lone Rhino Club - Nits al Caste, Calafell – 14 d’agost de 2010&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object height="390" width="640"&gt;&lt;paramname="movie"value="http://www.youtube-nocookie.com/v/arGByx_pOi4?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;paramname="allowscriptaccess"value="always"&gt;&lt;/param&gt;&lt;embedsrc="http://www.youtube-nocookie.com/v/arGByx_pOi4?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"type="application/x-shockwave-flash" width="640" height="390"allowscriptaccess="always"allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-6064374422371566648?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/6064374422371566648/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=6064374422371566648&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6064374422371566648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6064374422371566648'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/05/de-norte-sur-lone-rhino-club.html' title='De Norte a Sur - Lone Rhino Club'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-6564344854975403826</id><published>2011-05-30T17:06:00.002+01:00</published><updated>2011-05-30T17:09:23.543+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Me gustas tu'/><title type='text'>Diego – Marie Redonnet</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;a href="http://static.skynetblogs.be/media/10755/1885312623.4.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://static.skynetblogs.be/media/10755/1885312623.4.JPG" width="232" /&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Diego arrive en France pour commencer une nouvelle vie. Ce clandestin sans grandes illusions cherche une forme de liberté afin d‘oublier sa récente expérience de la prison où la conduit son passé de révolutionnaire. Il rêve de faire du cinéma mais avant de réaliser son rêve il devra trouver sa propre voie et affirmer son individualité face aux différents réseaux qui vont l’accueillir en France. Il n’est pas toujours évident d’aborder le thème de l’immigration&amp;nbsp; sans pour autant tomber dans les clichés. C’est pourtant ce qu’a réussi Marie Redonnet avec ce roman où elle évite autant le misérabilisme que le sentimentalisme pour se concentrer sur l’intériorité du personnage. Les phrases courtes, directes et l’absence de lieux ou noms précis, permettent au lecteur de s’identifier aisément au personnage pour vivre pleinement ce roman initiatique qui nous mènera aux confins des regrets, espoirs et rêves d’un sans-papier…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Diego llega a Francia para comenzar una nueva vida. Este clandestino sin grandes ilusiones busca una forma de libertad para olvidar su reciente experiencia de la prisi&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n donde lleg&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; por culpa de su pasadao revolucionario. Soña hacer cinema pero antes re realizar su sueño deber&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; encontrar su propia v&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;a y afirmar su individualidad ante las distintas redes que van a acogerlo en Francia. No es siempre evidente abordar el tema de la inmigraci&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;n sin caer en los temas cl&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;á&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;sicos. Lo que consigui&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; Marie Redonnet con esta novela en cual evita tanto el pesimismo que el sentimentalismo para concentrarse n la interioridad del personaje. Las frases cortas, directas, as&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt; como la ausencia de lugares o nombres precisos, permiten al lector definirse f&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ácilmente al personaje para vivir plenamente esta novela iniciática qu les va a conducir hasto los encierros de la nostalgia, las esperanzas y los sueños de un clandestino…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;Diego wants to begin a new life in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt;. This clandestine without illusions seeks a form of freedom to forget his recent experiment of prison where his revolutionist past brought him. He dreams to work in cinema art but before carrying out his dream he will have to find his own way and to affirm his individuality into the various clandestine networks which will help him in &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;France&lt;/st1:place&gt;&lt;/st1:country-region&gt;. It is not always easy to approach the topic of immigration without fall into stereotypes. It is however what Marie Redonnet done with this novel where she avoids pessimism as much as sentimentalism to concentrate on the interiority of the character. The short and direct sentences as well as the absence of precise places and names make it possible to the reader to easily identified himself with the character to fully live this initiatory novel which will lead us to the borders of regrets, hopes and dreams of a clandestine…&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-6564344854975403826?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/6564344854975403826/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=6564344854975403826&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6564344854975403826'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/6564344854975403826'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/05/diego-marie-redonnet.html' title='Diego – Marie Redonnet'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-5577073099434533488</id><published>2011-05-29T10:37:00.003+01:00</published><updated>2011-05-29T10:51:36.325+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Keiko Fujimori en blanco y negro</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Per&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt; - &lt;a href="http://www.blogger.com/goog_1827224610"&gt;El pr&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://www.blogger.com/goog_1827224610"&gt;ó&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/04/humala-vs-keiko-en-la-segunda-vuelta.html"&gt;ximo 5 de junio&lt;/a&gt; los peruanos van a votar la segunda vuelta de las elecciones presidenciales entre Ollanta Humala y Keiko Fujimori. Hija del ex presidente, Alberto, nos «&amp;nbsp;revela&amp;nbsp;» la «&amp;nbsp;inociencia&amp;nbsp;» de este, condenado a 25 años de c&lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;árcel por violaciones de los derechos humanos. Cuando se lo pregunta porqué ha siempre creido en la inociencia de su padre, contesta «&amp;nbsp;porque vivía y trabajaba con él, soy testigo de su trabajo en &lt;st1:personname productid="la Presidencia" w:st="on"&gt;la  Presidencia&lt;/st1:personname&gt;, de sus realizaciones. Se establició su inociencia desde el principio del juicio. &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;No existe ninguna prueba, no hay prueba, porque es inocente». &lt;/span&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;¿Inocente? No es exactamente lo que nos revela la historia y este registro…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Pérou – &lt;a href="http://clandestina-rbemba.blogspot.com/2011/04/humala-vs-keiko-en-la-segunda-vuelta.html"&gt;Le 5 juin prochain&lt;/a&gt; les péruviens sont appelés à voter pour le second tour des élections présidentielles entre Ollanta Humala et Keiko Fujimori. Fille de l’ex président, Alberto, elle nous «&amp;nbsp;révèle l’innocence&amp;nbsp;» de son père, condamné à 25 ans de prison pour crime contre l’humanité. Lorsqu’un journaliste lui demande pourquoi elle a toujours cru en son innocence, elle répond «&amp;nbsp;parce que je vivais et travaillais avec lui, je suis témoin de son travail à &lt;st1:personname productid="la Pr￩sidence" w:st="on"&gt;la Présidence&lt;/st1:personname&gt;, de ses résultats. Son innocence a été établit dès le début du procès. Il n’existe aucune de preuve, il n’y a pas de preuve, parce qu’il est innocent». Innocent? Ce n’est pourtant pas ce que nous révèle l’histoire ainsi que cette vidéo…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma; font-size: 12pt;"&gt;Peru – &lt;a href="http://clandestina-rbemba.blogspot.com/2011/04/humala-vs-keiko-en-la-segunda-vuelta.html"&gt;O 5 de Junho&lt;/a&gt; os peruanos vão votar por a segunda volta das eleições presidenciais entre Ollanta Humala e Keiko Fujimori. Filha do ex presidente, Alberto, «&amp;nbsp;revela-no&amp;nbsp;» a «&amp;nbsp;inocência&amp;nbsp;» de su pai, condenado à 25 anos de prisão para crime contra a humanidade. Quando um repórter interroga-lhe por quê sempre acreditou na sua inocência, responde «porque eu vivia e trabalhava com meu pai, sou testemunha de seu trabalho na presidência, de suas realizações. &lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;Sua inocência foi estabelecida desde o inicio do julgamento. &lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;Não há nenhuma prova, nenhuma prova, porque ele é inocente”. Inocente? Não é exatamente o que a história e esta vídeo, nos revela…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;st1:place w:st="on"&gt;&lt;st1:country-region w:st="on"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;Peru&lt;/span&gt;&lt;/st1:country-region&gt;&lt;/st1:place&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt; – &lt;a href="http://clandestina-rbemba.blogspot.com/2011/04/humala-vs-keiko-en-la-segunda-vuelta.html"&gt;On next June 5&lt;/a&gt;, Peruvian will be vote for the second turn of the presidential elections between Ollanta Humala and Keiko Fujimori. Dauhter of the ex president, Alberto, she “reveals” us the “innocence” of her father, condemned to 25 years of prison for crime against humanity. When journalists ask her why she always believed in its innocence, she says “because I lived and worked with him, I am the witness of his work at the Presidency, and of his accomplishments. His innocence was established at the beginning of the lawsuit. Any proof exist, there is no proof, because he is innocent”. Innocent? It is not however what the history, and this video, reveals…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object height="390" width="480"&gt;&lt;paramname="movie" value="http://www.youtube-nocookie.com/v/Z0GWjNufsJg?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen"value="true"&gt;&lt;/param&gt;&lt;paramname="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embedsrc="http://www.youtube-nocookie.com/v/Z0GWjNufsJg?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"type="application/x-shockwave-flash" width="480"height="390" allowscriptaccess="always"allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8103001843907090925-5577073099434533488?l=clandestina-rbemba.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clandestina-rbemba.blogspot.com/feeds/5577073099434533488/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8103001843907090925&amp;postID=5577073099434533488&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5577073099434533488'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8103001843907090925/posts/default/5577073099434533488'/><link rel='alternate' type='text/html' href='http://clandestina-rbemba.blogspot.com/2011/05/keiko-fujimori-en-blanco-y-negro.html' title='Keiko Fujimori en blanco y negro'/><author><name>Clandestina</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8103001843907090925.post-2569468535582100282</id><published>2011-05-27T16:53:00.002+01:00</published><updated>2011-05-27T17:09:57.344+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Que paso Que paso'/><title type='text'>Indignats – Desallotjament de la Plaça Catalunya</title><content type='html'>&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma;"&gt;Este mañana 27 de mayo de 2011 las fuerzas de polic&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;í&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;a evacuaron por la fuerza los &lt;a href="http://clandestina-rbemba.blogspot.com/2011/05/toma-la-calle.html"&gt;indignados&lt;/a&gt; de &lt;st1:personname productid="la Plaza" w:st="on"&gt;la Plaza&lt;/st1:personname&gt; de Cataluña en Barcelona. Para los que a&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ú&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;n dudaban de la utilidad de este movimiento, eso prueba que «&amp;nbsp;la democracia real no existe&amp;nbsp;». Todos somos unos indignados, pueden golpearnos, censurarnos, pero nunca cambiar&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;ó&lt;/span&gt;&lt;span style="font-family: Tahoma;"&gt;n nuestras ideas ni nuestro deseo de seguir la lucha, pués que esta tarde los indignados ya han recuperado la Plaça Catalunya…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Tahoma;"&gt;Ce matin 27 Mai 2011 les forces de police ont évacué les &lt;a href="http://clandestina-rbemba.blogspot.com/2011/05/toma-la-calle.html"&gt;indignés&lt;/a&gt; de &lt;st1:personname productid="la Place Catalunya" w:st="on"&gt;&lt;st1:personname productid="la Place" w:st="on"&gt;la Place&lt;/st1:personname&gt;&amp;nbsp;de Catalogne&lt;/st1:personname&gt;&amp;nbsp;à Barcelone par la force. Pour ceux qui doutaient encore de l’utilité de ce mouvement, &amp;nbsp;&amp;nbsp;preuve est faite que «la vraie démocratie n’existe pas&amp;nbsp;». Nous sommes tous des indignés, ils peuvent nous frapper, nous censurer mais ils ne pourront jamais changer nos idées ni notre envie de continuer la lutte puisqu'à l'heure où je publie ce post les indignés ont récupéré la PLace de Catalogne…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;This morning, May 27, 2011, police force evacuated the «&amp;nbsp;&lt;a href="http://clandestina-rbemba.blogspot.com/2011/05/toma-la-calle.html"&gt;indignados&lt;/a&gt;&amp;nbsp;» at &lt;st1:street w:st="on"&gt;&lt;st1:address w:st="on"&gt;Catalunya Place&lt;/st1:address&gt;&lt;/st1:street&gt; in &lt;st1:place w:st="on"&gt;&lt;st1:city w:st="on"&gt;Barcelona&lt;/st1:city&gt;&lt;/st1:place&gt; with violence. For those who still doubted the utility of this movement, this proves that “true democracy does not exist”. We are all “indignados”, they can strike us, censure us but they will not be able to change our ideas nor our desire to continue the fight 'cause the "indignados" have yet came back on the Catalunya Place…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;i&gt;Sources :&lt;/i&gt; &lt;a href="http://www.blogger.com/goog_1133096367"&gt;El Pa&lt;/a&gt;&lt;/span&gt;&lt;a href="http://politica.elpais.com/politica/2011/05/27/actualidad/1306489864_137130.html"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;í&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;s&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;object height="349" width="560"&gt;&lt;paramname="movie"value="http://www.youtube-nocookie.com/v/Geg_6Xoy04s?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;paramname="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;paramname="allowscriptaccess"value="always"&gt;&lt;/param&gt;&lt;embedsrc="http://www.youtube-nocookie.com/v/Geg_6Xoy04s?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"type="application/x-shockwave-flash" width="560" height="349"allowscriptaccess="always"allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span lang="EN-GB" style="font-family: Tahoma;"&gt;&lt;object height="349" width="425"&gt;&lt;param name="movie" value="http://www.youtube-nocookie.com/v/PtaNg8c8OtU?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube-nocookie.com/v/PtaNg8c8OtU?fs=1&amp;amp;hl=fr_FR&amp;amp;rel=0" type="application/x-shockwave-flash" width="480" height="390" allowscriptaccess="always" a
